Lunar Lunes: kramder brings the funk, WAVEDASH and QUEST continue their tour de force, Chris Lorenzo and Taiki Nulight deliver new Night Bass heat + more

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Lunar Lunes: kramder brings the funk, WAVEDASH and QUEST continue their tour de force, Chris Lorenzo and Taiki Nulight deliver new Night Bass heat + moreLunar Lunes E1540831560592

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

In this week’s installation, WAVEDASH continue their run on SLANDER and NGHTMRE‘s new label, Gud Vibrations, by tapping frequent collaborator QUEST. Maurice West is bringing big room back with his latest, “The Kick,” and Chris Lorenzo teams up with Taiki Nulight on the latter’s new album, Murky Manor, for “Sinner.” Robbie Rivera‘s new album recently hit the airwaves, dishing up the fine house music he’s been generating for decades, and he thrills with the carefree “We Don’t Care.” Vintage & Morelli have returned with a gorgeous trance rework of Aly & Fila‘s “Paralyzed” with Hailene — and that’s just skimming the surface of the array of selections we’ve gathered this week.

The selection is updated every Lunes (Monday).

Wavedash and QUEST are back at it again with snarling new single, ‘BSTRD’ via Gud Vibrations

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Wavedash and QUEST are back at it again with snarling new single, ‘BSTRD’ via Gud VibrationsWavedash Quest Bstrd Single Gud Vibrations

When Wavedash and QUEST collaborate, magical things happen – dark, twisted, bass-music-from-another-dimension magic to be exact. Whether co-crafting classic dubstep fare or linking for a full EPs, the group of producers always bring their A-game when creating together. Their latest single “BSTRD” unquestionably that continues that streak, with the added distinction of being among the first releases from NGHTMRE and SLANDER‘s recently minted Gud Vibrations imprint.

The track’s halting, glitchy intro sets the stage for head-banging euphoria, before detonating into an onslaught of squelching synths and relentless bass. “BSTRD” masterfully employs moments of silence to bring added impact to each section. The breakdown is less breather and more of an excuse for the artists to stretch flex their rhythmic chops, before once again priming a drop for impact. Wavedash and QUEST’s latest collaboration results in a certified setlist weapon that fuses technical brilliance with downright menacing execution.

Dexter’s Beat Laboratory Vol. 49

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Dexter’s Beat Laboratory Vol. 49Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Since its release in fall 2017, Slow Magic‘s “Wildfire” has received numerous remixes. The Float track has been flipped by the likes of Mielo, NΣΣT, and more — including the latest, from Airynore. This new rendition of “Wildfire” comes as a light, breezy song, highlighting the powerful, emotive vocals. Though the majority of the song lacks a percussion backbone, it’s illuminated by warm synths and intriguing piano melodies, making it calming and relaxing.


Monstercat mainstay Rogue has kept fans waiting since last fall for his next release — but it was worth the wait. His first release of 2018 on the Canadian label is “Mirage,” a melody-centric future bass track. The UK artist has been thrilling label listeners worldwide with his versatile production skills since 2012’s release with Tristam, “Pushed Away.” On “Mirage,” we see Rogue in his finest form: lending his own vocals over top of an irresistibly groovy synth melody.


I have Costa Rica’s Envision Festival to thank for my love and respect of Slynk. The gifted Australian producer flaunts insane mixing skills in his performances, and his original tracks are equally impressive. His latest comes from the 2018 Fractal Forest compilation and is called “Scrunched Up Faces.” This Westwood Recordings release radiates good vibes from start to finish, layered with funky guitar licks, lively flute melodies, and a substantial amount of bass along the way,


Bill Withers’ “Ain’t No Sunshine” has been remixed, covered, and redone in nearly every way imaginable. Nearly 50 years after the original’s release, artists are still drawn to its melancholy lyrics and haunting melody. Lido did a thrilling remix in 2014, and Jenaux adds his name to the list in a new cover with Andy Cooper. Jenaux’s mellow take on the iconic track is a minimalist approach, with Cooper’s vocals at center stage, backed by subtle guitar and wavy bass.


Few songs of late have matched the sheer eeriness of WAVEDASH and QUEST‘s “Devil Music.” The title track off the duo’s recent Mad Zoo EP features creepy vocals and unhealthy doses of bass, and has been remixed by label founder Mat Zo himself, along with  label mate Shadient. Shadient doesn’t stray from the sinister atmosphere of the original, using the dramatic intro as a launchpad for his own rendition. He slows the track down considerably, honing in on hefty bass and letting it truly seep into his listeners’ ears.

Mat Zo puts his spin on Wavedash and Quest’s “Adagio”

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Mat Zo puts his spin on Wavedash and Quest’s “Adagio”Wavedash Mat Zo Adagio

It’s been a little over a month since Wavedash and Quest released their Devil Music EP on Mad Zoo, and now they reveal yet another trick they’ve had up their sleeve.

After releasing a remix for “Star Power” by AWE, it turns out the pair were also able to get Mat Zo himself to remix Devil Music‘s opener, “Adagio.” The original is a cinematic piece that serves as an eerie introduction to the EP with ringing organs and gritty synths grumbling in the background.

Mat Zo adds his own kind of cinematics and gives the tune more of a retro feel as he elongates the song and creates a veritable adventure out of sounds and elegant atmospherics. With a heavy kick and stabbing synths, he casts a more cunning air into his rendition, making it feel like it belongs in a horror movie or a video game.

Dexter’s Beat Laboratory Vol. 39

This post was originally published on this site

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Just a month after the release of “Satisfied” on his Science EP, Robotaki has tapped the talents of Machinedrum for a dynamic remix. “When my team and I were thinking of artists to hit up for remixes, we wanted to have a collection of remixes that would truly change the way the original tracks felt and sounded,” Robotaki says of the remix. “Travis’ creative, eclectic and hard-hitting take on ‘Satisfied’ is everything I could’ve hoped for.”


It makes my heart happy that people are still remixing Oliver Heldens and Becky Hill‘s beloved “Gecko (Overdrive).” It’s been nearly five years since its release, and it remains one of my favorites. The song been reworked into a drum & bass masterpiece (thank you, Matrix & Futurebound), spun into a progressive gem (thank you, Lost Kings), and now has been funk-ified into nu disco by Flamingos. With a laid-back, synth-filled vibe, Flamingos revamp this classic with a retro feel.


With each new Rocket League collaborative album, Monstercat continues to impress. Volume three features the latest from Bad Computer: a tantalizing house track with vocals from Skyelle. “Silhouette” marks the producer’s third release with the Canadian label. With captivating instrumentals and beautifully emotive vocals from Skyelle, this one is an alluring addition to Bad Computer’s arsenal of well-crafted tunes.


Bass music plunges to the depths of hell in WAVEDASH and QUEST‘s new track, “Devil Music.” Sprinkled with eerie vocals from fknsyd, this creepy collaboration is crammed with aggressive bass and compelling sound design.  The in-your-face atmosphere of “Devil Music” is invigorating and menacing, making it a breath of fresh air in the saturated bass music market.


There are few things I love more than a drum & bass song that’s equal parts passion-packed and energetic. Flite and Boxplot’s latest, “Sunroad,” is part of Liquicity‘s Galaxy of Dreams 3 compilation, which came out at the end of April. It’s a clear standout on the LP, bursting with life and gorgeous melodies.