36 countries will serve as test grounds for Spotify Lite—a data, storage, and battery-sensitive alternative to Spotify’s fully fledged music streaming service. Spotify Lite, which first debuted in Brazil during the summer of 2018, uses no more than 10 MB of listeners’ smartphone and tablet storage space.
According to the Swedish streaming giant, the lite version of the application also requires less battery life, as several features characteristic of the original Spotify, like Connect, are not available on Spotify Lite. Users are also not able to enact advanced searches; the new Lite’s platform’s search function only furnishes links to albums and playlists, thereby enabling the alternative version to use less battery. Spotify Lite’s provision of lower-quality audio is one additional adjustment that leads to the app’s decreased battery use.
In contrast to the regular Spotify platform, Spotify Lite necessitates a minimal amount of data, and offers lite streamers an unprecedented amount of control over their monthly data usage. Spotify Lite downloaders can set a monthly mobile data cap for the app. Cap options include 250 MB, 500 MB, 750 MB, 1 GB, 2 GB, and 3 GB. App users will receive a push notification when they reach their predetermined data limit.
“With Spotify Lite, you can easily control your data and storage. It’s only 10 MB, so it’s quick to install and load while offering the same great listening experience that lets you discover, play, and enjoy millions of songs,” Spotify staff noted in a blog post featured on the company website.
Spotify Lite is currently only available on Android devices. The music streaming giant has not yet announced whether it would develop a lite edition of its flagship application for iOS.
Madeon SZN continues this summer as the beloved French producer announces the premiere of his new Beats 1 show, Good Faith Radio. Amid an exciting stretch of new music and the debut of a new live set up cat Lollapalooza later this month, Madeon’s new radio program will serve as the perfect platform for his new material, with his new single “DREAM DREAM DREAM” arriving on the show’s inaugural episode on Wednesday, July 10 at 11:00 a.m. PST.
The Adventureproducer’s newly inked deal with Apple Music aims to bring an open-format show to the streaming giant, described by Madeon as an interactive experience between the producer and his fans.
It’s a space I want us to share, I want to introduce you to my favorite things and showcase some of the amazing music and art you create. The first episode airs THIS Wednesday at 11am PT. I’ll be playing my new single Dream Dream Dream.
Following a Shelter reunion with Porter Robinson earlier this summer and the announcement of a 31-date North American tour, Madeon continues to extend his hot streak leading up to one of the most anticipated releases of the year.
Chicago’s Chance the Rapper is giving the people what they want this summer. In addition to launching the pre-order for his impending LP, or as he recently referred to it, his “Owbum,” due this July, he’s brought two of his widely revered mixtapes, Acid Rap (2013) and 10 Day (2012) to major streaming services. The mixtapes were previously only available via SoundCloud.
Both bodies of work, in addition to his third mixtape, Coloring Book (2016), are also available for vinyl pre-order via his website. The “Cocoa Butter Kisses” rapper is also offering fans a chance to secure access to his world tour pre-sale. More information on how to enter is available here.
Between his Super Bowl televised, Doritos-sponsored sighting alongside the Backstreet Boys this past February, Chance has also appeared on tracks in recent memory with the likes of Ed Sheeran, 2 Chainz, and YBN Cordae.
Making her way to the Art Car for a secret strictly house set, the Run producer gave unsuspecting fans an encore performance glued together by floor-ready dance cuts. Best of all, the secret set was uploaded to Pornhub for everyone’s streaming pleasure. It had to live somewhere, right? The set comes as a highly recommended listen, though, you might want to hold off on clicking the link below while you’re at work or school. Enjoy.
The secret house set I played last night has now been uploaded onto @Pornhub
The fight to be crowned king of streaming continues as Spotify and Apple Music duke it out March 13. The most recent development comes after Spotify founder Daniel Ek and his team filed a complaint against Apple alleging “unfair advantages” in regards to Apple’s App Store. After “careful consideration” and what seems like previous efforts to resolve the conflict with Apple, the Spotify team proceeded forward with the European Commission.
Spotify’s complaint centers around the issue of Apple’s App Store policies and logistics that would require Spotify to pay a supplementary tax and subsequently inflate the membership price above that of Apple Music.
“Apple requires that Spotify and other digital services pay a 30 percent tax on purchases made through Apple’s payment system, including upgrading from our free to our premium service,” Ek said. “If we pay this tax, it would force us to artificially inflate the price of our premium membership well above the price of Apple Music. And to keep our price competitive for our customers, that isn’t something we can do.”
The Spotify founder also pointed out discrepancies where apps like Uber were not affected by Apple’s tax policies, noting that “app stores should not be allowed to control the communications between services and users, including placing unfair restrictions on marketing and promotions that benefit consumers.”
Ek made it clear that this is not a “Spotify-versus-Apple issue,” but rather an issue about “competition on the merits.”
The music industry has been dancing on the precipice of a sweeping streaming takeover for years. According to a recent report from the Record Industry Association of America (RIAA), that transition was solidified with a reported music streaming growth of 30% in 2018 alone.
The $7.4 billion in categorical revenue came from predicted streaming mammoths like Spotify and YouTube, as well as digital radio hubs like Pandora and SiriusXM. The music business at large was heftily bolstered by paid subscriptions to these streaming domains, accounting for over half the industry’s yearly takeaway for the first time ever.
While digital downloads in recent years accounted for nearly half of industry sales, it spent 2018 continuing its swift decline, finishing with approximately $1 billion in total revenue, dropping a sizable 25% from 2017, and garnering just 11% of the industry pie. Mirroring downloads is physical sales, down 23% in 2018 alone, with $1.15 billion in sales.
A bright spot for the latter sector, however, came in the form of a firm incline in vinyl sales, which saw its most profitable year ($419 million) since 1988, which should come as no surprise to those who’ve been tuning in to industry trends of the past decade or so.
To commemorate the festival’s landmark 15-year anniversary and cater to ever-mounting live-streaming demand, Tomorrowland has implemented a new multi-purpose streaming platform, One World Radio, accessible through its official website.
In addition to providing accessibility to live sets, the station will host a variety of exclusive mixes and special guest appearances. One World has secured Armin van Buuren as a station regular, locking him in for one weekly prime-time mix every Friday, while Aussie sister duo, Nervo, will host a Top 30 segment, fleshing out the People of Tomorrow-curated hottest tracks of the week.
To bolster the launch, Tomorrowland organizers invited Steve Aoki, who is also performing at this year’s installment, to spin a 15-minute set on the festival’s home turf, in Boom, Belgium. Eric Prydz, Nina Kraviz, Alesso, and The Chainsmokers are just a few of the most illustrious faces on the 2019 lineup, which exceeds 1000 artists throughout its two-weekend duration: July 19-21 and starting back up July 26-28. Tickets to Tomorrowland are completely sold out.
Authorities in Norway are now investigating TIDAL over the alleged streaming number inflations that came to light back in 2016. The Jay-Z-owned company that has long been under speculation and scrutiny now faces an investigation led by the Norwegian Authority for Investigation of Economic and Environmental Crime, also known as Økokrim, according to a report from Bloombergquint.
In March of 2016, TIDALreported that Kanye West‘s The Life Of Pablo, which was exclusively released on TIDAL, earned 250 million streams in 10 days. At the time, the streaming service claimed they had more than 3 million people subscribed. Those numbers would infer that every TIDAL subscriber was playing The Life Of Pablo more than eight times a day. After TIDAL reported Beyoncé‘s record-breaking album Lemonade was streamed 306 million times in just 15 days after its release, Norwegian newspaper Dagens Næringsliv raised their eyebrows and began to look closer. After January 2017 investigation, the major accusation was that “Beyoncé’s and Kanye West’s listener numbers on TIDAL have been manipulated to the tune of several hundred million false plays… which has generated massive royalty payouts at the expense of other artists.”
TIDAL has called Dagens Næringsliv’s reporting a “smear campaign” in the past and hired a third party to investigate what it is calling a data breach. After the Bloombergquint report, a TIDAL representative was reached by Complex and stated, “TIDAL is not a suspect in the investigation. We are communicating with Økokrim. From the very beginning, [Dagens Næringsliv] has quoted documents that they have not shared with us in spite of repeated requests. DN has repeatedly made claims based on information we believe may be falsified. We are aware that at least one person we suspected of theft has been questioned. We cannot comment further at this time and refer to our previous statement, which still stands.”
According to IFPI’s 2018 Global Music Report, streaming accounted for 38.4 percent of total music revenue and grew 41.1 percent from the previous year. Streaming’s global influence on the industry continues to grow and evolve is already a multi-billion dollar industry despite what seems to be a lack of regulation.
Coachella Valley Music and Arts Festival is back to dominating the headlines thanks to an all-encompassing, star-abundant collection of artists who will be performing at the 2019 iteration of the Indio, CA-based music festival. The next chapter of the legendary soiree has not met the media’s gaze without its fair share of controversy, mainly Kanye West dropping out of the lineup due to what he recently referred to as “artistically limiting” stage design.
On a brighter note, 2019 will be the first year fans will be able to live stream the festival for both weekend one and two. In previous years, fans were limited to the festival’s first weekend exclusively for streaming capabilities. Now fans across the world will be able to watch back-to-back weekends of acts including DJ Snake, Kayzo, Bassnectar, Ariana Grande, and more. The live streaming for Coachella 2019 commences the first weekend, April 12th-14th, rolling all the way through to the next, which spans April 19th-21st.
Photo Credit: Scott Dudelson/Getty Images for Coachella
The designation is affirmed by a comprehensive year-end report published by market monitor BuzzAngle, which tracks music consumption data. Far from a fad, hip-hop comes out on top again as the most streamed genre this year, with rap singles consuming 24.7 percent of the streaming market in 2018, or a quarter of all streamed tracks for the year. 2018 shows continued year over year growth for the genre, which previously consumed 20.9 percent of single streams in 2017. The report categorizes urban songs as a combination of rap, hip-hop, and R&B, all amounting to the country’s most streamed genre, beating out pop music three years in a row.
Other trends that have emerged are the rise of pop and the decline of rock. In 2017, rock was right behind hip-hop with a 19.8 percent consumption share, while in 2018, pop overtook rock to take a 19 percent market share. Rock precipitously declined to only a 11.7 percent market share in 2018, even in a year when highly marketable albums from Greta Van Fleet, Smashing Pumpkins, and Stone Temple Pilots among others saw major label releases.
These trends are similarly reflected in album streaming patterns for 2017 and 2018. Although rock album streams superseded rap album streams in 2017, 2018 was a year of major growth for hip-hop and a considerable decline for rock. In a year when everyone from Travis Scott to The Carters, Drake to Anderson .Paak dropped full-length projects, it comes as no surprise that hip-hop dominated nearly a quarter of the streaming market in 2018.