Splash House announces stacked August lineup

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Splash House announces stacked August lineup2019 SplashHouse June 109934

On the heels of another successful June edition, Splash House just dropped a huge lineup for August. Across three days and three resorts, DJs from multiple facets of dance music will provide an exquisite summer soundtrack.

Topping the bill are Dirtybird boss Claude VonStroke, symphonic house maestro Lane 8, and a special DJ set from Toro y Moi, among others. Some standouts from the rest of the roster are the Eric Prydz prodigy Cristoph and Pat Lok who will surely deliver a set full of diverse vibes.

As always, the party continues into the night all three days at the Palm Springs Air Museum with Hot Since 82, Mark Knight, and Walker & Royce slated to headline throughout the weekend. Check the full August lineup for Splash House below.

Splash House announces stacked August lineupSplash House Poster Lineup Billboard 1240

Walker & Royce – Bodies Do The Talking

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Walker & Royce – Bodies Do The TalkingWalker Royce 1

In 2017, Self Help became one of DIRTYBIRD‘s top LP releases while also establishing Walker & Royce as high caliber house talents with crossover appeal. It was a truly seminal output for the duo, who went on to tour internationally and further increase their global presence. They’ve officially returned to their Self Help home for their first solo release there in nearly two years—and what a grand homecoming it is.

Bodies Do The Talking is a heady two-tracker. In fact, both of its offerings pack in so much power that one could argue the EP is a double A-side. It starts off deceptively, with smoothed, lo-fi textures in its title track leading listeners to believe they’re in for a mellow ride. Suddenly, however, these pleasant textures give way to absolute destruction, as cunning synth progressions explode over powerful percussion. “Uh-Oh” is the groovier of the two, causing a strong impact on its own via creeping vocals and tense, buzzy hardware buildups that give way to a wild climax. This EP seems to have been made with big crowds in mind, and is certainly effective in its pulverizing mission based off reactions thus far.

Do LaB announces 15th anniversary Coachella lineup, featuring Pete Tong, Mr. Carmack, The Floozies, and more

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Do LaB announces 15th anniversary Coachella lineup, featuring Pete Tong, Mr. Carmack, The Floozies, and moreCoachella Do LaB Stage 2016 Weekend 2 Daniel Zetterstrom 50

An annual highlight at California’s Coachella Music & Arts Festival, Do LaB‘s carefully curated musical stage coalesces expert electronic acts, for a high caliber lineup within the festival’s larger billing. A cornerstone of the Coachella experience, Do LaB will present its themed stage at the 2019 edition of the multi-weekend affair for the 15th year. The longevity of the Do LaB stage at Coachella evidences Do LaB’s consistent ability to wow Coachella crowds with its collection of artists, and judging by the newly unveiled lineup, 2019 will be no exception.

Do LaB’s lineup joins noteworthy up-and-comers with established industry greats, for a balanced mix of novel and veteran acts. The lineup accordingly touts Dom Dolla, Dombresky, Escapade (a duo comprised of Dirtybird Collective label mates, Walker & Royce and Ardalan), The Floozies, Mr. Carmack, Sonny Fodera, Dance SpiritPete Tong performing with a yet-to-be-named guest, and more.

While the 2019 lineup touts a wealth of stellar electronic entities, those familiar with Do LaB’s history of production know the expression “expect the unexpected” to be salient advice. Do LaB routinely surprises attendees with unannounced sets from dance favorites, in past years bringing the likes of Skrillex, Major Lazer, and Richie Hawtin to the stage without much advance notice.

Do Lab at Coachella 2019 Lineup:

Do LaB announces 15th anniversary Coachella lineup, featuring Pete Tong, Mr. Carmack, The Floozies, and moreDo LaB Coachella 2019 Lineup

Lunar Lunes: Chet Porter remixes ODESZA, Walker & Royce spread the ‘Word,’ YehMe2 takes on the Spice Girls + more

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Lunar Lunes: Chet Porter remixes ODESZA, Walker & Royce spread the ‘Word,’ YehMe2 takes on the Spice Girls + moreODESZA Bumbershoot 8 Jonathan Gipaya

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

As part of ODESZA‘s newest set of A Moment Apart remixes, Chet Porter has put an ethereal spin on album standout, “Line of Sight.” Louis Futon flips James Blake’s “Retrograde” in his newest release, and YehMe2 takes on the Spice Girls’ iconic “Wannabe” in his freshest remix. BIJOU has released some new house heat on Insomniac Records, and Walker & Royce have done the same on HotBoi Records with “Word.” The Knocks reveal the latest to remix a New York Narcotic track: Wankelmut with a funky new take on “Retrograded.” DUCKY thrills with a new EP, and formidable Swarm puts a dark twist on Roniit’s “Visceral.” Dustycloud returns to Tchami‘s CONFESSION imprint with “Reckless,” and Braxton channels nighttime vibes with a new Anjuna release, “When The Sun Goes Down.” Sweekuh taps Love, Alexa and Faze on a new single, “Where Do We Let Go” and R3HAB turns the energy up on Mabel’s “Don’t Call Me Up.”

The selection is updated every Lunes (Monday).


Photo credit: Jonathan Gipaya

Dancing Astronaut’s Top Tracks of 2018

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Dancing Astronaut’s Top Tracks of 2018Skrille 1

Paring down an entire year’s worth of songs is no easy feat.

2018 saw the explosion of songs like ZEDD‘s “The Middle” and Calvin Harris and Dua Lipa‘s “One Kiss,” dominating both the dance music charts and the radio airwaves. Ear-catching tracks like these, along with fan favorites like FISHER‘s persuasive “Losing It” and Anti Up‘s entertaining “Pizza” wiggled their way into festival sets around the world and — love them or hate them — stood out as notable tracks that do their part in immortalizing this whirlwind of a year.

We also saw a creative collective of remixes surface in 2018, including Rinzen‘s compelling take on deadmau5 and Rob Swire‘s hit “Monophobia” and Skrillex‘s intoxicating rendition of Travis Scott‘s “Sicko Mode.” We celebrated the return of Gesaffelstein with “Reset” and welcomed new projects from Diplo in LSD and Silk City. We welcomed collaborations from Ekali, Medasin, and Elohim in “Forever,” Tiësto, Dzeko, Post Malone, and Preme in platinum smash hit “Jackie Chan,” and ZHU and Tame Impala in “My Life.”

Ultimately, though, we’ve narrowed 2018 down to 30 tracks that stole our hearts and smashed streaming records.

Walker & Royce join in to remix The Knocks & Sofi Tukker’s ‘Brazilian Soul’

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Walker & Royce join in to remix The Knocks & Sofi Tukker’s ‘Brazilian Soul’Walker And Royce 5

A few months after the debut of The Knocks‘ latest album New York Narcotic, the album’s most successful single has gotten a re-up with the release of the Brazilian Soul Remixes EP. The new iterations of the song see it evolve from its original style as a funky and laid-back summery groove, into broader electronic territory.

Leading the way on the release is Brooklyn-based tech house outfit Walker & Royce, who have brought “Brazilian Soul” to the club for techno fans, followed by a big room remix from FTampa. The EP also includes an ’80s-influenced electronica take from Gilligan Moss as well as an “Acoustic Bossa Version” that features a gorgeous arrangement of ukuleles and vocals.

NMF Roundup: KOAN Sound return with debut LP, Dillon Francis unleashes ‘LFGD,’ SNBRN remixes Hotel Garuda + more

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NMF Roundup: KOAN Sound return with debut LP, Dillon Francis unleashes ‘LFGD,’ SNBRN remixes Hotel Garuda + moreKoan Sound

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

The release of the NINJAWERKS Vol. 1 compilation album this week brings new tunes from some of dance music’s biggest names, including Dillon Francis and Kaskade. Andrew Bayer has joined forces with Ane Brun for the gorgeous “Love You More,” out on Anjunabeats. RL Grime has revealed a colossal set of remixes for NOVA, including a formidable rework of “Rainer” by k?d. KOAN Sound burst back onto the scene with the release their debut full-length, Polychrome. HEYZ works wonders in his new single with darkDARK, “Darkest Little Friend.” Hardwell delivers some sunshine in the form of “How You Love Me” with Conor Maynard and Snoop Dogg. Nicky Romero flips Jess Glynne‘s “Thursday” in his newest, and NGHTMRE and Big Gigantic make magic with “Like That.” Cloonee keeps the beat rocking with a feel-good take on Matoma‘s “Sunday Morning,” and Ekali strips “Leaving” down for a serene, acoustic rendition.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

[Q&A] Meet the artists bringing the house down at Mamby: Walker & Royce

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walker & Royce

Since 2015, Mamby On The Beach has been allowing Chicago’s festival-goers to relish a diverse roster of acts right from the lakefront, the awe-inspiring Chicago skyline as its backdrop. Perched quite literally atop the sands of Oakwood Beach, Mamby is known for its eclectic lineup, which this year features everything from Chicago rapper, Common, to the indie accents of Cold War Kids, along with ample electronic titans like Gorgon City, Duke Dumont, and Jai Wolf. Dancing Astronaut sought to get a closer look at a few of the festival’s cant-miss house acts before Mamby hits the beach June 23-24. 

Sam Walker and Gavin Royce of Walker & Royce know that two house heads are better than one. The pair weaved through several of dance music’s most sought after labels, including Crosstown Rebels and Green Velvet‘s Relief Records, before finding an imprint they felt at-home enough to release Self Help, their first studio album, under: the equally eccentric Dirtybird Records. Even before the album’s release, its zany lead single “Take Me To Your Leader,” featuring Dances With White Girls, swept across festival grounds in 2017 like a quirky, four-on-the-floor Hallelujah chorus.

Walker & Royce put the fun back in dance music, with their animated sampling and groove-heavy club hooks. Though lighthearted, the duo’s music is anything but elementary, propelled by a meticulous, image-oriented sound design. Most recently, the two teamed up with another house habitué and dance music effigy, Chris Lake, for their percolating, two-track EP, Close Your Eyes. 

The guys sat down with DA to speak a bit about working with Lake, their group dynamic, and what they’re looking forward to most about Mamby before they hit the Mixmag Tent Sunday, June 24.

Tickets to Mamby On The Beach, as well as the full lineup, can be found here


How are you guys feeling about coming back to Chicago? You guys played at Spybar last year, right?
Sam: Yeah, literally one of the best gigs we ever had.

Gavin: We always love coming to Chicago to begin with. It’s one of my favorite cities in the world. It’s exciting to come back to Chicago in more of a festival setting, and then we still get to come back to Spybar afterwards.

How does working with the Dirtybird team compare to working at the other big dance music hotbeds you’ve worked with in the past?
G: With Dirtybird, and it’s nothing against the other ones, but I feel like we fit in more. It feels more at home for us, and more like a family. I’m sure other people have the same feeling about other labels. But with us it felt like the right place. They made us feel comfortable and not self conscious about what we wanted to do with the music. Even before we started doing the album, we were feeling that way. And then when that came up, we felt like it was really the right home for us to make the album we wanted to make.

You think your music fits in pretty well there?
G: I don’t think that we were typical Dirtybird. It fits in there, but is also kind of pushing the Dirtybird sound forward maybe, too. We kinda have our own unique sound. We don’t take ourselves insanely seriously with our music. We want it to be fun.

S: Sometimes we’ll start thinking about something when we’re writing music. We’ll think of like animated robots, but quirky, crazy, cartoony. And you almost have that sort of mental picture when you’re putting a track together—sonically fitting that image to couple it with.

What release would you guys say you’re most proud of thus far and why?
G: I can’t not say the full album. It was such an endeavor. We had this vision, and there was a time when we didn’t think it was going to come together the way we wanted it to. But it ended up coming together that way. When we’re doing EPs you definitely have a vision of what you want to be presented, but with this we paid so much attention to every aspect of it.

S: One of the cool things that happens with an album is when you’re not trying to write certain tracks, they happen naturally. I feel like some of our best dance music tracks came out of not trying to write them. The album gave us the ability to do that because we weren’t pressured into writing it.

What was it like working with another legend like Chris Lake on your last EP, and what spawned that idea?
G: Chris reached out to us a while ago and told us he had been a fan for a while. We had been familiar with Chris for many years and he recently kind of switched up his sound a little bit. He’s always made incredible music. I felt like our music started to really align together in the last year. So we got in the studio. The EP is better than I even thought it could be.

S: Also we were both working with Dances With White Girls. That was another connection. Chris’s sound started to move in a direction. Our sound started to move in a direction. It just sorta made sense. I’m really happy with what we came up with. And the weird thing about “Dance With Me” is we thought it was cool, but we didn’t think it would be this popular.

G: Both tracks are doing really well. “Drop Top” was kinda done last, and we didn’t think anything of that one either. But now we’re getting a really huge reaction.

How would you describe the dynamic of your musical partnership? Are there different things each of you brings to the table?
S: If we’re working on something, a lot of times, I’m probably overcomplicating it. I might just have some little sketch that I’m not sure about and Gavin will be like ‘Dude, that’s a track right there. We should finish that.’ Three months later, when it’s done, then I can’t believe I was second guessing it. At this point, we can get away with putting out something that’s a bit weird. And if it doesn’t go over, it’s back to the drawing board. We’ll do something else.

G: Our history is very much that Sam was always a producer and I was always a DJ. I started producing because I DJed so much. Sam and I had been friends for years. We started to help each other out on a few tracks. That’s how it kinda fell into place. Even now Sam is more in the studio kind of guy. And I swoop in and I help simplify things or help arrange things. It’s very yin and yang.

Any new music in the pipeline/will we be hearing any of it at Mamby?
G: We have a few unreleased remixes that we’re going to be playing at Mamby. We’ve been working on a few things. Another track with Sophiegrophy is in the works, who was on our album before.

Who are your three must-see acts this year at Mamby?
G: Richie Hawtin, who is an absolute legend.

S: Gorgon City. They’re playing a live set. I would also like to see Common, who is just something totally different from what we do. This is a cool festival for us to do. A lot of other festivals are electronic only. Mamby is a lot more wide open.

Chris Lake and Walker & Royce team up for new EP, ‘Close Your Eyes’

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Chris Lake and Walker & Royce each spent the last few years refining their energetic and fun-loving approach to house music. While the Dirtybird duo and Black Book head honcho have enjoyed their individual successes, they decided to come together for their exciting, two-track Close Your Eyes EP.

The first track, “Dance With Me,” is a perfect showcase of both artists eclectic styles, featuring Walker & Royce’s iconic pitched down vocals and distorted rumbles reminiscent of Chris Lake’s “Lose My Mind.” The second offering, “Drop Top,” stands as another testament to the producers’ technical skill, with stretched vocal samples and lively synth work coming together to make a track worth many listens.

Habstrakt & Dombresky – Antigone

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Habstrakt & Dombresky have released a new collaborative single, “Antigone.” The track, released on Mad Decent, sees two of France’s most innovative bass-house producers collaborate for the first time ever.

French producer and DJ Habstrakt has been chartering new territory by amalgamating bass music with traditional house influence, synthesizing his own blend of aggressive yet groovy melodies. With a massive collaboration with Skrillex on “Chicken Soup” under his belt and remixes for DJ Snake, Zeds Dead, and Zomboy, Habstrakt has built a proven track record in the EDM community. The producer is set to accompany Destructo next year on his Let’s Be Friends tour alongside Walker & Royce, Fisher, Will Clarke, Deux, Dillon Nathaniel, Gerry Gonza and Golf Clap.

In 2015, Dombresky was discovered by A-Trak, allowing him to produce an official remix of “We All Fall Down.” With new found recognition under his belt, Dombresky released both his first track “Wait” and his second “Utopia” on Tchami’s Confession label; the latter reaching over one million streams on Spotify.

The coalescence of two hard hitting players on “Antigone” results in a saturated dance floor ballad. Thick bass samples roll over hard hitting kicks and moody synth lines. The middle of the track alludes to UK rave, with ominous synths leading into the tracks second breakdown. The collaboration is sure to be played all across the festival circuit in 2018.

Read More:

Destructo announced his Let’s Be Friends tour through North America in early 2018

Habstrakt offers a high-octane guest mix for Insomniac’s ‘Night Owl Radio’

Dombresky – Call 909