Lunar Lunes: Luca Lush and Sadkey flip Flume, Bloodtone remixes deadmau5 and Kaskade + more

This post was originally published on this site

Lunar Lunes: Luca Lush and Sadkey flip Flume, Bloodtone remixes deadmau5 and Kaskade + moreLuca Lush Mad Decent

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

NMF Roundup: ZHU and The Bloody Beetroots link for ‘Zoning,’ RÜFÜS DU SOL release new set of ‘Solace’ remixes + more

This post was originally published on this site

NMF Roundup: ZHU and The Bloody Beetroots link for ‘Zoning,’ RÜFÜS DU SOL release new set of ‘Solace’ remixes + moreRUFUS PressShot LeFawnhawk 1

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

In perhaps one of the biggest collaborations to hit the airwaves on Sept. 6, The Bloody Beetroots and ZHU have teamed up for “Zoning.” RÜFÜS DU SOL have dropped off a new set of remixes for Solace, including an irresistibly groovy one by Hot Since 82. Grimes and i_o unexpectedly deliver “Violence,” and M83 returns with the dreamy “Temple of Sorrow.” Audien and Nevve bring blissful energy to “Buzzing,” and Cashmere Cat reveals “FOR YOUR EYES ONLY.” Arty is on a journey to “Find You” in his latest, and Walker & Royce team up with VNSSA for “Rave Grave.” KOAN Sound’s new EP lands pm Sept. 6, featuring sounds like “Vibrant,” and Claude VonStroke unleashes a new original, “Slink.” Sullivan King has released a two-track EP, and Armin van Buuren and David Hodges link for “Waking Up With You.” Fox Stevenson finally uncovers “Dreamland,” and 3LAU remixes San Holo’s “Lost Lately.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: LeFawnhawk

Dexter’s Beat Laboratory Vol. 100: The Ultimate Drum ‘n’ Bass Playlist

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 100: The Ultimate Drum ‘n’ Bass PlaylistDeters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


There’s just something about drum ‘n’ bass that’s always spoken to my soul. I remember hearing my first Pendulum song a decade ago and thinking “what on earth is this, and where can I get more?”

The genre began making its way into the electronic music sphere in the early 1990s, right around the time I was born. Its rapid breakbeats took over London and Bristol, ramping up the jungle and rave scene to 160-180 BPM. While still more widespread in the UK to this day, the genre has slowly trickled into the United States EDM scene. We still have a long way to go before drum ‘n’ bass artists are regularly installed as main stage performers at major US festivals, but there’s so much to discover and embrace in the US drum ‘n’ bass scene (I see you, Flite and Boxplot). There’s also an endless stream of quality dnb being churned out overseas, with imprints like RAM Records, Hospital Records, and Liquicity Records as strong as ever in their supporters and fan base.

I regularly tell people that have never really gotten into drum ‘n’ bass to just try. It’s a diverse and ever-evolving genre, full of sub-genres and offshoots. I guarantee you’ll find something you like in some format. Dig through the 100-song playlist I’ve compiled to celebrate 100 installments of this series to see if there’s something there for you!

Thank you, drum ‘n’ bass, for your tireless energy, emotive vocals, and the ability you always have to yank me out of a bad mood and reignite my love for electronic music in today’s day and age. Here’s to you, and the brilliant artists who create you.

Dexter’s Beat Laboratory Vol. 60

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 60Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


After becoming hooked on his tunes in 2014 via “Dega Dega” on Mad Decent, I’ve kept my eye on Aquadrop. The producer seems to know no limits and can swap seamlessly between genres from one release to another. His latest, “Believe In Me,” is a sultry, electro-fueled number, highlighted by luscious vocals and a grooving bassline. It’s incredibly catchy and is part of the Italian producer’s Out Run mini EP.


Savoy’s been holding onto this treasure for a while and have finally released it to the world. “Treat Me Right,” a collaboration with vocalist Laura Reed, is afire with the dramatic elements of dubstep and electro the Brooklyn trio has become known for. The song is only their second release of the year — likely because two of the group’s members have been developing a new project called Jaguar Dreams. No matter what moniker the music’s under, though, these guys consistently make some of the most innovative “electronic rock music” in the game.


Mielo and Align have linked up to bring a gorgeously atmospheric track that’s reminiscent of ODESZA in its dreamy vocals and prominent percussion elements. It’s simultaneously calming and bass-heavy, bringing two worlds together in one collaboration. “James & I met freshman year while at rowing practice for The University of Iowa,” Mielo says of the song. “I had already started learning how to produce music & James was a huge fan of downtempo electronic music, so he soon began to pursue music. We’ve been friends ever since.”


Since its release in August, Netsky and A.CHAL‘s “Téquila Limonada” has been on repeat. Its fresh-squeezed flavor permeated my brain and stuck there, so my excitement only grew when I saw the track would be getting a reworking from UK drum & bass heavyweights The Prototypes. After it premiered on BBC Radio 1, the duo uploaded a cut of it to their SoundCloud, wowing with its anticipatory builds and rapid tempo. It’s a fun reimagining that gives some new flair to an already exceptional track.


In his latest offering, Kent’s Memtrix thrilled with a combination of enthralling melodies, infectious singing and a rapid drum & bass tempo. He holds nothing back, packing a punch filled with bass and vocals that draw the listeners in. “Dare Me” makes up part one of his newly released two track EP, which is out now via Viper Records. Its counterpart, “Oxidate,” is equally dynamic, creating a journey that feels much much more epic than just two tracks.

Dexter’s Beat Laboratory Vol. 25

This post was originally published on this site

dexter's beat lab

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Since it came out a few days ago, Mielo‘s track “The Wayfarer” with Pauline Herr hasn’t left my rotation. There’s something completely riveting about this track — from Herr’s haunting, melancholy vocals to the journey-like soundscape Mielo’s composed. Every time I listen, I find myself completely caught up in “The Wayfarer” and its pure beauty.


This one was discovered because of a Savoy repost, which makes perfect sense given their “electronic rock music” branding. This track by newcomers Crymynals and Fatherdude is a fierce electronic tune that dips its toes into elements of rock ‘n’ roll along the way. With a driving bassline and powerful vocals from Fatherdude, “One More Day” caught my ear immediately.


Kayzo‘s debut album, Overload, has been out for a full week now, and I’m still hooked on almost every track. For me, nostalgia hard with this LP, as Kayzo’s incorporated elements of punk rock into almost every track. Songs like “Alright Then” feature The Zealots’ Micah Martin, whose voice matches up impeccably with Kayzo’s heavy style.


London producer Wilkinson has been making huge strides over the past year, from a fiery collaboration with Dimension to his sophomore studio album in April of last year. His latest track, “Decompression,” is another fine example of his drum & bass proficiency. Wilkinson skillfully builds and drops the track throughout its length, drawing the listener in with computerized sound bites and a fast-paced drum & bass pattern.


Continuing with the UK drum & bass theme, The Prototypes have released a sweltering remix of their standout 2017 track, “Electric,” by Mind Vortex. This incredible take on “Electric” is part of The Prototypes’ Get Hype Remixed EP, which is chock full of bold, energy-packed reworks like this one.

NMF Roundup: Merk & Kremont’s future house anthem, Breathe Carolina reworks R3HAB & Khrebto + more

This post was originally published on this site

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.


INTERCOM returns to Monstercat with a ferocious drum & bass VIP mix of his September track, “Decoy World” with Park Avenue.


Adding to the VIPs hitting the SoundCloud stream, Virtual Riot has released his hard-hitting mix of his track “Everyday.”


Dubspeeka has released a deep 10-minute anthem, “Enter Theme.”


Merk & Kremont are ending 2017 with a bang, releasing a hefty future house tune called “Turn It Around.”


K Theory have reworked their 2014 track “Stadium” into a fresh and clean remaster.


After playing it out for years, The Prototypes have finally released their insane drum & bass bootleg of Knife Party‘s “LRAD.”


Breathe Carolina reworks R3HAB and Khrebto‘s “You Could Be” into a lively house anthem.


Read More:

NMF Roundup: Tritonal shines bright, Whethan leaves a sweet aftertaste, and Camila Cabello goes grey

NMF Roundup: Krewella & R3HAB team up, Minnesota pushes boundaries + more

Featured photo by Andrew J Rauner Photography