Crankdat unveils 3-part re-crank of Travis Scott’s ‘Astroworld’

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Crankdat unveils 3-part re-crank of Travis Scott’s ‘Astroworld’38805228 897169207137804 3176347710911414272 N

He’s a remixer at heart, but for DJ Crankdat, 2018 was about showcasing his talents on original music. However, after nearly a year, he’s decided to bring back his fan favorite “re-cranks” with a series tracks from one of 2018’s hottest releases. Astroworld Re-cranked is a selection of three songs from Travis Scott‘s latest album of the same name. He’s released one re-crank-a-day for three consecutive days, each one crazier than the next. According to their SoundCloud descriptions, it seems to be a project that’s close to his heart:

“I haven’t done any proper ‘re-cranks’ in nearly a year. My goal for 2018 was to begin artistically defining myself with my original music. I feel like I did that, but in doing so I had to put a hold on one of my favorite means of expression – remixes…re-cranks are back and I couldn’t be any more proud. Here’s my first project for you, I’ve been working on it since the end of summer. 3 songs from one body of work, but 3 very different vibes.”

Prepare to head-bang through the project’s first installment, an edit of “No Bystanders,” which includes snippets of the original’s most significant verses and climaxes with an intriguing pause before making the crowd go wild. Number two takes on the chart-topping collaboration with Drake “Sicko Mode” and it’s as hard-hitting as the first, allowing for some creative edge with two re-cranks in one, due to the original’s sudden changes in arrangement. Lastly, he brings it down a bit for the chilled-out Weeknd feature on “Wake Up.” It’s more melodic and synth-driven in nature, yet is a great conclusion to something that is bound to be a crucial element of Crankdat’s live show as 2018 comes to a close.

Lil Wayne releases the long-awaited ‘Tha Carter V’ album, the final in his Carter series

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Lil Wayne releases the long-awaited ‘Tha Carter V’ album, the final in his Carter seriesLil Wayne Tha Carter V

Tha Carter V is here. Production credits are with Mannie Fresh, Swizz Beatz, Metro Boomin, Ben Billions and more. Lil Wayne starts the album off with a heartfelt, touching message from his mom, just so listeners know who the project is for. The next song features the late Jahseh Dwayne Ricardo Onfroy or his more widely known stage name, XXXTENTATION.

After odes to his mother and the late rapper, “Dedicate” jumps into Tunechi’s recognizable flow with rhyme schemes that bounce like drums. He credits himself as the guy who started the face tattoo trend, reminding those who might have forgot about Wayne, after seven years since the album’s predecessor. The song ends with Barack Obama praising the rap icon next to the likes of LeBron James.

Wayne takes the high energy down a notch on “Let It Fly,” the first feature track. It’s with Travis Scott and touts the ASTROWORLD creators’ melodic, ambient soundscape while giving Weezy room to roll towards the end.

“Dark Side of the Moon” has Wayne’s singing, R&B side, featuring his attributed discovery and the lyrical hall-of-fame bound, Nicki Minaj. The track shows a softer side to Minaj as well.

“Mona Lisa” follows, featuring another lyrical trendsetter, Kendrick Lamar. Lamar’s verse is a Mona Lisa of verses, practically guaranteeing the song’s success right from the starting gate. “What About Me” features Wiz Khalifa‘s Taylor Gang signee, Sosamann and flaunts a laid-back, auto-tuned atmosphere with no rush. It’s a bit of a break from Lamar’s last tirade.

“Open Letter” is a declamation to anyone listening. Discussing about the rappers’ internal struggles with lines such as, “What’s the life expectancy if you don’t expect it.” The track is riddled with lines like this as an open letter to life. He gives a shout-out to the readers, which in this metaphor are the listeners.

“Famous” features Lil Wayne’s daughter Reginae Carter on the hook. It’s about being famous, something Birdman Jr. has become accustomed to since the young age of 14.

Snoop Dogg lends recognizable melodies to his collaboration on Tha Carter V. This one again has the makings of a hit as well, as Wayne fluidly bounces along Broadus Jr.’s guitar.

Lil Wayne uses his mother’s vocals as a transition in “Took His Time,” which has a similar timbre to an artist Wayne was the first to sign to his Young Money Entertainment label, Drake. The next track, “Open Safe,” has that clap-clap-clap-clap atmosphere.

“Start This Shit Off Right” features Ashanti and Young Money Entertainment signee, Mack Maine. Ashanti brings those 2000 vocals back into the frame, proving Lil Wayne and R&B should hang out more.

Wayne gets soulful on “Demon,” showcasing his lyrical prowess with a contrast into soul. “Mess” is another blissfully melodic and vocally deliberate track.”Dope New Gospel” features Nivea, who was nominated for a Grammy for her collaboration with YoungbloodZ & Lil’ Jon‘s “Okay.”

“Used 2,” toward the end of the Carter V album, is an late Easter egg for those fending more poetry in modern rap. Another transition featuring his mother leads into Wayne’s final song, which starts off with sparking what one could presume to be a blunt.

Tha Carter V was meant to be enjoyed, according to Lil Wayne’s announcement of the drop earlier this week. After seven years of material, targeted features, and a nostalgic flow; it’s hard not to enjoy and feel some type of way.

“With this album… I’m giving you more than me,” the rapper said in his announcement earlier this week. “You gotta always remember that. This is four, five, six years of work that you’ll be listening to, and I hope you enjoy it. You don’t have to love it, you don’t even have to like it. Just hope you enjoy every time you put it on.”

Happy birthday, Dwayne.

Skrillex purportedly working on remix of Travis Scott’s ‘Sicko Mode’

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Skrillex purportedly working on remix of Travis Scott’s ‘Sicko Mode’Skrille

New Skrillex music is not a matter of “if,” but of “when.” Audio engineer Randy Urbanski further fanned the flames of suspicion that Skrillex would release fresh material in the near rather than the distant future in his birthday tribute to Skrillex’s OWSLA label, which celebrated its seventh anniversary in early September. Urbanski’s comment that he couldn’t wait “till this guy [Skrillex] is back changing the game next month” provided an unofficial confirmation that the star producer would likely drop new music in October.

Skrillex’s recent Instagram story supposedly showed the producer at work on a remix of Travis Scott‘s “Sicko Mode.” Given Skrillex’s success with his 2017 rework of Kendrick Lamar‘s “Humble,” a Skrillex stamped take on Scott’s Astroworld staple certainly isn’t far fetched, nor is the likelihood that listeners would relish another electronic/rap hybrid remix from the OWSLA head.

Skrillex remixing Travis Scott from r/trap

H/T: Run The Trap

Louis Futon and Medasin drop bouncy flip of Travis Scott’s ‘Wake Up’

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Louis Futon and Medasin drop bouncy flip of Travis Scott’s ‘Wake Up’Louis Futon Medasin Travis Scott Wake Up Flip Release

Louis Futon‘s flips of fan-sourced track suggestions have been brightening days for a while – but when the producer teased a video of himself and Medasin working pure magic on Travis Scott‘s “Wake Up,” it was clear the take had the potential to be a standout. Future bass fans immediately clamored for a full release to smash the replay button on. Now the duo have granted that wish with a SoundCloud upload that’s pure sonic sunshine.

Futon and Medasin’s creative chemistry was on full display in the teaser video, with the soulful producers laying down layer after layer of live instrument grooves over the original’s vocals. Travis Scott’s auto-tuned verses and The Weeknd‘s NSFW choruses are transformed by the lush keyboard chords and slap bass, turning the sly R&B of the original into a playful upbeat bop that’d sound right at home on a Chance The Rapper mixtape. Amazingly, the two future bass stalwarts have yet to collaborate on an original – but if this lush rework is any indicator, the result would be nothing but certified heat.

Luca Lush comes at Travis Scott’s ‘Sicko Mode’ with menacing new remix

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Luca Lush comes at Travis Scott’s ‘Sicko Mode’ with menacing new remixTravis Scott Astroworld Billboard

Travis Scott and Drake‘s “Sicko Mode” is easily one of the most enticing hip-hop cuts of the year. The song, an obvious standout off of Scott’s dominating mid-summer LP, Astroworld, serves as the perfect groundwork for a loud Luca Lush flip that will satisfy both dance and hip-hop fans alike with a fitting homage to La Flame and Drake’s chart-topper.

Taking the original “Sicko Mode” and remixing it with his own signature bass-heavy style, Lush plays with pitched down vocal samples, tight hi-hat rolls, and thundering drum builds before a pair of halting, screeching bass breaks. Lush gives off a snarling remix effort, transforming “Sicko Mode” into a rail-rattling festival bulldozer. No doubt Travis Scott struck gold on “Sicko Mode,” but now with a menacing Luca Lush remix that’s bound to start circulating heavily through DJ sets, expect Scott and Drake to be coming through your club’s speakers well past the summer season.

Featured Image: Kevin Winter

Medasin and Louis Futon tease must-listen Travis Scott flip [Watch]

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Medasin and Louis Futon tease must-listen Travis Scott flip [Watch]Medasin Louis Futon Travis Scott Flip Video

Medasin and Louis Futon dropped a teaser video showing the smooth groove kings going certified bonkers on a flip of Travis Scott‘s “Wake Up.” The video shows the duo jamming on an a cappella of The Weeknd‘s featured vocals, after asking fans for song suggestions for an impromptu rework. The two producers start with the original’s raw vocals, and put it through a multi-step soul machine. The video shows Medasin laying down effortless keyboard stylings, while Louis Futon taps out drums on the fly and records a sliding bass guitar line. The creative chemistry in the studio is palpable, and whatever difficulties Medasin may have playing to thousands on tour clearly disappear when he’s just jamming and creating.

Oddly enough this is the first we’ve seen of the the two artists collaborating, despite dominating the same vein of electronic music. The duo needlessly asked if they should release the full version (the answer is undoubtedly hell yes), but fans can bask in the glory of Medasin’s dance moves while they wait for the rework to drop in full.

The Weeknd previews two new songs on his ‘Memento Mori’ radio show [Stream]

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The Weeknd previews two new songs on his ‘Memento Mori’ radio show [Stream]The Weeknd Live 1

That The Weeknd has some new music to share is hardly a surprise, given the My Dear Melancholy crooner’s confirmation earlier this month that he was once again rubbing elbows in the studio with Gesaffelstein, a key figure in the 2018 album’s production.

While The Weeknd assisted on two of the year’s most noteworthy releases in the rap ring–Nicki Minaj‘s Queen, and Travis Scott‘s Astroworld–the R&B vocalist certainly isn’t neglecting his own projects, as the second episode of The Weeknd’s Beats 1 radio show, “Memento Mori” evinced.

Memento Mori episode 2 link in bio

A post shared by The Weeknd (@theweeknd) on

The Weeknd treated listeners to previews of two new tracks that currently remain unreleased, including a remix of My Dear Melancholy constituent, “Try Me,” that features hip hop heavyweights Quavo, Trouble, and Swae Lee.

Those who missed “Memento Mori’s” live broadcast can stream the newly debuted material, here.

H/T: Consequence of Sound 

‘Astroworld’ secures No. 1 seat, giving ‘Scorpion’ the boot after five weeks on top

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‘Astroworld’ secures No. 1 seat, giving ‘Scorpion’ the boot after five weeks on topAstroworld 1

Travis Scott‘s newest album, the long-anticipated, ASTROWORLD, has proven itself extraplanetary, indeed. After a little over a week since its release, the album has eclipsed the number one spot on the Billboard 200 chart — beating out Drake‘s multiple-record-breaking double-sided album, Scorpion, which held a fierce five-week streak at the top. Somewhat ironically, Drake is among the flood of high-profile acts to be featured on the album (appearing on “SICKO MODE”), also including Frank Ocean, James Blake, Kid Cudi, The Weeknd, and even Stevie Wonder.

ASTROWORLD is the “Goosebumps” rapper’s third studio album, following his 2015 breakthrough release Rodeo followed by the following year’s Birds In The Trap Sing McKnight. Scott also capped off 2017 with his collaborative project with Quavo of Migos, Huncho Jack, Jack Huncho.

Despite its astronomical success, ASTRO didn’t arrive without its abundant share of hiccups, including a slew of false release date announcements and a sundry of production delays. The carnival-themed album stands as Scott’s second chart-topper, garnering a whopping equivalent of 537,000 album units, with 270,000 of those in traditional album sales.

Stream HARD Summer 2018 sets from Diplo & Dillon Francis, Marshmello, Mija, and more

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Stream HARD Summer 2018 sets from Diplo & Dillon Francis, Marshmello, Mija, and moreHard Summer

HARD Summer 2018 has come and gone — the festival’s first year without founder of the HARD brand Gary Richards (a.k.a. Destructo) at the helm — and all seemed to go as planned. Recruiting some of today’s top talent in house, future bass, dubstep, and hip-hop, the weekend featured some powerhouse back-to-back sets from Dillon Francis & Diplo, Zeds Dead & Jauz, and A-Trak & Baauer. Travis Scott celebrated the release of his new album, Astroworld, and Mija dropped another set that completely embodies her “Fk A Genre” mantra.

With more sets from Marshmello, Ghastly, Louis the Child, and others, this weekend marked the beginning of a new chapter for the HARD organization. Check out some of the top sets of the weekend below.

Diplo b2b Dillon Francis:

Travis Scott:

Zeds Dead b2b Jauz:

A-Trak b2b Baauer:



Louis The Child:


Big Wild:



Stream Travis Scott’s collab-heavy new album, ‘Astroworld’

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Stream Travis Scott’s collab-heavy new album, ‘Astroworld’Travis Scott Astroworld

One might say it’s hip-hop’s world this year, and we’re just living in it. Consider Kanye‘s string of Good Music releases or Drake‘s record-breaking new album for just a moment, and it’s obvious the genre’s having an inconceivable moment in the limelight. Hip-hop’s punk as hell, and an appealing escape vessel in today’s socio-political environment that’s becoming increasingly difficult to navigate.

Travis Scott has become the latest to dominate streaming services, and soon airwaves, worldwide with the release of his new album Astroworld. It is the Houston-born rapper’s third full-length and his first solo release since 2016’s Birds In The Trap Sing McKnight. With the words of the record’s co-producer, Mike Dean, who announced the release on Twitter with the phrase, “You’re gonna shit your fucking pants,” in mind, it’s a heavy listen — an aptly thrilling ride for its theme park cover.

A long list of album credits includes Frank Ocean (on “Carousel”), Pharrell Williams, Tame Impala (on “Skeletons”), James Blake, John Mayer, Thundercat, Drake, more, and even an homage to the legendary DJ Screw thrown in the mix. It’s one of the summer’s most exciting releases yet, and definitely a must-listen for all.