Additional star power slated for the event includes Bob Moses, Joey Bada$$ and Flatbush Zombies teaming up as Beast Coast, Kaytranada, Louis the Child, MØ, Still Woozy, and many more. Governors Ball 2019 takes place from May 31 – June 2 and tickets are on sale here.
It’s already time for a new X games, and the world’s biggest action sports festival officially returns to Minneapolis for its third consecutive year in 2019. Held at US bank stadium, festival-goers will not only experience the flashy bike tricks and rail grinds, but also some wild musical performances. Headliners include Diplo, Wu-Tang Clan, Incubus, Minneapolis rapper P.O.S, and more from August 1 – 4.
This event will follow the upcoming winter X games in January, which will be held in Aspen Snowmass, Colorado and features over 75 Olympian participants alongside four A-list music acts including The Chainsmokers, Kygo, Lil Wayne, and Louis The Child.
Purchase tickets for summer X games here and check out the promo video below.
T-Pain is creating a new album and wants to modernize his sound, so the auto-tuned voice of a generation took to Twitter to find himself a future bass producer. The hip-hop artist recently released a compilation mixtape, Everything Must GoVol. 2.
Man. I need some future bass on this new album. Who do I need to holler at?
This, of course, caused a stir of responses from big hitters who’ve dabbled in future bass production such as Whethan, TroyBoi, Giraffage, and more. ETC!ETC! offered to produce a moombahton track on his behalf, and San Holo looked inward for spiritual guidance.
Teddy Pain later clarified, giving an example of Louis The Child to which the duo from Chicago expressed interested in collaborating.
Louis The Child – It’s Strange feat. K.Flay https://t.co/BbxUc2iqrz via @YouTube I want some shit like this drop. That shit that’s right behind the pocket, synth is side chained to hell, drums punching you in the goddamn chest, but with church chords.
Louis the Child release an extensive nine-track EP, Kids At Play, inviting listeners to their sonic playground filled with sultry harmonies, soulful wonderment, unique sounds, and youthful fervor. Colorful sounds ooze out of , from the tropical steel drums on “Better Not” featuring Wafia to the blue guitar twangs on “Save Me From Myself” with NoMBe and Big Gigantic. These two kids from Chicago showcase their electronic dance-pop crossover skills on what could have easily been a full-length.
Genre bending and intelligent synth design becomes apparent through each of the EP’s distinctive tracks. “Interstellar” features a dynamic and glitchy arrangement that feels fitting of its futuristic name. “Braking News,” featuring RAYE, implies a playful relationship between the collaborators with rolling synths and hi hats that create a bounce in their step.
The Wafia-assisted “Better Not” featuring Wafia was the first track released off the project, amassing to a total of 72.5 million plays on Spotify, the duo’s most listened to track on the platform to date. “Ohhh Baby” is quite the percussive piece, illustrating an organized chaos similar to an uplifting G Jones. “LOVE” featuring Elohim is the second collaboration between the two, the first being “Love is Alive.” The chorus features the West LA Children’s Choir, adding to the album’s childish delight.
“Dear Sense” features the soulful vocals of MAX and offers an LCD Soundsystem feel. “The City” featuring Quinn XCII offers bouncing melodies and punching percussions underneath a fervent voice. “Save Me From Myself” features EDM’s sax man, Big Gigantic, and the R&B clad, NoMBE. The acoustic guitar creates a campfire feel that drops into big, emotive synths, spaced out for effect. “Space Jam” contains a classic Louis The Child synth feel, sounding similar to an old-school 90s video game with frolicsome percussive elements. Listen to Kids At Play by Louis The Child below.
We’ve truly been blessed this week, with some of electronic music’s hottest acts dropping insane new productions. Habstrakt drops it low in his fiery new single, “About You,” and Malaa, too, delivers a house anthem in “We Get Crunk.” We welcome the return of Manila Killa, who’s delivered the beautiful “Run Away,” his first single in eight months. Mat Zo‘s released his highly anticipated No Words EP, from which we’ve selected the unparalleled “Music Lost All Words.” It’s also a stellar day for remixes, including The Black Madonna‘s rework of Silk City and Dua Lipa‘s “Electricity” and Syn Cole‘s bouncing take on Matoma‘s “Losing It Over You.” NGHTMRE and SLANDER‘s Gud Vibrations label celebrates with its first release today, too: WAVEDASH and fknsyd‘s “Deathwish.”
As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.
Milwaukee’s The Wisconsin Center is housing the Midwest’s quintessential Halloween festival this year: the very first double-headed JAWBREAKER, specifically tailored for electronic lovers, October 27-28. With a fully-loaded lineup featuring the likes of ODESZA, Louis The Child, RL Grime, ZEDD, SLUMBERJACK, and more, the festival is sure to spawn a fierce following.
The event will also house some haunting new local talent, including trap guru, Crystal Knives, and bone-chilling bass duo, RCKT PWR. Easily accessible to Chicagoans, the other electronic mecca of the Midwest, the venue is located just a few blocks from the Milwaukee Amtrak station. Tickets are on sale now here.
HARD Summer 2018 has come and gone — the festival’s first year without founder of the HARD brand Gary Richards (a.k.a. Destructo) at the helm — and all seemed to go as planned. Recruiting some of today’s top talent in house, future bass, dubstep, and hip-hop, the weekend featured some powerhouse back-to-back sets from Dillon Francis & Diplo, Zeds Dead & Jauz, and A-Trak & Baauer. Travis Scott celebrated the release of his new album, Astroworld, and Mija dropped another set that completely embodies her “Fk A Genre” mantra.
With more sets from Marshmello, Ghastly, Louis the Child, and others, this weekend marked the beginning of a new chapter for the HARD organization. Check out some of the top sets of the weekend below.
Earlier this year Louis The Child released the perfect summer song and perhaps one of their biggest hits to date in “Better Not,” featuring the wonderful Wafia. The track bounced with steel drums, clean percussion and vibrant synths that perfectly showcased Wafia’s every word while painting sunny mental images.
However, right when listeners thought the track couldn’t get any better, the guys now deliver a broken-down acoustic version that features Robby on the bass, Freddy on the piano, a string quartet, and of course Wafia on the mic. In doing so, they create an emotion-packed video that really allows the listener to connect with the artists as they perform the gentle ballad. It also shows their versatility and ability to create anything from fully electronic productions to delicate live performances.
HARD Summer is amidst its 2018 takeover of the Auto Club Speedway, and even if fans are unable to make it to the festival itself, the action will be streamed exclusively via LiveXLive. In addition to streaming festival, there will be backstage content, interviews and more.
Denver producer StayLoose, previously known as StéLouse, has been fine-tuning his pop-infused electronic productions since his initial debut in 2014. In the past couple of years, he has grown his following with stellar singles like “Sociopath” featuring Bryce Fox and his vibrant remix of Rozes‘ “R U Mine.”
He got connected with Louis the Child‘s Freddy in 2014, and they continued to stay friends as their careers progressed. After hearing the Chicago duo’s release of “Better Not” featuring Wafia, StayLoose immediately connected with it and decided to put his own spin on it.
In his rendition, StayLoose keeps the integrity of the track by introducing delicate guitar riffs, and Wafia’s whimsical voice, while subtly building with percussion which then guides in the synth-heavy and emotion-filled drop.