WHIPPED CREAM and LICK release moody collaboration, ‘The Greatest’ [Stream]

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WHIPPED CREAM and LICK release moody collaboration, ‘The Greatest’ [Stream]WHIPPED CREAM 2

Rising artists WHIPPED CREAM and LICK collaborated for a deliciously dark release on Zeds Dead’s own Deadbeats imprint. “The Greatest,” is moody, sinister dubstep—gripping and explosive in nature.

“The Greatest” begins with ominous trumpet-like synths and works into a drum line drop, not before a chillingly deep vocal chop claims, ‘I’m the greatest.” The track only intensifies as it progresses, an irresistible trait of a headbanger’s delight. Primal and electrifying, LICK and WHIPPED CREAM’s joint effort is a declaration from both artists, staking their claim in dirty dub game.

H/T: Run the Trap

NMF Roundup: Mat Zo gets fired up with ‘Motivate,’ Lost Frequencies remixes Martin Garrix + more

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NMF Roundup: Mat Zo gets fired up with ‘Motivate,’ Lost Frequencies remixes Martin Garrix + moreMat Zo 3

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Mat Zo has unleashed a brand new Mad Zoo compilation into the world, complete with a new original from the head honcho himself: “Motivate.” Lost Frequencies puts his spin on Martin Garrix, Macklemore, and Fall Out Boy’s “Summer Days,” and Whipped Cream and LICK team up for “The Greatest.” Cedric Gervais joins forces with MJ Cole and Freya Ridings on “Waking Up,” and MK takes on Mark Ronson and Camila Cabello’s “Find U Again.” BIJOU flexes his hefty house chops on “Floetry,” and Dimitri Vegas & Like Mike, David Guetta, Daddy Yankee, Afro Bros, and Natti Natasha deliver a mega-collab called “Instagram.” Foxen remixes Gill Chang and glasscat on “One For You,” and Leandro Da Silva has released a take on Oliver Heldens, Devin and Nile Rodgers’ “Summer Lover.” Sick Individuals, Justin Prime, and Bymia team up for “Not Alone,” and Frank Walker delivers his cut of Kygo and Chelsea Cutler’s “Not Ok.” Don Diablo has remixed Zara Larsson’s “All the Time,” and MOTi and Riggi & Piros collaborate on “Habibi.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Rukes

Voodoo brings electronic to New Orleans with Bassnectar, REZZ, ZHU, Jai Wolf, Peekaboo + more

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Voodoo brings electronic to New Orleans with Bassnectar, REZZ, ZHU, Jai Wolf, Peekaboo + moreVoodoo 2018 Katrina Barber C3 Press

Another installment of New Orleans festival Voodoo has officially arrived, bringing 65-plus acts across diverse genres together for one jam-packed Halloween weekend. Taking place in New Orleans’ City Park on the Festival Grounds during weekend of October 25-27, the music and arts experience has attracted more than 2000 artists to play since its 1999 debut. Voodoo’s programming traditionally focused on rock and punk artists, having hosted Marilyn Manson, Red Hot Chili Peppers, Pearl Jam, Metallica, Duran Duran, Nine Inch Nails—to name a few. However, over the past years Voodoo Fest has notably expanded their roster to an eclectic curation of genres; electronic has undeniably crept in as a prominent one.

This year, Voodoo welcomes headliners Guns N’ Roses, Post Malone, and Beck while simultaneously featuring big electronic acts including Bassnectar, ZHU, REZZ, The Glitch Mob, Big Gigantic, and more. Newcomers disrupting the scene like WHIPPED CREAM, Elohim, Peekaboo, and k?d also grace the lineup.

GA three-day tickets start at $140 and go on sale at 10 a.m. CST June 6. See the full lineup below and purchase tickets here.

Voodoo brings electronic to New Orleans with Bassnectar, REZZ, ZHU, Jai Wolf, Peekaboo + moreVoodoo 2019

Photo Credits: Katrina Barber/C3

Listen to WHIPPED CREAM’s stunning set at EDC’s Circuit Grounds

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Listen to WHIPPED CREAM’s stunning set at EDC’s Circuit GroundsWhipped Cream Sourced From Her Facebook

Closing out a stage at EDC Las Vegas is an intimidating task for any artist, but the burgeoning WHIPPED CREAM did so with ease. The Canadian-born bass artist held nothing back as she took the festival’s Circuit Grounds stage for its final run, giving onlookers a final, enormous burst of energy with cuts like Gesaffelstein‘s “Pursuit,” Skrillex‘ remix of “Humble” by Kendrick Lamar, the RL Grime/What So Not classic “Tell Me,” and an array of her own originals. The set riled the crowd and instantly became a cult favorite among EDC goers, and now the cult favorite performance has been releases exclusively on Apple Music for all to hear and relive.

WHIPPED CREAM has seen skyrocketing success in recent years. After five years cutting her teeth on the circuit, the past couple have seen her taking the stage at mega festivals like Ultra Miami, Shambhala, and Lollapalooza all while selling out tour stops across North America. On the musical front, her recent re-work of ZHU’s “Desert Woman” ended up becoming a huge hit, while she also received widespread support for her second record on Mad Decent, “Time.” She’s established herself as a key talent to watch as she continues her ascension into the top ranks of bass music.

Photo Credit: Facebook/WhippedCream

WHIPPED CREAM continues to impress with her second Mad Decent release of the year, ‘Time’

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WHIPPED CREAM continues to impress with her second Mad Decent release of the year, ‘Time’WHIPPED CREAM Press Photo

Following the dark and cinematic “You Wanted It,” WHIPPED CREAM flexes another twisted soundscape, “Time,” with the soothing heavy-hitting bass rumbling alongside DeathbyRomy’s ethereal vocals. The hauntingly beautiful track has been released on Diplo‘s Mad Decent imprint. Through orchestral chord progressions, menacing harmonies, and complex drum rhythms, WHIPPED CREAM continues to push her production talents toward the edge.

“‘Time’ is a record that was created to make you feel something,” WHIPPED CREAM said of her new track in a release. “When I sent Romy the record I told her to write something as if you were trying to change the world. She came back with these lyrics that sent chills all over my body. We hopped in the studio a short time after and she absolutely bodied the song. Such a joy to work with a vocalist who can complete your vision.”

NMF Roundup: Tame Impala returns, JOYRYDE teams up with GOLD, Gorgon City deliver ‘Delicious’ + more

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NMF Roundup: Tame Impala returns, JOYRYDE teams up with GOLD, Gorgon City deliver ‘Delicious’ + moreJOYRYDE Photo Credit Koury Angelo

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Tame Impala returns for the first release since 2015’s Currents with the appropriately titled “Patience.” JOYRYDE continues to show 2019 is his year with the release of “YUCK” with GOLD, and Dabin reveals his sophomore album, Wild Youth, featuring tracks like “Home” with Essenger. Gorgon City deliver the tasty “Delicious,” and Illenium teams up with Kameron Alexander for the soulful “Pray.” Tiësto kicks off NMF with a bouncy big room number, “Can You Feel It,” and Blasterjaxx tap Jack Wilby for “Super Friends.” DJ Snake and Eptic take us to the “SouthSide” with their new bass-heavy collaboration, and Kölsch and Sasha deliver a meditative joint effort, “The Lights.” Zedd reveals a remix pack for “365” and Whipped Cream warps listeners’ eardrums on “Time.” Delta Heavy and Muzzy join forces for s hefty drum & bass tune, “Revenge.” Sofi Tukker paint a relaxing soundscape in “Fantasy,” and Lost Kings unveil a remix pack for “Don’t Kill My High,” which includes a rock-inspired take from Sullivan King. SNBRN gets ready for warm weather with “Feel My Love” and Maya Jane Coles takes on Hozier in her latest remix.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Koury Angelo

WHIPPED CREAM drops heavy remix of ZHU’s ‘Desert Woman’

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WHIPPED CREAM drops heavy remix of ZHU’s ‘Desert Woman’14231291 1124202554335047 1508321124958206794 O E1545491183985

Electronic artist WHIPPED CREAM has been defining her status as one of the top-tier talents to watch out for in 2019, and her most recent remix of ZHU‘s “Desert Woman” shows she has no sign of stopping. Drawing early inspiration from the likes of Boys Noize, Dog Blood, Eprom, Baauer and others, WHIPPED CREAM has been making major moves in the past few years including signing to Prodigy Artists —home to JOYRYDE, SLANDER, and NGHTMRE— and a string of music releases including her Persistence EP

WHIPPED CREAM’s remix fleshes out a sinister revamp of ZHU’s track with a hard-hitting drop that gives it all. Building up with slowed-down vocals, intense reverb, and percussive shakers, the artist delivers a frenzied, multifaceted remix with a perfect balance of glitch and punchy bass that refuses to be anything close to formulaic. Transforming a track like “Desert Woman” into an unrecognizable listen is no piece of cake, but WHIPPED CREAM’s depth as a producer continues to prove no boundaries to her evolving trap sound.

WHIPPED CREAM shows her dark side with new single, ‘You Wanted It’

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WHIPPED CREAM shows her dark side with new single, ‘You Wanted It’WHIPPED CREAM 2

Vancouver Island-based producer WHIPPED CREAM displays her flair for the dark side with her newest single, “You Wanted It.” Inspired by her personal life, the track is ominous yet energizing, and it’s the perfect representation of WHIPPED CREAM’s hard-hitting style.

The track itself features cinematic soundscapes and her own vocals. The build is nothing short of soul-grabbing with heavy bass notes coupled with intense staccato chanting that envelop the listener. The producer spoke about her motivation behind creating the track in an official release, stating, “‘You Wanted It’ is about the memory of someone who is toxic still lingering in my mind. It’s a song to myself. I wanted it…but not anymore.”

“You Wanted It” is the beginning of a big year for the producer, and it’s out now via Mad Decent.

Photo credit: Big Beat

NMF Roundup: Medasin returns with ‘Mr. Skitters,’ i_o teams up with Tommy Trash, Feed Me releases first single from new album + more

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NMF Roundup: Medasin returns with ‘Mr. Skitters,’ i_o teams up with Tommy Trash, Feed Me releases first single from new album + moreStatement Festival Annika Berglund

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Above & Beyond kick off New Music Friday in fine fashion with their new single, “Distorted Truth.” Tommy Trash and i_o unleash their much-anticipated collaboration, “Let Me Go,” and Medasin returns with his first original of 2019, “Mr. Skitters.” Diplo and Octavian make an impeccable team on “New Shapes,” as do Feed Me and Rosie Doonan on “Feel Love.” Hardwell and Dannic unveil “Chase The Sun,” and Au5 rounds out his two-track Energize EP with “Activate.” The Chainsmokers bring another pop-inspired number via “Who Do You Love” with 5 Seconds of Summer, and David Guetta, Brooks, and Loote gear up for festival season with “Better When You’re Gone.” Quintino can’t be brought down in his new single, and Pixel Terror return to Monstercat with “Ultima.” Tisoki delivers a fresh remix of Party Favor‘s “Blame,” and Jay Hardway takes off into the atmosphere with “Aliens.” R3HAB joins forces with Icona Pop for “This Is How We Party,” and Darude and Sebastian Rejman craft a euphoric dance number in “Release Me.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Annika Berglund

Dancing Astronaut’s Ones to Watch in 2019

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Dancing Astronaut’s Ones to Watch in 2019Da Ones To Watch

The dance music landscape of 2018 is more varied than it’s ever been. Artists of today show no fear in breaking free from the styles for which they’re known, leading to some of the most innovative and intriguing productions we’ve ever seen. This time of year, we take time to reflect on artists who have really come into their own in 2018 — and who show unparalleled promise in the years to come. The following artists have shown unrivaled creativity and have steadily garnered a fan base that’s embraced their inventive spirit.

Without further ago, we present our Ones to Watch in 2019 compilation.


i_o

by Bella Bagshaw

Dancing Astronaut’s Ones to Watch in 2019I O E1545432899152The deadmau5-housed mau5trap has proven itself in recent years a breeding ground for fierce, albeit offbeat, talent. Its newest young gun, i_o, has spent 2018 serving up some of the most nuanced techno and dark electro in the electronic atmosphere, with his middle finger perpetually pointed at convention and genre elitists, most acutely by way of his internet sensation “Not Techno.”

The dark shadow and computer-hacker-esque persona the producer has cast over his alias has incited widespread intrigue. Abundantly inspired by the mau5 himself, i_o’s productions are liable to send tremors and a dose of madness through any dance floor. From his debut EP, ANALOG//DDoS, to his most recent hypnotic, low-end-wielding Low EP, i_o doesn’t ask for his listeners attention, he implores it. It’s not a glitch in the matrix; it’s i_o.


Fisher

by Will McCarthy

Dancing Astronaut’s Ones to Watch in 2019Fisher 2017 Billboard 1548 E1545432832654It’s difficult to fathom a more meteoric rise in dance music than Fisher had in 2018. Outside of the cadre of Cut Snake devotees, the brashly blithe Australian artist was virtually unknown prior to this year. Yet, as the year draws to a close, Fisher has become all but ubiquitous through befuddlingly basic, but expertly-produced tech house productions.

After “Stop It” and “Crowd Control” swiftly became festival favorites across an eclectic array of DJs’ decks, he solidified his legacy earlier this month with a Grammy nomination. Love him or hate him, anyone who doesn’t consider Fisher an artist to watch in 2019 is, unequivocally, “Losing It.”


Golf Clap

by Josh Hymowitz

Dancing Astronaut’s Ones to Watch in 2019Golf ClapHugh Cleal and Bryan Jones were born in the Detroit underground, throwing parties and building their credibility among local and international talent alike. However, it’s in 2018 when Golf Clap really started to break into the limelight as house music connoisseurs.

The duo is stellar behind the decks, receiving support from Sirius XM with a live broadcast of their AMF Music Festival set on Diplo’s Revolution (as well as an official Cookout mix premiered by DA). Their DJ skills also translates to seamless remixing ability, with groovy official remixes for Zeds Dead & Illenium on Deadbeats, Louis The Child on Interscope, rising indie-pop duo Broods on Atlantic, and more. They’ll head into 2019 with boundless forward momentum, ringing in the New Year at Spybar Chicago and gearing up to provide direct support for AMF curator Destructo at 45 East Portland.


Spencer Brown

by Bella Bagshaw

Dancing Astronaut’s Ones to Watch in 2019Spencer Brown Windows 95 On Acid E15454346534292018 is the year Spencer Brown‘s illusions became his truth. His debut album on the ever-influential AnjunadeepIllusion Of Perfection served as the invariably expedient vessel to his success this year. The album is nothing short of progressive house éclat, with its halcyon aesthetic and journey-like vigor. Unsurprisingly, the otherworldly project gave life to its name, permeating through respective charts.

The authentic and expectation-eclipsing nature of the young San Franciscan native’s sparkling productions have raved across EDM airways, amassing plays from Electric Area to Tommie Sunshine to Pete Tong. With support from the likes of industry excellence like Above & Beyond in his corner, Brown is poised for another outpour of greatness in 2019. 


Midnight Kids

by Farrell Sweeney

Dancing Astronaut’s Ones to Watch in 2019Midnight Kids E1545416155214

Few artists amass more than 8 million streams on their very first single and follow up with a high-profile collaboration for their second. Ever fewer receive the support of artists such as The Chainsmokers, Don Diablo, and Gryffin within six months of starting in the industry. Dylan Lee and Kyle Girard have done just that within their first year as public-facing artists, producing music under the moniker Midnight Kids.

Debut single “Find Our Way” went onto become a BPM-breaker on SiriusXM, and follow-up single “Serious” featuring Matthew Koma hit 1 million streams in less than a month. The duo made their debut live performance opening for Alesso in Los Angeles, and as the year is coming to a close, they have had six releases signed to Proximity. Midnight Kids have achieved in one year what it takes many newcomers years to achieve. If 2018 is any indicator of what to expect in 2019, fans can prepare to be hearing a lot more of them.


1788-L

by Chris Stack

Dancing Astronaut’s Ones to Watch in 20191788 L Logo1788-L saw a major rise in prominence in 2018 through deliberate remix work of artists like Daft Punk, Virtual Self, Kraftwerk, and Skrillex. The glitched-out, cinematic, headbanging rhythms from the computer-focused hidden figure found their way on REZZ‘s Certain Kind of Magic album and Illenium‘s “Sound of Where’d You Go” Awake remix album. He also did official remixes for The Glitch Mob and RL Grime.

In addition to these massive collaborations, 1788-L released a debut EP, S E N T I E N C E, which showcased the artist’s unique, narrative style and precise sound design. The producer also supported REZZ and Ekali on tour, while playing as a surprise guest at Das Energi in Utah, and for the new year is a part of Texas’ Lights All Night lineup.


Swardy

by Robyn Dexter

Dancing Astronaut’s Ones to Watch in 2019Swardy Here On My OwnSince 2011, The M Machine‘s Ben Swardlick and Eric Luttrell have wowed fans with OWSLA releases and first-rate remixes for the likes of Bruno Mars, Madeon, Empire of the Sun, and more. In 2017, they made their first appearance on Mat Zo‘s Mad Zoo label, releasing their debut full-length, Glare.

In recent years, the duo have been trying their hands at solo projects, with Luttrell joining the Anjuna family and Swardlick striking out as Swardy. Following a debut release as Swardy for Robotaki‘s “Restless,” Swardlick unveiled his first original, “Here On My Own,” which caught the ears of fans across the music spectrum (and Porter Robinson!) with its calming vocals and minimalist instrumentals. It made the perfect opener to what would later become the full-fledged Here On My Own EP, which was released on Mad Zoo in July to much praise. Time will tell what Swardy has in his arsenal, but it’s guaranteed to be innovative and as refreshing as Here On My Own.


Nitti Gritti

by Robyn Dexter

Dancing Astronaut’s Ones to Watch in 2019IMG 1264 E1545494496571In a short amount of time, Nitti Gritti has become an EDM household name. The Miami-based producer polished off 2017 with a massive EP on Tchami‘s CONFESSION and dove headfirst in the new year with a well-received dubstep original, “Crack.” Flexing his versatility, Nitti Gritti teamed up with Wuki to produce Enrique Iglesias and Pitbull’s “Move To Miami” and followed it with an alternative rock-based EP in June.

Nitti Gritti’s final body of work of the year, Drive, was delivered via Mad Decent in October, but he didn’t slow there. His November remix of Dillon Francis‘ “White Boi” garnered attention for its use of heavy-hitting jungle terror drums, and he capped 2018 with the bass-filled “Forbidden Kingdom Anthem” for the Florida festival’s inaugural edition in February.


Whipped Cream

by Steph Evans

Dancing Astronaut’s Ones to Watch in 201914231291 1124202554335047 1508321124958206794 O E1545491183985The buzz around WHIPPED CREAM has been steadily gaining momentum since her debut in 2015, but 2018 has been the year she’s really started to make her mark. With her DJ skills as her backbone, WHIPPED CREAM has built a unique artist act born in bass music, but with hip-hop and melodic influences that have provided a signature all her own.

After making her first big statement in 2017 with a debut EP, this year brought WHIPPED CREAM to a new, more confident freedom in her music. Three singles, “Blood,” “Bad for Me,” and “LUV,” marked a new era of partnership and support from the dance legion at Big Beat Records. Now armed with sold-out shows and a solid footing in her musical style, WHIPPED CREAM is gearing up for big things in 2019.


Deathpact

by Chris Stack

Dancing Astronaut’s Ones to Watch in 2019Deathpact

Deathpact rose from the ashes after “Life & Death,” a collaboration with REZZ, off her sophomore Certain Kind of Magic album. Since then, the mystery-shrouded has released two EPs, Cipher One and Cipher Two, collecting multiple New Music Friday releases off Spotify. The high-caliber bass house productions, immediate press exposure, and a reprise of ODESZA‘s “Loyal” supported by Harrison and Clayton themselves has caused the electronic community to ask questions about the talented and connected person behind the calculated brand.

Fans started a chat room on Discord to explore the mystery and bring hypothesis as to the producer’s identity. Through cryptic websites and encoded text messages, Deathpact reached the coding community enthralled in darkness, mystery, and complex identities. The enigma hasn’t even started touring yet and is already on the watch.