Dexter’s Beat Laboratory Vol. 43

This post was originally published on this site

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


House maven BIJOU has returned with another tasty dance floor-ready offering, “Take A Hit,” with Gerry Gonza. His hard-hitting style fuses perfectly with that of Gonza’s as they pair sultry vocals with a bass-heavy beat for a g-house collaboration that’s sure to entice dance music listeners of all persuasions.


Rameses B‘s style of drum & bass can be summed up in one word: intense. With each new release, the UK artist tells an enthralling tale. During his latest’s six-minute length, “Prometheus” builds and drops in tremendous fashion. Mystery-filled breaks that tell a tale of the narrator searching for someone, adding to the suspense. “This is the first time I’ve combined psytrance and drum and bass, the result is a progressive and ever-evolving track that takes the listener on a journey,” Rameses B says of the Monstercat release. “This could spark future iterations of the psy-dnb genre.”


Hidden Face exhibits a mysterious feel to his music reminiscent of ZHU‘s. The up-and-coming Parisian artist pairs a dark beat with alluring vocals painting a foreboding picture as he goes. Though slightly eerie, the track is fascinating, and I find myself listening again and again. “Turn off the lights” marks Hidden Face’s opening track to his debut three-track EP, out now on Daruma.


I’ll admit I was surprised to see ATTLAS on Louis The Child‘s “Better Not” remix package — pleasantly so. The mau5trap artist has composed a beautiful rendition of the Chicago duo’s hit, layering in a variety of lighthearted synths that give the track an extra feel-good vibe. It’s impeccably produced and shows a lighter side of the Toronto artist’s style.


Elephante‘s Glass Mansion EP has just hit the airwaves, adding nine emotion-packed originals to his repertoire. The EP’s namesake is a blissful and catchy track with a deeper message. “It’s the story about building and dreaming about the “Glass Mansion,” where the streets are made of gold and everything is perfect – and then finally getting there, and realizing that it’s not what you were looking for,” Elephante told Billboard. “You can’t wait to be happy until you achieve something – you have to find joy in the process. Because we’ll never have it better than we do right now.”

Valentino Khan – Lick It (Gammer remix)

This post was originally published on this site

Monstercat‘s hardstyle hero, Gammer, gave the similarly heavy-handed producer Valentino Khan‘s latest single “Lick It,” a dynamic makeover. Khan’s first original track of 2018, “Lick It” garnered attention upon the release of its provocative music video, in which a girl licks a number of foods and inanimate objects, as well as an elderly woman.

Gammer’s multi-faceted reproduction is brimming with high powered switch ups, taking the track through a number of styles including trap and bass house. The seasoned UK producer floods the remix with noteworthy nuances, including drum n bass fills and crunching snares.

Late last year, Gammer embarked on his journey to more regularly explore sounds outside the hardcore domain, with his dubstep-infused album, The Drop.

 

Dexter’s Beat Laboratory Vol. 41

This post was originally published on this site

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


San Francisco producer Spencer Brown has been thrilling audiences with his ethereal progressive house style for years. Most recently, he’s released his debut album, Illusion of Perfection. One of the tracks, “Nightwalk,” perfectly conveys the subtle mystery of late nights and early hours of the morning. “This song was directly inspired by walks around the Marina Green (near the Golden Gate Bridge) in San Francisco very late at night near the end of last year,” Brown says of the song. “There is something spiritual for me about walks at 3 a.m. or 4 a.m.; I love the stillness, tranquility, and feeling that the entire landscape is yours.”


The fiery drum & bass coming out of Liquicity Records lately has been so inspiring. One of the label’s latest, a fervent collaboration between Madface, MC Coppa and Meditat1on, is a clear standout for 2018 on the Dutch label. “What It Looks Like” unites the talents of three countries (Czech Republic, United Kingdom and Italy, respectively) for a dynamic drum & bass tune that shines with intense vocals from MC Coppa and stellar production from the Madface and Meditat1on.


Disco Fries are typically the bringers of funk. On the heels of the groovy DF EP on Enhanced in November, the duo have opted for a change of pace in their latest release. “The Cut” shows a more intense side of the New York producers, as they layer on hefty bass and mysterious Middle Eastern-influenced melodies. With booming bass and an intense beat, “The Cut” shows there’s nothing these two can’t do.


A Nitro Fun release is always an adventure. The Mexican producer opens his latest release, “Time Goes By,” with a bold blast of ’80s-style synths (think Van Halen’s “Jump”) and an immediately addicting melody. He hooks the listener from the get-go, leading them into a formidable dosage of bass and a cacophony of glitchy, computerized synths. “Time Goes By” is a full demonstration of the breadth of the Monstercat artist’s production, and it’s a beauty to behold.


Unlike Pluto has spent the last few years establishing himself as an unquestionably versatile artist. With releases that have varied from a collaboration with Seven Lions to a cover of TLC‘s “No Scrubs,” the Los Angeles producer has made it known that each release will be an entirely fresh experience. Earlier this week, he released the first song in a collection he’s called the Pluto Tapes. With a laidback feel, impeccable harmonies and elements of dance music poking through, “Run, Bobby, Run” is an intriguing addition to his music arsenal.

Slander switches it up with newest release ‘Slow Motion’

This post was originally published on this site

Slander has been on fire in 2018 with a stream of releases and collaborations giving their fans plenty to listen to. “Slow Motion,” which features Bret James, is their most recent addition, out now on Monstercat.

Their newest track emulates its title with vocals seemingly being inserted in slow motion with a calming backdrop. The duo have explored commercial house, trap, dubstep, and bass music, but they have further diversified their roster of releases with “Slow Motion.”

NMF Roundup: QUIX breaks down the barriers of bass with Matroda, Tourist channels massive ODESZA vibes, Ookay raps & more

This post was originally published on this site

Amsterdam Dance Event

The most important day of every week: New Music Friday. As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed.

Daktyl enlists MOONZz and lets his creativity run wild on “Weather.”

The Him keeps it simple. The Spinnin’ Records release, “Broken Love” delights with its simple loop and chord progression.

For the kids: Jonas Blue taps the former Vine stars, Jack & Jack, for the bright and bouncy “Rise.”

Said The Sky paints cinematic soundscapes with the Matthew Koma-featured “Over Getting Over You.”

Moodymann dives deep into Detroit funk with his bass-heavy Nightmares On Wax rework.

Just A Gent traverses the interplanetary realm at light speed with Thandi Phoenix on the rave-inspired floor filler, “Space Odyssey.”

Nitro Fun gets personal on “Time Goes By,” which he says was inspired by some personal realizations about time, love, and the universe.

Ashley Wallbridge releases a trance track fit for the Greek mythology pantheon it references.

QUIX switches it into high gear with Matroda as the two break down the barriers of bass with the burgeoning “LAMBO.”

Not for the faint-hearted: The quickly ascending Duckworthsound, who’s already got releases on Klash, Insomniac, and Tchami’s Confession label, drops off the secret weapon of the summer.

Tourist draws early-ODESZA comparisons with absolutely ethereal Rostam rework.

Space Laces is throwing massive elbows in sinister, cinematic track “Kaiju.”

MUST DIE! marries future bass and dubstep, carrying SLANDER and SAYMYNAME‘s heavy-hitter to unforeseen heights.

Ookay switches lanes, and releases his first rapping foray. There’s a hot summer of hip-hop on the horizon, and if “Desperado” is any indication of where Ookay is headed, he seems sure to corral some excellence.

Dexter’s Beat Laboratory Vol. 40

This post was originally published on this site

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


In his Landscapes & Dimensions album earlier this year, Hungarian producer Aeron Aether showcased his production prowess through a diverse series of tracks. About halfway through the compilation, he switched gears from ethereal, dreamy soundscapes to an energetic drum & bass song that caught my ear. “Pusaar,” like the rest of the album’s tracks, builds beautifully, dropping the listener into a dramatic fast-paced rhythm just a little after the minute mark.


In the second Silk Music release of this playlist, we have the latest from Jay FM: an elegant progressive house tune from his brand new Timeless EP. This six-minute venture is a meditatively peaceful piece, led by a graceful synth melody and accompanying piano. Periodic vocals assert the emotive qualities of “Good Times,” ensuring its listeners are taken on an introspective journey.


In April 2014, Au5 released a heavy track called “Reiteration.” His galactic wubs and expert sound design wowed in this production — so much so that he’s revived it for a VIP rendition for 2018. The Colorado producer shines in this powerful mix of dubstep and drum & bass, bringing “Reiteration” into 2018 with a burst of energy and vibrancy.


Hoodboi‘s seven-track Breathing Room EP is just days old . Throughout the EP, he brings on exceptional collaborators that bring diverse elements to the already-stellar collection of songs. “Drowning” with Djemba Djemba and Julius is a personal favorite from this EP. Beautiful harmonies and complementary synths weave a colorful web of emotion, making “Drowning” a clear standout for me.


For his latest, Dion Timmer has stepped away from rowdy dubstep and into a light, upbeat original perfectly primed for the high energy of the soundtrack it’s featured on: Rocket League x Monstercat Vol. 3. Since first listen, the infectious melody has echoed in my head, and I continue to be impressed with the quality of releases coming from the Dutch producer.

Dion Timmer releases his dynamic track ‘Shiawase’ on Monstercat

This post was originally published on this site

Dion Timmer Shiawase

Netherlands-based producer Dion Timmer has accomplished more than most kids his age. By the age of 10 Timmer had discovered dubstep and realized his passion for music. Fast forward about 7 years and now he has collaborated with Snails, Bro Safari, Adventure Club and gone on tour with Excision

If that’s not enough, then hitting play on his latest release on Monstercat, “Shiawase,” should be enough to reinforce the fact that the kid is talented to say the very least. Following his theme of pitched up vocal chops along with his exceptionally technical sound design, he creates a light-hearted and dynamic song that feels as if it was exported directly from a video game.

If that cup of coffee didn’t do it’s job this morning, then Dion Timmer has you covered. 

Bad Computer stuns with new single ‘Silhouette’

This post was originally published on this site

Monstercat is giving the world more great music with latest release by Bad Computer titled “Silhouette.” The 19-year-old Australian producer has been gaining momentum thanks to his unique sound, and the release of this track is no exception.

Ethereal vocals by Skyelle resonate around the beautiful electronic chords. The track has a progressive house melody that finds a way to be both calming and energizing simultaneously, which is a difficult feat. “Silhouette” will be featured on  Monstercat x Rocket League Vol. 3.

Dexter’s Beat Laboratory Vol. 39

This post was originally published on this site

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Just a month after the release of “Satisfied” on his Science EP, Robotaki has tapped the talents of Machinedrum for a dynamic remix. “When my team and I were thinking of artists to hit up for remixes, we wanted to have a collection of remixes that would truly change the way the original tracks felt and sounded,” Robotaki says of the remix. “Travis’ creative, eclectic and hard-hitting take on ‘Satisfied’ is everything I could’ve hoped for.”


It makes my heart happy that people are still remixing Oliver Heldens and Becky Hill‘s beloved “Gecko (Overdrive).” It’s been nearly five years since its release, and it remains one of my favorites. The song been reworked into a drum & bass masterpiece (thank you, Matrix & Futurebound), spun into a progressive gem (thank you, Lost Kings), and now has been funk-ified into nu disco by Flamingos. With a laid-back, synth-filled vibe, Flamingos revamp this classic with a retro feel.


With each new Rocket League collaborative album, Monstercat continues to impress. Volume three features the latest from Bad Computer: a tantalizing house track with vocals from Skyelle. “Silhouette” marks the producer’s third release with the Canadian label. With captivating instrumentals and beautifully emotive vocals from Skyelle, this one is an alluring addition to Bad Computer’s arsenal of well-crafted tunes.


Bass music plunges to the depths of hell in WAVEDASH and QUEST‘s new track, “Devil Music.” Sprinkled with eerie vocals from fknsyd, this creepy collaboration is crammed with aggressive bass and compelling sound design.  The in-your-face atmosphere of “Devil Music” is invigorating and menacing, making it a breath of fresh air in the saturated bass music market.


There are few things I love more than a drum & bass song that’s equal parts passion-packed and energetic. Flite and Boxplot’s latest, “Sunroad,” is part of Liquicity‘s Galaxy of Dreams 3 compilation, which came out at the end of April. It’s a clear standout on the LP, bursting with life and gorgeous melodies.

Monstercat to revamp EDC Vegas Art Car

This post was originally published on this site

Just in time for one of EDM’s most quintessential weekends, independent label and omnipresent force in the electronic music domain, Monstercat has released the lineup for its second curation of EDC Vegas‘ Kalliope Art Car on May 19.

Monstercat’s sensational first year at the 2017 Art Car featured a wildly attended set from Kayzo. This year, the Canadian imprint has a carefully crafted caravan of artists in tow as it makes its way back to the Kalliope Car. In addition to well-versed Monstercat acts like Pegboard Nerds, Seven Lions, and Snavs, the lineup features noteworthy back-to-back sets from the likes of Modestep, Fox Stevenson, Eliminate, and Myro, as well as an undoubtedly hardcore set with Darren Styles and Gammer to close the night.

Photo Credit: Insomniac