Dylan Matthew’s soothes the soul in acoustic rework of Seven Lions, SLANDER, and Dabin’s ‘First Time’

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Dylan Matthew’s soothes the soul in acoustic rework of Seven Lions, SLANDER, and Dabin’s ‘First Time’Dylan Matthew First Time Acoustic Rework

In October of 2018, Seven Lions teamed up with SLANDER and Dabin to release blissful single, “First Time,” on Seven Lions’ imprint Ophelia Records. Dylan Matthew is the vocalist on the original track, and he has come forward with his own acoustic version of the song, showcasing the beautiful melody in a new light.

Matthew gives his stunning vocals the spotlight, filtering out the electronic elements in favor of powerful piano melodies that serve as the perfect complement to his vocals. He has also ensured that there will be no questioning his talent thanks to the fact that he live recorded the music video for the release featuring simply himself playing the piano. “First Time” was not the singer’s first electronic collaboration, having previously worked with ARMNHMR and Nolan van Lith on “Alone” in addition to SLANDER and Kayzo on release “Without You.”

Dylan Matthew’s soothes the soul in acoustic rework of Seven Lions, SLANDER, and Dabin’s ‘First Time’

This post was originally published on this site

Dylan Matthew’s soothes the soul in acoustic rework of Seven Lions, SLANDER, and Dabin’s ‘First Time’Dylan Matthew First Time Acoustic Rework

In October of 2018, Seven Lions teamed up with SLANDER and Dabin to release blissful single, “First Time,” on Seven Lions’ imprint Ophelia Records. Dylan Matthew is the vocalist on the original track, and he has come forward with his own acoustic version of the song, showcasing the beautiful melody in a new light.

Matthew gives his stunning vocals the spotlight, filtering out the electronic elements in favor of powerful piano melodies that serve as the perfect complement to his vocals. He has also ensured that there will be no questioning his talent thanks to the fact that he live recorded the music video for the release featuring simply himself playing the piano. “First Time” was not the singer’s first electronic collaboration, having previously worked with ARMNHMR and Nolan van Lith on “Alone” in addition to SLANDER and Kayzo on release “Without You.”

NMF Roundup: KOAN Sound return with debut LP, Dillon Francis unleashes ‘LFGD,’ SNBRN remixes Hotel Garuda + more

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NMF Roundup: KOAN Sound return with debut LP, Dillon Francis unleashes ‘LFGD,’ SNBRN remixes Hotel Garuda + moreKoan Sound

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

The release of the NINJAWERKS Vol. 1 compilation album this week brings new tunes from some of dance music’s biggest names, including Dillon Francis and Kaskade. Andrew Bayer has joined forces with Ane Brun for the gorgeous “Love You More,” out on Anjunabeats. RL Grime has revealed a colossal set of remixes for NOVA, including a formidable rework of “Rainer” by k?d. KOAN Sound burst back onto the scene with the release their debut full-length, Polychrome. HEYZ works wonders in his new single with darkDARK, “Darkest Little Friend.” Hardwell delivers some sunshine in the form of “How You Love Me” with Conor Maynard and Snoop Dogg. Nicky Romero flips Jess Glynne‘s “Thursday” in his newest, and NGHTMRE and Big Gigantic make magic with “Like That.” Cloonee keeps the beat rocking with a feel-good take on Matoma‘s “Sunday Morning,” and Ekali strips “Leaving” down for a serene, acoustic rendition.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

KRANE’s ‘Fallout’ LP has finally arrived

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Years of cultivating a distinctive, heady bass sound have culminated into KRANE‘s debut album Fallout. The expansive project has been in the works for some time, during which he compiled all his influences into a cohesive body of work which he states represents “much of my personal sound and background developed over the years of listening to and creating music.” Diving deeper than the average trap artist, KRANE sought to make an album that would be a full expression of him, beyond just music, drawing inspiration from “the aesthetics of movies, television and literature” he enjoys as well.

Fallout thus resulted in a ten-piece collection of heavy, yet enthralling numbers. KRANE wastes little time in reaching high levels of energy. After a smooth “Chemical,” which offers a more “mellowed” soundscape that is warmed by Ahsha & Lemay’s vocal contribution, the Bay Area producer hops right into a festival-ready “Next World.” The QUIX-assisted record is a minimal, yet dramatic trap effort with a cinematic climax at the end wrought by strings samples and buzzing chords.

KRANE truly demonstrates his roots in the wild side of the bass realm through Fallout. A wide array of its compositions are made for the dance space, and make for an invigorating listening in any environment. “Hollow (ft. SLUMBERJACK),” for example, plays around with Eastern-inspired melodies that pep up the lower frequencies. Spitfire verses by Nick Row paired with tingling breakdowns and heavy drops makes “PCP” one of the weightiest cuts on the LP. “Forgotten” fosters a futuristic atmosphere, aided by retro-inspired synthesizers and subtle vocoded vocal accents.

However, the bass maven’s softer side shines on this album as well. He uses a future bass medium for tracks of this variety on Fallout, and pairs it with an assortment of melodic progressions that conjure sentimentality. Through its closer “Nobody But You,” KRANE paints an almost poignant mental picture that is amplified by soaring melodies and gentle rhythms. “Titan,” which features Nolan van Lith, uses arpeggios and titillating highs to create hair-raising effect. His “Away From You” interlude shows off his jazzy side, as sweeping notes and celestial sampling make even ambient sound charged.

Fallout was released on October 26. Purchase the album here.

 

 

 

 

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