NMF Roundup: ZHU and partywithray join forces, Ekali and Kiiara deliver ‘Back To You’ + more

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NMF Roundup: ZHU and partywithray join forces, Ekali and Kiiara deliver ‘Back To You’ + moreEkali Crystal Eyes 1

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

ZHU and partywithray craft a sinister masterpiece on their new collaboration, “Came For The Low,” and Ekali and Kiiara are a dynamic duo when they come together for “Back To You.” Gareth Emery continues to bless the music world with his masterpieces with the installment of “Laserface 03 (Leaving You).” Nora En Pure has revealed her new EP, Homebound, and EDEN releases “projector.” The Knocks team up with Great Good Fine Ok for “Lucky Me,” and Audien brings some drum ‘n’ bass heat with “Reach.” Gryffin soars in his debut LP, Gravity, and Kaskade and Mr. Tape flex on “Come On.” Notaker crafts an otherworldly sonic journey on “From Dust & Ashes,” and Galantis unexpectedly team up with Dolly Parton and Mr. Probz on “Faith.” Moon Boots and Black Gatsby unwind for the weekend on “Whisper In The Wind.” Showtek and Gammer tell us how they really feel on their new collaboration, “EDM Sucks,” and Ryan Browne gives BIJOU and Tyler Graves’ “Crown” a rougher edge. Wilkinson shines on his new single, “Machina,” and Gramatik reveals Re:Coil, Pt. II, featuring tracks like “Don’t Give Up” with Ryan Shaw and ProbCause.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Bryan Van Wyk

Lunar Lunes: Armin van Buuren and Inner City face off on ‘It Could Be,’ Notaker remixes Haywyre + more

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Lunar Lunes: Armin van Buuren and Inner City face off on ‘It Could Be,’ Notaker remixes Haywyre + moreArmin Van Buuren Press Shot Bart Heemskerk

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Bart Heemskerk

Dexter’s Beat Laboratory Vol. 109

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Dexter’s Beat Laboratory Vol. 109Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


When Haywyre‘s “Tell Me” first came out last November, I was immediately hooked. It’s effortlessly funky, incorporating Haywyre’s own vocoder-filtered vocals and array of bright and blissful synth and keyboard elements. As part of a set of remixes, Notaker is the latest to take on the groovy tune. The St. Louis producer has put his own moody, atmospheric spin on the original, packing a serious punch with dramatic builds and hefty bass. It gives an entirely different tone to the piece, and it’s breathtakingly powerful.

Disco overlords Goshfather and Aylen are at it again. The duo have a joint two-track EP out, featuring the previously released “Found You” and the debut of “Coastin’.” The tune seeks to continue the effortless, sun-soaked tone of the summer months, incorporating a retro melody and carefree lyrics to move the steady bassline along. It’s hard not to move your feet to this one.

Liquicity mainstay Maduk is back with new heat. The Dutch producer teamed up with Calixte to create a truly infectious tune. “Everytime” seems subdued enough in the beginning, but steadily builds into a mighty drum ‘n’ bass song. A piano melody and rushing beat carry Calixte’s vocals beautifully from start to finish. “Everytime” is a tune that’s as alluring as its hypnotic cover art.

Fans of Metrik have long anticipated the arrival of “Gravity.” The release is the first time Metrik has ever featured his own vocals, and the addition rounds out what I believe is one of his best releases in recent history. “This track represents a new wave of music I’ve been developing using my voice, guitar & synthesisers and is the purest expression of my sound yet,” Metrik said of the release.

UKF is celebrating its 10th anniversary, and with it comes an exclusive set of singles and EP from the notable platform. The latest of these is Kove‘s “Le Retour,” a drum ‘n’ bass number with cheery horns and an irresistible overall retro style. It’s quite a swerve from its predecessor, “Motor,” which had a decidedly darker feel to it, but the difference in the songs just demonstrates Kove’s ridiculously wide range when it comes to production and sound design.

Notaker impresses with full release of long-awaited six-track EP, ‘PATH.FINDER’

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Notaker impresses with full release of long-awaited six-track EP, ‘PATH.FINDER’Notaker Press Shot

St. Louis-based music producer David Nothaker, more commonly known in the music world as Notaker, has dropped his long-awaited six-track EP, PATH.FINDER. Previous releases “Into the Light” featuring Karra and “Each Other” featuring Eric Lumiere are joined by the introductory “Only In My Dreams” and three additional never-heard-before originals.

The dynamic tracks on the EP all have an underlying dark edge that frames a collection of upbeat, vocal-lead, and ominous singles juxtaposed against one another. “Melophonic” features unique soundscapes with dancing notes that has an underlying future bass melody propelling the track forward. On tracks like “The Longest Night,” Notaker transports listeners to another universe, heightening anticipation through dreamy builds and otherworldly melodies. He caps off PATH.FINDER with a VIP mix of “Into the Light,” which features new glitched-out drops for the original.

PATH.FINDER is out now via Monstercat.

Lunar Lunes: R3HAB refreshes ATC’s ‘Around The World (La La La),’ Notaker unveils ‘PATH.FINDER’ EP + more

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Lunar Lunes: R3HAB refreshes ATC’s ‘Around The World (La La La),’ Notaker unveils ‘PATH.FINDER’ EP + moreR3hab 4

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

It’s been 18 years since the release of ATC’s classic “Around the World (La La La),” but R3HAB has revived the seminal track with a rework of his own. Notaker‘s new EP, PATH.FINDER, makes its full debut on Monstercat on April 8, featuring tracks like a VIP mix of “Into The Light.” DROELOE return to San Holo‘s bitbird with a new original, “Snow Shovels,” and Tiësto teams up with SWACQ for “Party Time.” Figure and Whiskey Pete join forces on bass-heavy “Exterminate,” and DEVAULT takes a dark approach with “RUNWAY.” Syn Cole‘s crafted a remix of Dimitri Vegas & Like Mike‘s “Selfish,” and Bear Grillz taps vocalist Micah Martin for “Stay.” Dream team MOTi and Icona Pop have created “Sink Deeper,” and KAAZE and Aloma Steele flaunt their city pride with “My City.” Afrojack, Sunnery James & Ryan Marciano have put their own spin on Jewelz & Sparks‘ “Bring It Back,” and DJ Sliink brings a Jersey club bounce to “Murda On My Mind.” Lost Frequencies throws it back with a remix of Estelle’s “American Boy,” and Sam Feldt takes on Rita Ora‘s “Only Want You.”

The selection is updated every Lunes (Monday).

Photo credit: Tony Cottrell Photography

Good Morning Mix: Take a bass-heavy journey with Notaker in his new Radar mix

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Good Morning Mix: Take a bass-heavy journey with Notaker in his new Radar mix30167930 1628572673893109 4661226760185204240 O

As a dance music taste-maker, producer Notaker demonstrated his skills in this exclusive mix for Dancing Astronaut‘s mix series, The Radar. Since early 2018, the St. Louis native has derived support from some of the most respected labels in the game, taking shelter at mau5trap for his debut EP Erebus I that peaked at No. 6 on the iTunes top electronic albums chart. In addition, he’s seen increased success with the Vancouver-based imprint Monstercat, a relationship he forged to release his latest single, ” Into The Light” featuring Karra.

This mix will guide listeners on a “sonic journey,” as he explores a diverse arrangement of sounds within the “electronic spectrum.” Kicking things off with “Into The Light,” Notaker maintains a balance between light and heavy bass music, including the REZZ remix of Porter Robinson‘s “Divinity,” the 2017 Flume hit “Hyperreal,” k?d‘s show edit of “Find Paradise,” a collaboration from up-and-comer 1788-L featuring Totto on “Full Burst,” and more.

Notaker’s latest single is out now on Monstercat.

Dexter’s Beat Laboratory Vol. 76

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 76Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Metal and electronic music have been colliding more and more as of late. This collision takes many different forms, including artists like Matt Lange putting their own spin on the instrumentals of a song originally fueled by rock elements. Lange has taken Periphery’s “Lune” and leaned into its subdued beauty, crafting a minimalist backbone of warped bass and a dreamy guitar melody that drifts softly throughout the course of the remix. He allows Spencer Sotelo’s vocals to take center stage in his remix and has crafted a perfect atmosphere to complement Periphery’s original.

Notaker‘s off to an incredible start of 2019. His latest, “Into The Light,” pairs beautifully with its accompanying artwork, which depicts a shadowy forest highlighted by beams of sunlight. Karra‘s heavenly vocals set the scene, leading listeners into a gradual build before dropping into a booming melodic drop. Chirping birds and atmospheric layers of synths create an environment that’s both serene and powerful, as Notaker demonstrates his strong command of sound design.

Far Out’s “Worlds Apart” is what today’s future bass wishes it could be. Much like Notaker’s “Into The Light,” Far Out assemble this dreamy soundscape slowly, building gradually with lush beds of synths, piano, and strings. One could easily mistake this for an orchestral piece until just after the minute mark, when bass and drums enter to assert their dominance. “Worlds Apart” is a world within itself, full of mystery and anthemic melodies that make this a real showstopper.

And now, for a darker turn. Krayysh returns to Mad Zoo with a positively eerie remix of Shadient‘s “Leidenfrost.” He’s been making a name for himself on the Canadian label with his shadowy creations, only stepping briefly into the light for “Talk To Me.” Overall, though, his work takes a trippy, walk-in-the-woods-at-night tone, bolstered by glitchy bass and ominous melodies. His take on Shadient follows along this creepy pathway, pummeling listeners’ ears with haunting ambiance the entire way.

In a world full of endless “Shelter” remixes, it can be difficult to stand out. But REAPER is making his mark with daunting take on the iconic Madeon and Porter Robinson track by packing it full of bass and giving it an unexpected twist toward the end. The vocals have been pitched down in a way that’s a bit menacing, making the song feel more aggressive right from the beginning. With a drum & bass switch-up that takes over the last minute of the song, REAPER makes sure this remix is unforgettable.

NMF Roundup: deadmau5 delivers ‘mau5ville: Level 3,’ Lane 8 returns with ‘Visions,’ Galantis and OneRepublic team up + more

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NMF Roundup: deadmau5 delivers ‘mau5ville: Level 3,’ Lane 8 returns with ‘Visions,’ Galantis and OneRepublic team up + moreDeadmau5 Mr Bill

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

deadmau5 has returned to deliver the third installation in his thrilling mau5ville series, bringing with it a seven-minute opener called “Polyphobia.” Galantis and OneRepublic team up for the easygoing “Bones,” and SNBRN drops off slow-burning “Never Let You Go.” Lane 8 and Rbbts pump their latest, “Visions,” with emotions, as does Dabin with his brand new “Alive.” DROELOE deliver their first original of the year, “Only Be Me,” and Ephwurd cranks up the heat with his new “Hectic” collaboration with SWAGE. Alok and Timmy Trumpet bring their talents to Spinnin’ Records with “Metaphor,” and CAZZETTE take on Midnight Kids‘ “Serious” with Matthew Koma. Win & Woo tap the enticing vocals of Kaleena Zanders for their new single, and Crystal Skies exhibit their flawless melodic dubstep style in “Never Change.” Snakehips bring Rivers Cuomo aboard for their new “Gucci Rock N Rolla” with KYLE, and R3HAB tries his hand at remixing Kygo for the second time with a grooving take on “Happy Now.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: F. Scott Schafer

Notaker takes listeners to new heights in new Monstercat release, ‘The Storm’

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Notaker takes listeners to new heights in new Monstercat release, ‘The Storm’Notaker Press Pic

Following an otherworldly mau5trap EP, EREBUS I, in July, versatile producer Notaker is back at it again.

The St. Louis artist opens his latest venture with an air of mystery, building anticipation with formidable, distant drums and a haunting synth melody. A brief crescendo leads to another type of build, this time layered with additional mystical elements, before launching the listener deep into the heart of “The Storm.”

As seems to be his specialty, Notaker has built another transcendental, visionary experience in “The Storm.” The world he’s built within the song’s five-minute length serves as both the calm before the storm and the storm itself. He doesn’t shy away from heavy doses of bass, but allows his ethereal synth melodies to take center stage and mold this otherworldly experience.

“The Storm” seems to serve as a darker counterpart to his February 2017 Monstercat release, “Shimmer.” Both tracks are compelling sonic journeys, each carefully crafted to transport their listeners to a world undiscovered.

Notaker releases must-listen cosmic ‘EREBUS’ I EP

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Notaker releases must-listen cosmic ‘EREBUS’ I EPNotaker EREBUS I

Notaker has released an interstellar EP off deadmau5‘s mau5trap label. The project is called EREBUS I, named after a primordial deity who represents the personification of darkness. With an explorative feel and focus on sound design, EREBUS I is yet another example of audio experimentation and discovery from the label that brought us REZZ, Excision, i_oFeed Me, and Skrillex‘s second EP, Scary Monsters and Nice Sprites.

Right off the bat, we’re hit with “Fatal System Error,” a cinematic buildup that leads into that space bass feeling one might get from 1788-L or REZZ. Metallic high-ends are juxtaposed by gritty sub bass to contrast the twinkling verses.

Corrupted” is a collaboration with labelmate and bass adventurer, BlackGummy. DA premiered the track, calling it a collaboration that “leans into the shadowy side of the artists’ production, bringing the listener slowly into their lair as the song opens up.”

“Hypersleep” is a more grounded, rhythmic bass track with randomized arpeggiation and unique time stamps. The track is more ambient and self-reflective, creating a calming atmosphere during the verses and chaotic vibe on the hooks, while personifying the definition of exploratory electronic music.

The next track, “Machina,” is a collaboration with Eminence. Building off from the confusion of the last track, “Machina” is a confident liftoff into gritty bass territory. This track is the final action scene in the EP.

“Believe” concludes the space journey with a dramatic crescendo that glides away into the abyss of space.

EREBUS I is an expansion of Notaker’s Vessel EP series, which started with his previous Genesis project released on Monstercat. The story is an audio journey about a space vessel.

Notaker tells Dancing Astronaut, “the concept behind this EP was to expand on the idea of my Vessel series by creating a story using the track list order, mood, and artwork for each song to tell an ambiguous sci-fi / space story about the Vessel. Essentially the Vessel’s A.I. experiences a Fatal System Error after The Vessel travels through a wormhole, the Corrupted A.I. then becomes hostile towards the crew forcing many of them to jettison the Vessel and go into Hypersleep. The remaining crew then cuts the power supply to the A.I. and has to travel back through the wormhole without any guidance. Also in the promo mix, I spliced in a few audio clips of dialogue from movies that I drew inspiration from for the story and artwork (Interstellar, 2001: A Space Odyssey, and Alien).”

Photo Credit: @notakermusic/Instagram