Baauer, Channel Tres, and Danny Brown release house-forward bumper for GTA

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Baauer, Channel Tres, and Danny Brown release house-forward bumper for GTABaauer 3am

Baauer has joined forces with Detroit rapper, Danny Brown, and Channel Tres for a vocal-led, house-leaning bumper, “Ready To Go.” The track is featured as an exclusive single launching Brown’s new Grand Theft Auto radio station for GTA V. The beat was cooked up between the two electronic producers in Sholhmo’s LA studio, and Brown picked it up for a video game release.

With a strong vocal contrast between Tres’ monotone cadence and Brown’s energetic yield, a pseudo acid house percussion fits finely underneath the center stage voices. This is Baauer’s first 2019 release. The artist is known for a the decade-defining song, “Harlem Shake,” that became the No. 1 Billboard chart-topper just after the ranking system began taking into account YouTube statistics.

Photo credit: @baauer/Instagram

New Grand Theft Auto Track by Baauer & Channel Tres feat. Danny Brown Drops [STREAM]

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The post New Grand Theft Auto Track by Baauer & Channel Tres feat. Danny Brown Drops [STREAM] is published on LIVE music blog.

Rockstar Games has a hand in the music world especially as part of their Grand Theft Auto series, and news dropped recently that iFruit Radio would be a new radio show on the airwaves broadcasting around their game network featuring rapper Danny Brown as host. “Ready To Go” is the first track to drop from […]

The post New Grand Theft Auto Track by Baauer & Channel Tres feat. Danny Brown Drops [STREAM] appeared first on LIVE music blog.

Baauer & Channel Tres – “Ready To Go” (Feat. Danny Brown)

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iFruit RadioDanny Brown is getting his own radio show in the newest update of Grand Theft Auto Online: The Diamond Casino Heist. Named after the GTA universe’s iPhone parody, iFruit Radio features music by Skepta, Young Thug, Megan Thee Stallion, DaBaby, Travis Scott, ScHoolboy Q, and more. And it also features an exclusive track from dance … More »

Igloofest Montréal to return for 13th edition of the winter event series, including headliners Diplo, Above & Beyond and RL Grime

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Igloofest Montréal to return for 13th edition of the winter event series, including headliners Diplo, Above & Beyond and RL GrimeIGLOO18 20180126 PETER RYAU LARSEN 044 2

Montréal is no stranger to icy Canadian winters, but that doesn’t stop the local troops from getting down in the snow. Returning for the 13th edition of the winter event series, Igloofest has announced their annual three-weekend takeover at the city’s Old Port, welcoming all as they embark on nine evenings of frosty festivities.

As the outdoor festival officially commences Jan 17 and comes to a close Feb 2, attendees have the ticketing capabilities to frequent one, or all nights of the multi-weekend frenzy. With previous years of success establishing Igloofest as one of the most prominent electronic events in Montréal, the 2019 edition continues to impress with a large-scale list of headliners, including the likes of Diplo, Above & Beyond, and Maceo Plex as notable billings for each respective weekend. Alongside the aforementioned acts, Igloofest boasts nights that bring out a double-dose of headliners such as longstanding techno masterminds Chris Liebing and Mind Against, and heavyweight trap heads RL Grime and Baauer over the course of two nights.

While some may shy away from the idea of an outdoor winter dance party, previous years have seen as many as 120,000 bundled-up attendees flock to the venue over a single season. Winter may not seem the preferred season for festivals, but Igloofest is here to disprove that narrow notion.

GA and VIP passes for Igloofest 2019 are available for purchase here.

Igloofest Montréal to return for 13th edition of the winter event series, including headliners Diplo, Above & Beyond and RL GrimeIgloofest Program

Photo credit: Peter Ryaux Larsen

Baauer releases new track, ‘Tep Tep,’ as part of LuckyMe’s yearly advent calendar

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Baauer releases new track, ‘Tep Tep,’ as part of LuckyMe’s yearly advent calendarBaauer Press Shot

Every year, LuckyMe Records puts together their “advent calendar” of music with a wholesome goal: sharing great new music while donating to a worthy cause. After releasing songs from Lunice, Hudson Mohawke, and S-Type in support of the ACLU in 2017, the British label has chosen to donate to Creative Commons this year. Following the release of songs from Jacques Greene, Littlebabyangel, and more, LuckyMe veteran Baauer is the most recent artist to join in on the action with his new single, “Tep Tep.”

A quintessential Baauer track, “Tep Tep” matches the dark and atmospheric style of trap the producer is known for. With a growling bassline and chopped, pitched-up, and distorted vocals, Baauer pulls out all the stops for the LuckyMe project.

To see the rest of the calendar and donate to Creative Commons, head over to the LuckyMe 2018 advent calendar.

Relive RL Grime and Baauer’s legendary B2B at Sydney’s Metro Theatre

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Relive RL Grime and Baauer’s legendary B2B at Sydney’s Metro TheatreBaauer Rl Grime

A performance of the ages at Sydney’s Metro Theatre has been immortalized. Trap legends RL Grime and Baauer threw down what will likely be considered a legendary B2B in Australia’s largest city. To start things off, the electronic trap trendsetters began the set with a crowd rattling mix of Baauer’s “Harlem Shake” and RL Grime’s “Era.”

The set lasted for an hour and 40 minutes, unearthing loads of trap gold and accompanying genres while also making sure to include creative edits, crossover collaborations, and cult classics. While keeping with up-to-date hype with “Mo Bamba” by Sheck Wes or rewinding back to the electro trap glory days with Baauer’s remix of Rollup by Flosstradamus, the set was quite the holistic exploration between the two veteran electronic musicians.

Other artists the B2B was sure to hit were Skrillex, MigosTravis ScottTNGHTParty Favor, Flux Pavilion, GalantisGesaffelsteinBoombox CartelWhat So Not, Disclosure, Flume, and many many more.

Baauer releases new song and video, ‘Company’

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Baauer releases new song and video, ‘Company’299f233f56733cb9d114354ca03eb319c5058a3c

Baauer has dropped a new single entitled “Company.” Paired with a video animated and directed by Jonathan Zawada — whom fans may recognize as the man behind Flume’s Skin album artwork — “Company” was premiered this week as Zane Lowe‘s World Record as the latest in a string of collaborative work from Baauer throughout 2018. But while he’s made appearances on a variety of work that has seen the Philadelphia artist flex his creative muscles, “Company” is his latest solo effort. Featuring intimate, future bedroom production that moves in perfect lockstep with Soleima’s featured vocals, the track evolves into a sweeping and welcoming soundscape supported by roots in R&B, hip-hop and house.

“Company” might be a one-off release, but the single adds to a year that in hindsight will surely be a year of growth for Baauer.

AlunaGeorge releases six-track EP, ‘Champagne Eyes’

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AlunaGeorge releases six-track EP, ‘Champagne Eyes’Unnamed

AlunaGeorge have released their first self-released EP entitled Champagne Eyes. The British duo made up of Aluna Francis and George Reid produced the whole release during time spent in New York City, where they made the focus of the EP to return to the sound that fueled their breakout release Body Music in 2013. Alluring, sexy beats partnered with lyrics that delve into sex, power, and the fluidity and complexity of identity have become AlunaGeorge’s trademark, further explored this time through each track on Champagne Eyes.

Featuring collaborations with R&B artists Cautious Clay and Bryson Tiller, the EP covers a dreamy swath of electronic and soulful sounds. It also sees the duo reconnect with Baauer on a track, after he remixed “Attracting Flies” off of their first album in 2014. Champagne Eyes serves as a welcome comeback for the duo as they explore their signature style in a new, more seasoned way.

The real and the virtual bleed together in Baauer and Miquela’s ‘Hate Me’ music video [Watch]

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The real and the virtual bleed together in Baauer and Miquela’s ‘Hate Me’ music video [Watch]Baauer Miquela Hate Me Music Video

It’s a brave new world for computerized pop stars, as Baauer dives headfirst into a collaboration with AI influencer, Miquela on their bizarrely genius track “Hate Me.” In an unabashedly meta affair that could only occur in 2018, the track’s themes are centered around naysayers and detractors of the digital personality’s validity. Now, a brand new music video for the song has arrived that brings these ideas to life with stunning visuals, including choreography by Jae Blaze of Kanye West’s “Fade” video fame.

The song expertly blends an upbeat Baauer beat with deceptively defiant vocals, and in many ways, the video follows suit. The two-and-a-half-minute clip is dominated by energetic choreography, with dancers holding court in a sun-washed warehouse that puts all the focus towards the movement. Carefree moments intertwine with raised fists and confidence as the dancers power the track forward. Although Miquela shows up only for a few brief cameos, her appearance offers an instant contrast between the real and the virtual.

Gammer injects A-Trak and Baauer’s “Dumbo Drop” with heavy-handed bass [Stream]

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Gammer injects A-Trak and Baauer’s “Dumbo Drop” with heavy-handed bass [Stream]A Trak DJs Gotta Dance More Music Video

Gammer has remixed “Dumbo Drop,” the memorable 2017 collaboration from dance music veterans A-Trak and Baauer. The duo linked for a limited run of shows and a pair of joint releases to close out the year.

The original quickly proved itself as a stunner with a underground-inspired house style and, of course, signature quirkiness and out-of-the-box thinking that we expect from both of the artists who created the track. Now, with UK bass master Gammer entering into the mix nearly a year after the track’s original release, “Dumbo Drop” has been completely transformed into a gritty, forward-thinking new track whose spitting, acidic bass is just one piece of its fascinating puzzle. The remix brings a drum and bass-inspired build up that feels like the heaviest part of the track, quickly dropping into bulldozing bass hits. It’s one that will sear into your memory.