Elohim breeds intimacy through the disconnect with new single ‘TV’

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Elohim breeds intimacy through the disconnect with new single ‘TV’IMG 0139

Elohim recently delivered a new single titled “TV,” exhibiting once again the sincerity and depth of her unbridled ability to express. One might expect a track that starts off with the phrasing, “I’m depressed as fuck,” would have difficulty steadying listeners, but the composition and sweetly somber vocals etch themselves across the consciousness.

The electro-pop track is well-fleshed out and has an abundance of layers and transitions. Like changing channels, she evokes mental images of a glitchy heaven. Elohim harmonizes with a chorus in one round of the hook and sings, “I keep the TV on to tune out the sound/my mind’s way too loud/my mind is way too loud.” This message creates a feeling of interconnectedness through individual anxiety, and for the moment, reconciles it.

“TV” is the first track from an upcoming project that Elohim has been quite vocal about on social media. She has gone far to be direct in her message and even posted a well-written explanation of her lyrical use of “spaghetti legs” from the track on Instagram.

Elohim shares her strength through her songwriting and in doing so enables her fans to cope in a hyperactive often disjointed society. She creates a space where admitting to these sometimes senseless habits is okay and connects people. Elohim paradoxically and fluidly uses the great unifier—music—to connect people through their disconnect. Truly an inspiriting concept delicately wrapped for a troubled yet idealistic generation.

 

 

 

Feed Me unveils dazzling first glimpse of his forthcoming LP, ‘Feel Love’

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Feed Me unveils dazzling first glimpse of his forthcoming LP, ‘Feel Love’Maresdefault 8

Jon Gooch’s legendary Feed Me alias has returned with “Feel Love,” a gorgeous progressive single off his upcoming High Street Creeps LP.

After an epic return to mau5trap with 2017’s Existensial Crisis EP, Gooch took his time crafting his first full-length effort since 2013’s Calamari Tuesday. After over of forced fasting interrupted only by a couple features and remixes, 2019 figures to be the year of Feed Me with a new album and live dates featuring his infamous TEETH live stage on the way.

For now, fans whet their appetites with the album’s first delicious morsel. “Feel Love” is an instant classic, pairing evocative and soaring vocals from Rosie Doonan with Feed Me’s crisp and crackling instrumentation. The producer’s take hearkens back to his earlier progressive-tinged tracks like “Relocation,” with a dash of wistful indie pop melancholy mastered in past hits like “Love Is All I Got.” It’s a brilliant first volley from Gooch’s return, and fans shouldn’t bother reading too much into “Feel Love” as a clue of his LP’s sonic character–with Feed Me on deck, it’s a good bet to expect the unexpected.

David Guetta and Brooks mastermind a crossover hit with ‘Better When You’re Gone’

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David Guetta and Brooks mastermind a crossover hit with ‘Better When You’re Gone’David Guetta

David Guetta is no stranger to crafting EDM-country fusion hits, and the dance star is back for another round with “Better When You’re Gone” featuring Brooks and Loote.

Guetta’s latest single possesses an undeniably folky feel, despite neither the producer nor vocalist coming from the hyper-insular world of country music radio. “Better When You’re Gone” is the second collaboration from Brooks and Guetta, who previously struck gold alongside Martin Garrix with “Like I Do.” Their latest effort figures be another chart-topper, touting the full anatomy of a future dance hit.

Pop-perfect vocals courtesy of Loote bubble up slowly and soon reach a belt-worthy singalong fitting equally in car stereos or a main stage set. Soon the vocal hook is pierced by signature Guetta saw synths, dialing up the energy before landing into an anthemic festival drop. The breakdown sees the vocals return to bring the crowd back down to earth, before one last drop blasts off again into the Guetta-sphere.

Photo credit: Rukes

Khalid premieres new Disclosure-produced “Talk” on Apple Music’s Beats 1 Radio

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Khalid premieres new Disclosure-produced “Talk” on Apple Music’s Beats 1 RadioKhalid Live Credit Emily Korn

Khalid‘s latest single “Talk,” has officially hit the Beats 1 Radio airwaves. The brand new Disclosure-produced collaboration is a soulful rendition that evokes feelings of stillness. Veteran radio host Zane Lowe spoke with Khalid in regards to the song’s meaning, ahead of the track’s debut.

Khalid eloquently explained that “Talk” is set in the honeymoon stage of a relationship. The track itself calmly reflects on the importance of awareness and the communication one must engage in to move forward as the intensity of love settles in. With a voice so unique that it simply cannot be mimicked, Khalid croons, “Can’t we just talk? Talk about where we’re going/Before we get lost/Let me out fast/Can’t get what we want without knowing.” Disclosure’s production backdrop serves up the dreamy yet steady beat for Khalid’s words and emotion to swim through. Khalid said, “It’s one of my favorite songs I have ever been a part of.”

“Talk” is the lead single off Khalid’s upcoming sophomore album, which the El Paso sensation announced would be released before his upcoming performance at Coachella.

Featured image: Emily Korn

J. Cole drops first single of 2019, menacing T-Minus produced, ‘MIDDLE CHILD’

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J. Cole drops first single of 2019, menacing T-Minus produced, ‘MIDDLE CHILD’J Cole Live 2018

J. Cole has released his first track of 2019. In typical Cole fashion, fans were bombarded with the announcement of “MIDDLE CHILD” with a seemingly out of nowhere clearing of his Instagram feed, replaced with posts promoting his new song. Produced by T-Minus, the track follows the release of the North Carolina rapper’s highly anticipated album K.O.D. in 2018.

“MIDDLE CHILD” addresses common themes that have arisen throughout J. Cole’s career, including his quitting the rap game (which, through this single’s exercise it becomes clear he’s not quite ready to stop rapping just yet). Cole also explores impressively beautiful metaphors—a trait that has become integral in his brand—this time, comparing his own rap career to being an awkward middle child between two generations of rhymers. The new track is Cole’s first solo single since 2013. While it’s unclear if “MIDDLE CHILD” is a signal for more music down the line from the famously platinum-with-no-features rapper, if this was in fact the first single from a larger project, this would be the beginning of J. Cole’s first traditional album roll out since Born Sinner. 

GRiZ announces new album and tour, releases new single, ‘I’m Good’

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GRiZ announces new album and tour, releases new single, ‘I’m Good’Griz Press Photo 2 E1548281263389

GRiZ has announced his sixth studio album, Ride Waves, along with an accompanying US tour and released a fresh single off the album, “I’m Good,” to boot. In classic GRiZ style, the multi-instrumentalist has announced the upcoming work in a fluid and mindful process.

“I’m Good” serves an appropriate catalyst to the hype that GRiZ is capable of accumulating. The funk-fueled track has everything familiar with a party with GRiZ at the helm: fluid sax, a collective singing soulful positive messages, and drops that gives listeners time to get down. “I’m Good” is a track that is uniting, and considering the fact that GRiZ meticulously fleshes out his ideas and projects, unity will be a major theme in the full album The 14-track LP—judging from his features and past releases—will delve into hip-hop, soul, funk, all tied together with that curated GRiZ electronica. However, Ride Waves could be something completely new.

The artist has accomplished a lot in the past two years. He embedded himself in an array of communities and relationships, including his own creative exile, as well as philanthropic endeavors. He came out via a HuffPost op-ed in 2017, which led him to be named Michigan’s Face of Pride in 2018 by USA Today and partnered with Dan Savage’s Foundation, It Gets Better. The Guardian praised him for his efforts with GRiZMAS, which has raised more than $100,000 towards Detroit public school students.

Ride Waves will feature DRAM, Wiz Khalifa, the legendary Bootsy Collins, Muzzy Bearr, Matisyahu, The Harlem Gospel Choir, Chicago’s South Side’s Chicago Children’s Choir, and more. Be it musically or emotionally, there is sure to be something for everybody in this LP. Even Snoop Dogg sent in a verse from his studio in Long Beach.

With the mindful realization that not only his music but also his place as a public figure can be used as a force of intrinsic good, GRiZ’s Ride Waves looks to serve as an honest personal expression and a call to action towards the force of kindness, responsibility, and unity.

The US tour will kick off in March, hitting Costa Rica’s Envision Festival, New Orleans for Buku Music & Arts Project, Miami’s Ultra Music Festival, and touch down in Brooklyn, Philly, St. Augustine, Minneapolis, and more. See the full list of tour dates here.

Ride Waves track list

1. Can’t Get Enough
2. I’m Good
3. My Friends and I Pt. 2 ft Snoop Dogg & Prob Cause
4. Cruise Control ft BXRBER
5. A New Day ft Matisyahu
6. The Prayer
7. It Gets Better ft DRAM
8. Bustin’ Out ft Bootsy Collins
9. Caught Up ft Muzzy Bearr
10. Maybe ft Yoshi Flower)
11. The Escape
12. Mercy ft Valentina
13. Barrel Of A Gun ft Leo Napier
14. Find My Own Way ft Wiz Khalifa

What So Not creates a peaceful place with new single ‘We Can Be Friends’

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What So Not creates a peaceful place with new single ‘We Can Be Friends’Herizen What So Not

What So Not is back with new music following the early 2018 release of his debut full-length album, Not All The Beautiful Things. On his latest, “We Can Be Friends,” the Aussie beat maker picks back up where he left off, letting the production elements melt into the background, allowing the featured vocals to be front and center in new release. What So Not taps up-and-comer Herizen for the new track—the release was born when the two met at a writing camp in Nicaragua.

They comment that the vocals and production almost immediately fell into place. What So Not notes, “On the first take, Herizen belted out the chorus over some chords I was playing.” He continues,

“We caught a moment and ran with it.”

The simple, yet captivating, melody can seems inspired by peace in an otherwise chaotic setting and showcases both artists’ ability to let a lyrical story speak for itself. The “Divide & Conquer” producer allows his pensive beat to serve as the track’s backdrop with electronic elements accenting Herizen’s emphatic top-line. Prior to being featured on “We Can Be Friends,” Herizen’s breakout came with her role in Netflix’s now-defunct The Get Down, though now with a What So Not collaboration in the books, we might be seeing her career as a vocalist begin to really take off.

Photo Credit: Gage Sohler

What So Not creates a peaceful place with new single ‘We Can Be Friends’

This post was originally published on this site

What So Not creates a peaceful place with new single ‘We Can Be Friends’Herizen What So Not

What So Not is back with new music following the early 2018 release of his debut full-length album, Not All The Beautiful Things. On his latest, “We Can Be Friends,” the Aussie beat maker picks back up where he left off, letting the production elements melt into the background, allowing the featured vocals to be front and center in new release. What So Not taps up-and-comer Herizen for the new track—the release was born when the two met at a writing camp in Nicaragua.

They comment that the vocals and production almost immediately fell into place. What So Not notes, “On the first take, Herizen belted out the chorus over some chords I was playing.” He continues,

“We caught a moment and ran with it.”

The simple, yet captivating, melody can seems inspired by peace in an otherwise chaotic setting and showcases both artists’ ability to let a lyrical story speak for itself. The “Divide & Conquer” producer allows his pensive beat to serve as the track’s backdrop with electronic elements accenting Herizen’s emphatic top-line. Prior to being featured on “We Can Be Friends,” Herizen’s breakout came with her role in Netflix’s now-defunct The Get Down, though now with a What So Not collaboration in the books, we might be seeing her career as a vocalist begin to really take off.

Photo Credit: Gage Sohler

Post Malone surprises with new single and accompanying music video, ‘Wow’ [Watch]

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Post Malone surprises with new single and accompanying music video, ‘Wow’ [Watch]Post Malone Live Credit Getty

Post Malone is back with a new hip-hop heater before the year’s end, as promised. The “Sunflower” collaborator announced that he would drop a song “before the year ends” on December 13, and now makes good on his claim with his final offering of 2018, “Wow.” The mellifluous single taps into the Post Malone technique that has long ensnared listeners: smoothly delivered verses, half-rapped half-sung, that float with finesse above the track’s catchy background beat.

Malone’s latest is a chilled out joint that bumps with tempered but perceptible energy. “Wow” arrives with an animated music video that featured a cartoon Post Malone, complete with face tattoos, and in the spirit of the holiday season, a Santa hat. The Christmas-themed video offers a festive visual for the single, which comes not out of Santa’s workshop, but Malone’s wheelhouse.

Photo Credit: Medium

H/T: Noisey

Haywyre returns with groovy and grin-inducing single, ‘Tell Me’

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Haywyre returns with groovy and grin-inducing single, ‘Tell Me’Haywyre Tell Me Single

Haywyre has finally returned to inject his signature electro-jazz stylings into a more dance-friendly canvas with “Tell Me” — the first offering from his forthcoming six track EP called Panorama: Discover. After two long years in the lab, it’s the clear the genre-blending producer was rearing to go. Fans are in for a slew of funked-up new favorites on the upcoming record, it seems, based off this shining self-released number.

Haywyre has disco’ed before – take slap bass extravaganza “Memory,” for example. But, the full on nostalgic thrill of “Tell Me” is something truly special. Bright strings and creamy talk box vocals set the tone, and the groove burns bright and steady before the decks are cleared an extended piano solo.Instead of handing the first beat section an encore, however, the artist puts his vocal synth through its paces. Expressive runs and lightning quick fills jolt the funk into overdrive as the track comes to a head. For those who like their dance music a with a little more soul, Haywyre’s November 30 EP release is shaping up to be well worth the wait.