Medasin invites listeners to escape into a dreamy soundscape on new single, ‘Mr. Skitters’

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Medasin invites listeners to escape into a dreamy soundscape on new single, ‘Mr. Skitters’Screen Shot 2019 02 08 At 6.44.29 PM

Dancing Astronaut’s Breakout Artist of 2018, Medasin returns to the electronic release ring to submit his first original production of 2019, “Mr. Skitters.” Medasin weaves his characteristic melodic magic on “Mr. Skitters.” The downtempo tune unfurls with languid ease, its tranquil tone a soft embrace, and a warm invitation to listeners to go ahead and cue the “repeat” button. The smooth sonic bliss that streamers found on Medasin’s debut LP, Irene, appears anew on “Mr. Skitters.”

Medasin seamlessly intermingles a series of electronic elements and coalesces these constituents into refined technical unity. The unimposing bass that ebbs and flows as it undergirds the track and the gleaming synth work that rolls in waves throughout the single’s three-minute time prove responsible for much of the song’s dreamy character. “Mr. Skittles” is evidence that Medasin has found his wheelhouse, and remains therein.

Photo credit: Medasin/Facebook

NMF Roundup: Medasin returns with ‘Mr. Skitters,’ i_o teams up with Tommy Trash, Feed Me releases first single from new album + more

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NMF Roundup: Medasin returns with ‘Mr. Skitters,’ i_o teams up with Tommy Trash, Feed Me releases first single from new album + moreStatement Festival Annika Berglund

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Above & Beyond kick off New Music Friday in fine fashion with their new single, “Distorted Truth.” Tommy Trash and i_o unleash their much-anticipated collaboration, “Let Me Go,” and Medasin returns with his first original of 2019, “Mr. Skitters.” Diplo and Octavian make an impeccable team on “New Shapes,” as do Feed Me and Rosie Doonan on “Feel Love.” Hardwell and Dannic unveil “Chase The Sun,” and Au5 rounds out his two-track Energize EP with “Activate.” The Chainsmokers bring another pop-inspired number via “Who Do You Love” with 5 Seconds of Summer, and David Guetta, Brooks, and Loote gear up for festival season with “Better When You’re Gone.” Quintino can’t be brought down in his new single, and Pixel Terror return to Monstercat with “Ultima.” Tisoki delivers a fresh remix of Party Favor‘s “Blame,” and Jay Hardway takes off into the atmosphere with “Aliens.” R3HAB joins forces with Icona Pop for “This Is How We Party,” and Darude and Sebastian Rejman craft a euphoric dance number in “Release Me.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Annika Berglund

Medasin steps in to produce Cautious Clay’s ‘HONEST ENOUGH’

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Medasin steps in to produce Cautious Clay’s ‘HONEST ENOUGH’Unnamed 1

Cautious Clay is steadily staking claim to his own unique sound. With tracks that have a range in flavor from indie to electronica to R&B and soul, he’s enlisted some notable collaborators to help him along the way. After linking up with AlunaGeorge and most recently Hudson Mohawke, the Brooklyn artist has enlisted one of electronic music’s greatest rising stars, Medasin, to produce “HONEST ENOUGH.”

The self-released track features a range in style from Cautious Clay himself. The Tiny Desk alum asserts his self assuredness in understanding relationships’ complicated nature, ebbing from dreamy lo-fi to uniquely modern, sexy R&B ballad style, “HONEST ENOUGH” sees Medasin’s production in a new light as well in the form of an intimate, downtempo track.

“HONEST ENOUGH” is the second single to release from his forthcoming EP Table of Context that’s due out later this year.

Dancing Astronaut’s Top Tracks of 2018

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Dancing Astronaut’s Top Tracks of 2018Skrille 1

Paring down an entire year’s worth of songs is no easy feat.

2018 saw the explosion of songs like ZEDD‘s “The Middle” and Calvin Harris and Dua Lipa‘s “One Kiss,” dominating both the dance music charts and the radio airwaves. Ear-catching tracks like these, along with fan favorites like FISHER‘s persuasive “Losing It” and Anti Up‘s entertaining “Pizza” wiggled their way into festival sets around the world and — love them or hate them — stood out as notable tracks that do their part in immortalizing this whirlwind of a year.

We also saw a creative collective of remixes surface in 2018, including Rinzen‘s compelling take on deadmau5 and Rob Swire‘s hit “Monophobia” and Skrillex‘s intoxicating rendition of Travis Scott‘s “Sicko Mode.” We celebrated the return of Gesaffelstein with “Reset” and welcomed new projects from Diplo in LSD and Silk City. We welcomed collaborations from Ekali, Medasin, and Elohim in “Forever,” Tiësto, Dzeko, Post Malone, and Preme in platinum smash hit “Jackie Chan,” and ZHU and Tame Impala in “My Life.”

Ultimately, though, we’ve narrowed 2018 down to 30 tracks that stole our hearts and smashed streaming records.

Dancing Astronaut’s Breakout Artist of 2018: Medasin

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Dancing Astronaut’s Breakout Artist of 2018: MedasinMEDASIN IMG 1

At the beginning of the decade, when electronic dance music was experiencing a lightning-speed growth spurt into the multi-billion dollar industry it is today, commentators began to gravitate towards an economic buzz-term that had already permeated out of a number of different industries — a “bubble” was forming. EDM’s rapid global expansion was the subject of much speculation; what would happen when the proverbial “EDM bubble” inevitably popped? As the decade begins to wind to a close, the result has turned out to be considerably more positive than most of us anticipated. What would happen after the fanfare of the passing EDM fad? Well, the unremarkable would disappear, and out of the heavily diluted pool of semi-marketable talent would emerge passionate creators free to explore a lot more than just big room house and commercially viable electro-pop. The bursting of the so-called “EDM bubble” created a space where producers were able to sift through a wide chasm of influences to push electronic production to different spaces and audiences. In 2018, Medasin undoubtedly seized that opportunity, making him Dancing Astronaut’s Breakout Artist of the Year in 2018.

The Texas-native producer, lesser known as Grant Nelson, put together a rap sheet in 2018 that checks all the boxes for a breakout year — it started with a complementary remix of Portugal. The Man‘s inescapable shaker, “Feel It Still,” followed by timely reworks of Post Malone and Khalid‘s material. The high profile remixes then laid the ground work for one of the year’s most intriguing records in Irene. On Medasin’s debut LP, the producer soundtracks a coming-of-age story blurred in experimental escapism. The nine-track album isn’t packed with swelling breaks and notable collaborators — rather, it’s a personal collection of sonics that wears its emotions on its sleeve, which makes its chart-topping status atop the iTunes electronic rankings earlier this summer all the more deserved.

Beyond just proctoring one of the most noteworthy albums of the year, Medasin also proved a versatile performer that is on the cusp on graduating from the undercard and onto the billing’s top line. He helmed his first headlining tour in support of Irene, but also managed major support bookings including an appearance at ZEDD‘s LA Historic Park show this summer, and some of the country’s most in-demand festivals like HARD Summer, Lollapalooza, and Electric Forest. Beyond his own original works, Medasin expanded his catalog in 2018 with collaborations alongside fellow wave makers Ekali, Elohim, and Louis Futon.

It was a banner year in 2018 for the 20-year-old ALT:VISION recruit. In a year’s time, Medasin not only managed to find his stride and significantly hone his production capabilities, he also successfully brought electronic music in his own innovative direction and cemented himself as one of the genre’s brightest forward thinkers. Irene is only one component to Medasin’s breakout, but with the wealth of potential he’s showing at the onset of such a promising career, we’re excited to see what’s next for the burgeoning wunderkind.

Medasin is Dancing Astronaut’s Breakout Artist of 2018.

 

Dancing Astronaut’s Top 10 Albums of 2018

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Dancing Astronaut’s Top 10 Albums of 2018Dancing Astronauts Top 10 Albums Of 2018

Since the advent of recorded music, albums have reigned as the supreme vessel through which artists put forth their most hallowed creations and define their oeuvres. In the modern era of streaming, wherein declining royalty rates demand that musicians tour incessantly and the necessity of instant gratification demands a correlative, unending supply of singles and remixes, the process of producing a full-length record is perhaps more daunting than it’s ever been.

However, the LP is far from a dying art form, as legions of artists have duly proven in the past year. In the realm of dance music alone, 2018 saw an abundance of stellar, individualized efforts, providing our editorial team with quite a difficult feat in selecting a Top 10. Below, we’ve compiled ten innovative, stylistically diverse, and evocative albums that shook the scene and stirred us so resoundingly that they manage to stand out among a formidable pool of contenders.


Dancing Astronaut’s Top 10 Albums of 2018San Holo Album1 Review
10. San Holo, album1

Since its founding in 2014, San Holo’s bitbird label has made monumental strides, helping propel his releases — along with those of artists like DROELOE and Taska Black — to notoriety. Perhaps the label’s biggest buzz this year was that of San Holo’s inaugural LP, appropriately titled album1, which made its debut in mid-September. After pouring months of passion into the record, San Holo wasted no time incorporating live instruments in album1, kicking off the compilation with a wistful guitar melody in “everything matters (when it comes to you).” This theme continues throughout the album’s 12 tracks, with each song exuding pure emotion and spirit. In its entirety, album1 is sonically pleasing and a fresh breath of air in an often monotonous EDM scene.

Words by Robyn Dexter

Dancing Astronaut’s Top 10 Albums of 2018Pleasurekraft Friends Lovers Other Constellations Hi Res Art
9. Pleasurekraft, Friends, Lovers, and Other Constellations

It’s hard to believe that, prior to this year, Pleasurekraft had yet to release a full-length record. The transnational duo have been regarded as lodestars in the genres which they’ve graced for practically a decade, thanks to their acutely analytic approach to producing. The past few years have marked an evolution of sorts for the Kraftek label-heads, as they’ve shifted toward establishing their cinematically-infused brand of cosmic techno. And, their inaugural LP, Friends, Lovers, & Other Constellations, which kicked off the duo’s year in January, showcases their progress from its opening act (the genre-defying “Interiors”) until its closing bow (the similarly mellifluous “Last Transmission”).

Words by Will McCarthy

Dancing Astronaut’s Top 10 Albums of 2018Justice Woman Worldwide Hi Res Art
8. Justice, Woman Worldwide

After a two-year gap following the release of Woman, French electro luminaries Justice returned in 2018 with Woman Worldwide, a “live” album — perhaps, more accurately an homage or counterpart — to the live production which accompanied their much-lauded third studio LP, rebuilt in the studio through what Xavier de Rosnay described to Dancing Astronaut as a “proper Justice record.”

De Rosnay and Gaspard Augé didn’t spend their lapse between albums by writing “new” music. Rather, they spent this time fine-tuning every minute of the their live performance, ultimately recreating the Justice concert experience in their studio. The final product speaks for itself: Woman Worldwide has yielded the duo’s third Grammy nomination, and showcases what wound up being one of the most in-demand touring electronic music performances of recent years.

Words by David Klemow

Dancing Astronaut’s Top 10 Albums of 2018Rufus Du Sol Solace Hi Res Artwork
7. RÜFÜS DU SOL, Solace

Weaving a follow-up to an acclaimed album is a formidable task for any artist to face. It has to be different enough from its predecessor to keep fans’ attention, but it also has to retain the signature sound that initially drew people in initially. After gaining major recognition from 2016’s Bloom, Rüfüs Du Sol were faced with that exact challenge.
On Solace, the Australian trio stepped up every part of their production process. Tyrone Lindqvist’s vocals are more emotional and over-stated than ever before, while the instrumentals are crisper and full of new textures. Though the vocal-house formula of Bloom and their debut album, Atlas, is still intact, what Rüfüs Du Sol have presented with their third record is a growth of their sound to the precipice of perfection.

Words by Anthony Manganiello

Dancing Astronaut’s Top 10 Albums of 2018Rezz Certain Kind Of Magic Review
6. REZZ, Certain Kind of Magic

Rezz’s Certain Kind of Magic solidified the mau5trap mainstay into the electronic music history books with her gritty synth-work, head-banging rhythms and uneasy melodies that juxtaposed uncertainty and confidence throughout the LP. Looking forward to 2019 with a grip of festival headlines, the Canadian artist took the rock tinged genre into a new realm with a cohesive haunting narrative centered around a carnival in hell. Rezz even took to an emo rock, acoustic track, “Toxin,” with the Berklee College of Music artist Fytch to showcase her versatility and early influences.

Isabelle Rezazadeh also used her album to shed a light on up and coming producers. Through promoting talents from the likes of 1788-L, 13, Deathpact, Kotek, and the aforementioned Fytch, the mau5trap favorite reaffirmed her dedication to highlighting industry newcomers in the face of her now-innumerable accolades.

Words by Chris Stack

Dancing Astronaut’s Top 10 Albums of 2018Rl Grime Nova Artwork
5. RL Grime, Nova

For the duration of trap music’s prominence as an EDM sub-genre, Henry Steinway has been a key figure, thanks to his unparalleled ability to weave simplistic, but devilishly effective pieces as RL Grime. Yet, some of the most evocative tracks of his career have resided in a more melodic realm. Such is the case with NOVA. In his sophomore album, Steinway looked beyond the dark melodies, aggressive, layered bass lines, and fast paced ascents characteristic of trap, to tinge traditional trap aesthetic with pop and hip-hop tints. His embedding of pop and hip-hop stylistics within the trap oriented inclusions of NOVA helped to further the appeal of thoughtful, trap-infused productions, marketing trap to listeners who might very well have written the sub-genre off as one simply “not for them.” For those who like pop, there was the digestible, vocal-centric single, “I Wanna Know” with Daya, which stood alongside hip-hop features such as the Ty Dolla $ign assisted “Take It Away” and the Chief Keef joint, “OMG.” Boasting a laundry list of highly demanded collaborators and the production deftness to warrant them, RL Grime’s sophomore showing effectively merged musical worlds, while expanding conceptions of what trap music might sound like, and to whom it might appeal.

Words by Rachel Narozniak

Dancing Astronaut’s Top 10 Albums of 2018Jon Hopkins Singularity Artwork
4. Jon Hopkins, Singularity

Throughout dance music culture, accolades such as “seasoned” or “veteran” are often thrown around all too liberally. After all, when the pace of an industry moves a mile a minute, a producer with two years’ professional experience can arguably be considered a “long-time luminary.”
That said, when an artist truly is a master of the craft, the results speak for themselves. Jon Hopkins stood out in 2018 as a truly veteran artist, with the release of his fifth studio album (and first in five years), Singularity. From energetic, mesmerizingly erratic pieces such as “Neon Pattern Drum” and “Everything Connected,” to more subdued, mystifying pieces “C O S M” and “Recovery,” everything on Singularity is indeed connected via the English artist’s unparalleled aptitude for creating mellifluous, lo-fi opuses.

Words by Will McCarthy

Dancing Astronaut’s Top 10 Albums of 2018Dillon Francis WUT WUT Album Art
3. Dillon Francis, WUT WUT

Dillon Francis’ WUT WUT feels like the culmination of his entire career thus far. A call-back to his first big hit, “Que Que” alongside Diplo in 2011, WUT WUT is a full circle return to Francis’ moombahton roots which perfectly describes where Francis has been, and, ultimately, shows off where he’s going. The record also feels like a rite of passage of sorts for Francis, who moved from merely being a superstar DJ to a taste-making A&R that has helped boost lesser known Latin artists into the spotlight in 2018 — a year in which Latin music experienced a head-on collision with mainstream pop.

WUT WUT has earned Francis a well-deserved Latin Grammy nomination, and while Francis’ moombahton revival project didn’t bring home the hardware this year, it not only kept artistically true to Dave Nada’s beloved blend of genres, it helped progress his flagship style and introduce it to a much wider audience in 2018.

Words by David Klemow

Dancing Astronaut’s Top 10 Albums of 2018Medasin Irene Artwork
2. Medasin, Irene

Medasin’s Irene takes all the right risks. The glistening offspring of the producer’s climb out of a deep, former addiction, the eponymous album was inspired by Medasin’s outpatient counselor, the real-life Irene. Sounding at times like underwater elevator music from a far away realm (“Ramen” or “Slinky Man”), and others radiating smooth, saccharine R&B (“Tired”), the project seamlessly reconciles its differences floating through its duration with effortless cohesion. Irene oozes Medasin’s invariable experimentalism, with minimal vocal interruption—though the two vocal features do add an accessible flavor to the otherworldly recipe—letting his playful, quixotic production do the talking.

While Medasin’s blissed-out, slow-motion rendition of Portugal. The Man’s “Feel It Still” won his fellow artist’s respect (garnering him official remix opportunities from the likes of Martin Garrix, Khalid, and more) Irene spoke to listeners, ravaging Reddit threads and streaming services alike months after its release.

Words by Bella Bagshaw

Dancing Astronaut’s Top 10 Albums of 2018Zhu Ringos Desert Release Date
1. ZHU, Ringo’s Desert

ZHU has certainly come a long way since “Faded.” The producer’s sophomore album, Ringo’s Desert arrived as a sensuous, cross-genre scorcher that showed off ZHU’s signature, haunting vocals, while all the time seeking to evoke the landscape of the desert. The album’s environmental influence taken into account, and considered alongside the album’s overarching lyrical narrative of love that leaves one bereft, left to wander in search of the kind of solitude that satiates, much like the drink of water dreamt of by the eponymous desert nomad, Ringo’s Desert easily constituted one of the year’s finest, most meticulously woven concept albums. With its breadth of musical emotionality and mainstream appeal via collaborations with heavyweights such as Tame Impala, it stands out from the crowd in an inimitable fashion.

Words by Rachel Narozniak

Dancing Astronaut’s Top 10 Albums of 2018Steve Angello Human Artwork

Honorable Mention: Steve Angello, Human

Steve Angello’s Human is a symphony of self-exploration. While the Swedish icon has proven himself a master craftsman of the album in the past, his newest album saw him pivot from the avant-garde take on dance pop crossover on his preceding record, Wild Youth, over to a personal journey fueled by electronica and rock inspirations. The 21-track Human is a tale of creating art out of therapy, as Angello explored his own relationship with spirituality and religion. The product is beautiful, moving and memorable — certainly something to be proud of as the remainder of 2018 shifted from a focus on Steve Angello to the triumphant return of his beginnings with Swedish House Mafia and their reunion in the next year.

Words by Steph Evans

Sunday Morning Medicine Vol 153 with Medasin, Ryan Hemsworth, Thriftworks, + more

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Sunday Morning Medicine Vol 153 with Medasin, Ryan Hemsworth, Thriftworks, + moreSMM 2400

Delectable, delicate, a total eclipse of our charts, Medasin‘s “Feel It Still” remix embodies Sunday Morning Medicine serenity. Medasin’s take of a Portugal. The Man classic is smooth and languid, manipulating the chord progressions to sound as if a the listener is surrounded by a sea of translucent bubbles, floating, oscillating—every so often, with an occasional pop, for good measure.

Snagged from his recent studio album, Elsewhere, for our sensuous listening pleasure, Ryan Hemsworth‘s “Lagoons” is the sonic embodiment of Sunday melancholy. Poignant arpeggios accompanied by Daniela Andrade’s effortlessly erotic vocals complete the richly textured surrealist mist encircling the tune.

In pristine Thriftworks appeal, this lush, ambient offering is ready to reconcile any pesky existential dread trying to bleed its way into your week. This heady lullaby is the ideal soundtrack for some Sunday morning astral projection, or a simple snuggle.

Hoodboi tapped Australian hip-hop MC, Tkay Maidza, earlier this year for this slippery poolside groove, appropriately titled, “Glide.” Dreamy reverb and ricocheting bass offer Maidza’s outpour of mellifluous rhymes a glimpse of the halcyon days ahead.

We could all use a little illusory house to put our weekend to bed. Blasko fashions “Japanese Hotel,” released earlier this week on Majestic Casual, from an actual dream of his—offering it a bumping house beat and some phantasmic plucks for ample intrigue.

Sunday Morning Medicine Vol 153 with Medasin, Ryan Hemsworth, Thriftworks, + more

This post was originally published on this site

Sunday Morning Medicine Vol 153 with Medasin, Ryan Hemsworth, Thriftworks, + moreSMM 2400

Delectable, delicate, a total eclipse of our charts, Medasin‘s “Feel It Still” remix embodies Sunday Morning Medicine serenity. Medasin’s take of a Portugal. The Man classic is smooth and languid, manipulating the chord progressions to sound as if a the listener is surrounded by a sea of translucent bubbles, floating, oscillating—every so often, with an occasional pop, for good measure.

Snagged from his recent studio album, Elsewhere, for our sensuous listening pleasure, Ryan Hemsworth‘s “Lagoons” is the sonic embodiment of Sunday melancholy. Poignant arpeggios accompanied by Daniela Andrade’s effortlessly erotic vocals complete the richly textured surrealist mist encircling the tune.

In pristine Thriftworks appeal, this lush, ambient offering is ready to reconcile any pesky existential dread trying to bleed its way into your week. This heady lullaby is the ideal soundtrack for some Sunday morning astral projection, or a simple snuggle.

Hoodboi tapped Australian hip-hop MC, Tkay Maidza, earlier this year for this slippery poolside groove, appropriately titled, “Glide.” Dreamy reverb and ricocheting bass offer Maidza’s outpour of mellifluous rhymes a glimpse of the halcyon days ahead.

We could all use a little illusory house to put our weekend to bed. Blasko fashions “Japanese Hotel,” released earlier this week on Majestic Casual, from an actual dream of his—offering it a bumping house beat and some phantasmic plucks for ample intrigue.

Ekali releases inaugural EP, ‘Crystal Eyes,’ through OWSLA, Big Beat, and Atlantic [Stream Here]

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Ekali releases inaugural EP, ‘Crystal Eyes,’ through OWSLA, Big Beat, and Atlantic [Stream Here]Ekali Crystal Eyes 1

It seems with a single stroke of his pen, Ekali has swiftly solidified his leafy emblem near the crest of the EDM pyramid.

Securing momentous slots at both Ultra and EDC this year the Canadian producer seeks to consolidate his efforts with the release of his first-ever multitudinous body of work, the Crystal Eyes EP.

For an inaugural EP, it would be hard for an artist in the electronic circuit to fathom a better threesome of label-housings than an OWSLA, Big Beat, and Atlantic trifecta; Ekali has managed to acquire exactly that for this watershed notch in his still rather formative release history. A frequent and well sought-after collaborator, the Canadian producer hosts a series of esteemed guests to help the listener navigate the glistening Crystal Eyes topography, including K. Flay, Medasin, Elohim, and SLUMBERJACK. The release will coincide with a North American tour, making stops across major musical hotbeds in the US and Vancouver.

Ekali uses the EP to first and foremost demonstrate his ability to wander spacious experimental sonic terrains while primarily keeping one foot grounded in pop sensibility. His track with K. Flay, for example, sees the producer wield the songstress’s notoriously moody pop vocals to accentuate his woefully drawn out guitar chords and wistful synth twinkling. At the other end of Ekali’s emotional rainbow, with exquisitely nuanced support from Medasin and Elohim, “Forever,” invites the listener inside its halcyon fortress of bouncy, beat-privy idealism. Crystal Eyes is a glimpse inside Ekali’s all at once flourishing and fragmented inner world. The EP functions terrifically as a hallmark of Ekali’s affinity for wide-reaching emotion, unfettered energy, and a perceptive level of adventurousness when it comes to his ever-evolving sound design.

 

Louis Futon and Medasin drop bouncy flip of Travis Scott’s ‘Wake Up’

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Louis Futon and Medasin drop bouncy flip of Travis Scott’s ‘Wake Up’Louis Futon Medasin Travis Scott Wake Up Flip Release

Louis Futon‘s flips of fan-sourced track suggestions have been brightening days for a while – but when the producer teased a video of himself and Medasin working pure magic on Travis Scott‘s “Wake Up,” it was clear the take had the potential to be a standout. Future bass fans immediately clamored for a full release to smash the replay button on. Now the duo have granted that wish with a SoundCloud upload that’s pure sonic sunshine.

Futon and Medasin’s creative chemistry was on full display in the teaser video, with the soulful producers laying down layer after layer of live instrument grooves over the original’s vocals. Travis Scott’s auto-tuned verses and The Weeknd‘s NSFW choruses are transformed by the lush keyboard chords and slap bass, turning the sly R&B of the original into a playful upbeat bop that’d sound right at home on a Chance The Rapper mixtape. Amazingly, the two future bass stalwarts have yet to collaborate on an original – but if this lush rework is any indicator, the result would be nothing but certified heat.