Disciple Records releases massive compilation, ‘Knights of the Round Table Vol. 3’

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Disciple Records releases massive compilation, ‘Knights of the Round Table Vol. 3’Ezgif 2 8af5b058ff7c

Sitting comfortably at the top of the bass music scene lies Los Angeles-based label Disciple, alongside 12th Planet-headed sub-label Disciple Round Table. Responsible for releasing some of the largest dubstep tracks in the past years and housing a stacked roster of powerhouse producers, anything fortunate enough to secure the Disciple seal of approval is sure to be a hit, and their new compilation album, Knights of the Round Table Vol. 3 is no exception.

Knights of the Round Table Vol. 3 features some impressive numbers from household names in Bass Music, such as Virtual Riot’s “Lost it (VIP)” and Barely Alive‘s “Spicy Future.” The compilation also highlights the talents of rising stars in noteworthy releases “Mad Stacks” by Bandlez and Control Freak, and “Bite” by Cyclops. The 23-track album is bursting with creativity and talent.

Rampage to host farewell tour stop from Noisia, Pendulum Trinity reunion, and more

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Rampage to host farewell tour stop from Noisia, Pendulum Trinity reunion, and moreRampage

Perpetually confounding US festival crowds, drum ‘n’ bass is only just launching a forward foray in the states. However, it’s been a cornerstone of the European electronic music market for decades. Gearing up for its 11th year, Belgium’s token drum ‘n’ bass display, Rampage festival has been at the helm of spreading the genre’s good word and cementing its global audience.

The Antwerp affair has some serious selling points for its 2020 installment, landing March 13-14. In addition to hosting a slot on Noisia’s farewell tour, Rampage will see Pendulum’s Trinity alliance (featuring the iconic act’s founding three members, Rob Swire, Gareth McGrillen, and El Hornet) reunite for their first performance outside the UK and their first rendezvous in the last decade. More genre staples like Dirtyphonics, Virtual Riot, Black Sun Empire, and Delta Heavy are also pegged for the 2020 Rampage ticket.

The impending arm of the festival promises next-level audio-visual production to complement its world-class roundup of drum ‘n’ bass firepower. The event will return to Antwerp Sportpaleis, one of Europe’s largest indoor event stops and self-described “rave haven.”

Tickets are available here.

Rampage to host farewell tour stop from Noisia, Pendulum Trinity reunion, and moreRampage 1

Dexter’s Beat Laboratory Vol. 115

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Dexter’s Beat Laboratory Vol. 115Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


It’s been a few years since the world has had new Tut Tut Child material. The artist has been mainly working on a side project, Forest Knot, since mid-2018, and prior to that, there hadn’t been a Tut Tut Child release since 2017. The London-based artist has broken his silence, though, with the release of his Pantheon EP, out now on Extreme Music. Its title track is a dramatic melodic journey and is sure to thrill fans of his previous works, as well as newcomers.

Rameses B, too, has a new compilation out Nov. 1. The Liquicity Records Eden EP showcases the artist’s strong command of the liquid drum ‘n’ bass realm, and he praised the label in a tweet announcing the EP, saying “it’s only natural to have this kind of release with them, liquid, emotional and something that represents all the good times.”

For Flite‘s latest venture, he reworked Jon Hopkins‘ 2018 track, “Emerald Rush.” He’s flipped the style into something new, and it’s completely captivating. “I absolutely LOVE Jon Hopkins’ music, he is such an influence on my own tunes,” Flite said in the track’s description. “I decided I would try and rework ‘Emerald Rush’ into a drum ‘n’ bass track. So much respect for his compositions, I hope I have done him justice.” 

The drum ‘n’ bass continues with Mazare and Philip Strand’s “Battlecry,” which debuted this week via Monstercat. Strand’s powerful vocals set the scene for the epic battle that about to take place, leading the listener into a dramatic build. Mazare’s fierce production takes over at the drop, packing a hefty drum ‘n’ bass punch.

Virtual Riot can make whatever he wants forever. The multi-faceted producer excels at whatever genre he’s producing, and for his newest, he returns to glitch-hop to play… Mario? “Bossfight Afterparty” is a brilliant three-minute combination of video game blips and bloops, polished with undeniably precise production. Your move, Bowser.

Virtual Riot lays down a beautiful cover of Skrillex’s ‘Scary Monsters and Nice Sprites’ [Watch]

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Virtual Riot lays down a beautiful cover of Skrillex’s ‘Scary Monsters and Nice Sprites’ [Watch]Virtual RiotFacebook

Over the years, bass king Virtual Riot has shown his versatility in both music production—having dabbled in most sub-genres—and a penchant for sound design, but he recently put on a display of talent which unveiled a completely different artistic side from his signature brutal dubstep and proved his artistic talent transcends just EDM. Fellow bass producer ill.Gates captured the Disciple alumni playing a stripped-down piano rendition of Skrillex‘s seminal “Scary Monsters and Nice Sprites” during a studio session break.

Virtual Riot and Skrillex have previously collaborated together, co-producing Poo Bear‘s track “Perdido” featuring J Balvin from Poo Bear Presents: Bearthday Music. The two also teamed up on a thundering remix of Skrillex’s Kingdom Hearts track with Utada Hikaru, “Face My Fears.” Skrillex dropped the unreleased remix during his Ultra Singapore set in June of this year. Watch Virtual Riot lay down chords in his acoustic cover below.

Photo credit: Virtual Riot/Facebook

Lunar Lunes: Ekali remixes Alina Baraz, Rusko releases new EP, Modestep and Virtual Riot join forces + more

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Lunar Lunes: Ekali remixes Alina Baraz, Rusko releases new EP, Modestep and Virtual Riot join forces + moreEkali Leaving Owsla

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Just one week after the release of his massive “R U I N” collab with 1788-L, Ekali returns with an emotive remix of Alina Baraz and Khalid‘s “Floating.” Rusko brings a new body of work to Deadbeats in MEGARAD, and Hermitude links with Hoodlem for the slow-burning “Every Day.” K?d throws it back with a grinding remix of SMF’s 2011 “HAHAHA,” and Modestep and Virtual Riot make a formidable trio in their new Disciple release, “Nothing.” Brasstracks paint a soulful soundscape with a slew of smooth releases in their new R&B-oriented EP, Before We Go, and KDrew unleashes his first track of the year, “Sometimes.” Apashe takes no prisoners in his new The Good The Bad & The Fake EP, and KUURO take on 3LAU and HYO in a new remix of “Punk Right Now.” Two Friends put their own spin on Panic! At The Disco’s “High Hopes,” and Grabbitz turns The Japanese House’s “Lilo” into an upbeat wonder. Justice Skolnik throws it back more than a decade with a fresh take on Justice‘s “D.A.N.C.E,” and Phantoms tap Shaylen for “Are You Up.”

The selection is updated every Lunes (Monday).

Photo credit: Brandon Artis Photography

Excision releases his massive 2018 Lost Lands set along with 24-track festival compilation album

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Excision releases his massive 2018 Lost Lands set along with 24-track festival compilation albumEcision Lost Lands

Lost Lands ended two months ago, and bass heads will be happy to hear Jeff Abel, better known as Lost Lands helmer Excision, dropped some much needed content from the low-end showcase. Excision released the two-hour set he threw down in Legend Valley on the first night at his weekend bass Mecca, along with the festival’s official 2018 compilation. The 105 track mix contains tracks from a variety of X’s collaborators and up-and-comers in the bass music scene. It’s quite the list of artists that head bangers will certainly recognize and maybe even find new favorites in.

This heavy dose of bass music takes dips and dives from the highest energy head-banging madness to more downtempo wubs for much needed breathers. The compilation boasts 24 tracks and features artists such as Space Laces, Dion Timmer, Pegboard Nerds, Sullivan King, YOOKiE, HE$H, Carbin, Virtual Riot, PhaseOne, Riot Ten, and many more. Listen to both below.

DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]

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DA Presents: ’30 Days of Fright’ featuring REZZ, Gesaffelstein, Noisia, Drezo, and more [Playlist]SPOOKS PLAYLIST 1

Grab a mask, slam back some candy corn, and get primed to get spooky: it’s October and officially witching season. Electronic music fanatics might be creatures of the night all year round, but there’s something so undeniably righteous about the Halloween season that makes the rapturous roar of dance music even more spellbinding. Whether in the form of diabolic dubstep or demonically deviant techno, the advent of electronic music has given the world some of its most truly terrifying tunes. In that vein, the Dancing Astronaut terror squad is proud to present 30 Days of Fright, our most dastardly dance music favorites for the spookiest month of the year.

By Asher Norris and Bella Bagshaw 


Surrender your consciousness and step inside REZZ‘s world of swirling asphyxia with “Relax.”

Feel your blood begin to bubble and your pulse hectically hasten as BlackGummy and Brooks’s “Neverdeader” breathes a bit of electronic hellfire.

Stream if you dare, as this flame-throwing dubstep track from Kill The Noise, “Black Magic,” will leave your eardrums scorched, but entirely satiated.

Zeds Dead offers up the score for entertainment of the entirely un-dead variety with their timelessly terrifying, “Demons.”

Careful – Megan James’s delectably delicate voice may seem perfectly benevolent, but make no mistake: lofty pipes like hers are witchy by nature.

ZHU plays maestro for all things that boogie and bump in the night with “Nightcrawler.”

Taste the psychedelic strangeness of An-Ten-Nae and Alice D.’s “Raindrops On Roses,” and fall into their preternatural purgatory.

Ever wanted to dance with the devil himself? Habstrakt‘s harrowing house track, “She Goes,” is an opportunity to do just that.

Zomboy invites you to venture through his dubstep-riddled zombie apocalypse with “Ressurected.”

Crowned prince of menacing sound design, Drezo sprinkles a ghastly vocal cut and some unearthly growls in one of his most downright evil releases, “Dead.”

Ivy Lab puts a wickedly delicious spin on an already-crazed Noisia classic, “Tentacles.”

Bask in the eerie ecstasy of Eekkoo and Forrest’s pulsating house production, “Preach.”

NERO solidifies their title as masters of destruction and drum ‘n’ bass with “Doomsday.”

Slithering and psychotic, Noisia’s “Lilith’s Club” will summon spooky sentiments from listeners across the board.

Catch a case of the techno scaries with Gesaffelstein‘s devilishly danceable “Viol.”

Magic Sword wields triumphant electrowave, “In The Face Of Evil,” to fend off even the most nefarious of forces in the days leading up to this All Hallow’s Eve.

Phantogram‘s off-kilter ambiance from “Funeral Pyre,” is the ideal supernatural soundscape, topped with seductive static and levitation-inducing guitar chords.

An undoubtedly foreseen, but fundamental addition to the list, deadmau5‘s “Ghosts ‘n’ Stuff” keeps the freaky, phantasmic fun flying all season long.


Float through the ectoplasm of The Upside Down with this exquisitely melodic synthwave track direct from the second Stranger Things soundtrack.

We’re not really sure what Moody Good is investigating in the malignantly-sampled “This Is The Investigation,” but we’re pretty sure it’s not natural.

Step inside Pryda‘s low-lit techno tunnel and experience the roaring mania of “Rebel XX.”

Those with a predilection for the creepy crawly end of the electronic continuum need only submit themselves to Knife Party‘s iconic “Centipede.”

Street Fever’s winding techno musings inside “Dispose” may be simplistic, but they’ll leave listeners reeling with haunted rejoice.

Feed Me‘s two-headed trap/dubstep hybrid “Pink Lady” will have you seeing phantom strobes well into the afterlife.

It’s virtually impossible to overload on REZZ tracks during any month, but it’s especially tricky this time of year. Her immortal state of “Delusion” thrusts listeners below ground, where the most formidable forces can frolic freely.

Virtual Riot unleashes a bloodcurdling, cinematic ruckus with zombie-apocalypse-themed, “Haunted.”

Names are not at all deceiving as Shadient takes Wavedash and Quest‘s unnervingly vocalized “Devil Music” for ransom.

Coast the un-departed synth-pop streets of Dance With The Dead’s chillingly regal “Nightdrive.”

Spirits loom overhead, as Stephan Bodzin’s “Singularity” permeates shuddersome sounds of uncertainty.

The evil computers of the underworld unite on Knife Party’s riot-conjuring, “Internet Friends.”


There’s too many spooky dance cuts to round up all at once, alas, we’ve got you going with a pretty good start. Keep the spooks in rotation all month long, and don’t forget to mix in “Monster Mash” a few times to get into the spirit of things this season. Stream the full 30 Days of Fright collection below.

Snails drops a filthy remix of his own ‘WFSU’ with Virtual Riot ft Waka Flocka Flame

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Snails drops a filthy remix of his own ‘WFSU’ with Virtual Riot ft Waka Flocka FlameSnails Virtual Riot Remi

Snails has released the third project from his The Shell remix album. It’s a remix done by himself and Virtual Riot of “WFSU” featuring Waka Flocka Flame. Whereas the original sounds like a caterpillar is attacking the city, Virtual Riot and Snails contrast Waka Flocka’s hype vocals with hard-hitting, slimy dubstep. Headbangers will be inclined to break the rail on this one, as the drop is not for the faint-hearted and might cause mosh pits. Gargling growls, slimy synths, and volatile bass sludge the hook while while Waka Flocka’s ad libs add fire to the flame.

Previous remixes this month consist of FuntCase‘s “Forever” and Megalodon‘s “Russian Roulette.” From the sounds of it, Snails seems to be upping the energy from his already energetic debut album.

Photo Credit: @natevogelphoto/Instagram

Panda Eyes, Barely Alive, and Virtual Riot smash their new collab, ‘Triforce’

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panda eyes virtual riot

Panda Eyes, Barely Alive, and Virtual Riot team up for the glittery dubstep collaboration, “Triforce.” With video game synths, happy horns, lush keys, and twinkling arpeggios, the track starts off in a blissful state before shifting towards the dark side. There’s a stark contrast between the verse and hook, using a Skrillex-esque vocal build that unwinds into old-school dubstep.

Panda Eyes makes his Disciple Records debut alongside label alumni, Barely Alive and Virtual Riot. Each combine their gritty bass sound design to create this headbanging oasis of unadulterated joy and grit.

The 22-year-old Swiss bass producer teamed up with dubstep veterans in anticipation of his Isolation EP. Barley Alive and Virtual Riot are regular collaborators, so adding Panda Eyes to the mix must be a nod to the label newcomer.

Photo Credit: @officialpandaeyes/Instagram

Virtual Riot proves dubstep’s not dead in new EP, ‘German Engineering’

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virtual riot german engineering

For his latest release, Virtual Riot revs up the intensity with a six-track compilation that shows him flexing the heavier side of his production style.

German Engineering takes off straight out of the gate, opening with the ferocious “Pray For Riddim.” Virus Syndicate lend a hand in “Show Up,” incorporating energized rap and hip-hop elements into Virtual Riot’s production. As the EP continues through tracks like “Chop Chop” and “Jump The Gun,” Virtual Riot proves the grimiest of dubstep is here to stay.

A slight wind-down begins to take shape in the EP’s later two tracks, as “Komputermusik” — while still heavy on the bass and dubstep elements — incorporates soothing piano melodies into its verses. The final track of German Engineering, “The Darkest Night,” leans into the melodic side of Virtual Riot’s production with playful, choppy vocals and a simple bass-infused melody. He closes out the EP on a high note, reminding listeners just how broad his style range truly is.

German Engineering is out now on Disciple Records.