Dexter’s Beat Laboratory Vol. 102

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Dexter’s Beat Laboratory Vol. 102Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Leave it to Laszlo to always make fun songs even more fun. On his latest, the Dutch producer tackles Julian Jordan‘s “To The Wire,” revamping it with his own upbeat energy. While preserving the easygoing groove of the original, Laszlo picks up the pace and packs more punch with his rendition. Laszlo’s remix is out via Martin Garrix‘s Stmpd Rcrds, as part of a set of remixes that also includes a rework by Siks.

Flite continues to trailblaze the drum ‘n’ bass movement in the United States, and he’s been busy this year. Just weeks after releasing a well-received EP on Liquicity Records, the Texas-based producer has teamed up with Spanish producers Dub Elements for “Abandoned.” The tune leads the listener through the jungle with mysterious vocals and anticipatory melodies, building gradually to a formidable, rapid-paced drop.

Australian producer Blaine Stranger has been making waves in the international drum ‘n’ bass scene for the past few years, making his way to Futurebound’s Viper Recordings to unveil his latest, “Losing Myself.” Incorporating sultry female vocals atop a furiously racing beat, this newest tune sees the producer further assert himself as a force to be reckoned with.

Shortly after announcing a European and U.S. tour with Haywyre, KOAN Sound have revived a 2011 OWSLA classic: “Meanwhile, In The Future.” This “What Year Is It Remix” strays from its glitch hop origins to march smartly into 2019, bringing with it its iconic wobbles and interlude melodies. This rework is more laid-back than its predecessor eight years prior, but it’s sure to thrill all who loved and embraced the original.

I’m so grateful I stumbled across this EP. Parisian artist LÜNE has created a meticulous and delicate six-track collection of “chillsynth” songs that are visibly personal and heart-touching. “When you are close to death, your survival instinct makes you see happy memories (souvenirs), of people and things you love, that could bring you the courage to get back to life,” the producer says of the new collection. “That’s what this EP is about, these are my souvenirs.”

Dexter’s Beat Laboratory Vol. 100: The Ultimate Drum ‘n’ Bass Playlist

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Dexter’s Beat Laboratory Vol. 100: The Ultimate Drum ‘n’ Bass PlaylistDeters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


There’s just something about drum ‘n’ bass that’s always spoken to my soul. I remember hearing my first Pendulum song a decade ago and thinking “what on earth is this, and where can I get more?”

The genre began making its way into the electronic music sphere in the early 1990s, right around the time I was born. Its rapid breakbeats took over London and Bristol, ramping up the jungle and rave scene to 160-180 BPM. While still more widespread in the UK to this day, the genre has slowly trickled into the United States EDM scene. We still have a long way to go before drum ‘n’ bass artists are regularly installed as main stage performers at major US festivals, but there’s so much to discover and embrace in the US drum ‘n’ bass scene (I see you, Flite and Boxplot). There’s also an endless stream of quality dnb being churned out overseas, with imprints like RAM Records, Hospital Records, and Liquicity Records as strong as ever in their supporters and fan base.

I regularly tell people that have never really gotten into drum ‘n’ bass to just try. It’s a diverse and ever-evolving genre, full of sub-genres and offshoots. I guarantee you’ll find something you like in some format. Dig through the 100-song playlist I’ve compiled to celebrate 100 installments of this series to see if there’s something there for you!

Thank you, drum ‘n’ bass, for your tireless energy, emotive vocals, and the ability you always have to yank me out of a bad mood and reignite my love for electronic music in today’s day and age. Here’s to you, and the brilliant artists who create you.

Lunar Lunes: Flux Pavilion teams up with GLNNA, Gorgon City hit up ‘Elizabeth Street’ + more

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Lunar Lunes: Flux Pavilion teams up with GLNNA, Gorgon City hit up ‘Elizabeth Street’ + moreFlu Pavilion Press Photo 2019

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Flux Pavilion takes an emotive approach to his new collaboration with GLNNA, “Somebody Else,” and Gorgon City pay homage to Chicago in “Elizabeth Street.” Noisia deliver a unique time signature on their newest original, “The Hole Pt. 1,” and Com Truise remixes Gold Fields’ “Waterfall” to follow up his new album. As part of Mad Zoo’s new compilation, counsel pop lends his nontraditional sounds in the form of “jd sports,” and Tom Budin links with Tylah Winyard for “Hold On.” Monstercat continues its eighth birthday celebrations with the release of WRLD, Keepsake and Laszlo’s “Back to You,” and Vintage & Morelli delivers “Senshi” to Silk Music. Summer Was Fun puts his own spin on Madeon’s “All My Friends,” and Edu Imbernon releases “S.Y.L.” on Anjunadeep.

The selection is updated every Lunes (Monday).

Lunar Lunes: Golf Clap remix BROODS, Chime takes on Super Smash Bros, Volac return to Night Bass + more

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Lunar Lunes: Golf Clap remix BROODS, Chime takes on Super Smash Bros, Volac return to Night Bass + moreGolf Clap Press Photo

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

In this week’s installment, Golf Clap put a groovy spin on BROODS‘ “Peach.” Nicky Romero re-imagines Martin Garrix‘s “Dreamer” with Mike Yung as a melody-centric big room track, and Moscow duo Volac return to AC Slater‘s Night Bass with their Funky EP. Chime holds nothing back on an creative dubstep remake of the Super Smash Bros Ultimate “Main Theme / Lifelight.” Prince Fox continues his string of remixes with a take on Travis Scott‘s chart-topping “Sicko Mode,” and QUIX puts his own spin on GASHI‘s “Creep On Me.” KUURO deliver a formidable Monstercat release, “What U Wanna Do” with Spencer Ludwig, and Alvin Risk reveals his latest as HA with Hodgy, “O.P.E.N.” Culture Code and Rabinik tug at the heartstrings with “Love Somebody,” and Trivecta pounds out a powerful trance beat on his remix of Myon and Late Night Alumni‘s “Hearts & Silence.”

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 68

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 68Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


It’s been more than two years since StayLoose released his twinkling original, “Let Go,” with Andrew Paley. Today, he blesses fans with an extended vocal cut of the original track, noting that Paley “added some additional vocals to this one to make it extra special.” The inclusion of addition vocals makes this new version particularly dynamic, as Paley’s emotive voice bounces off StayLoose’s timeless future bass stylings.

Laszlo‘s time on Monstercat dates back more than four years, and in that time, he’s delivered a multitude of innovative originals, many playing off an outer space theme. He’s now revealed a full LP on the Canadian label: Liftoff. Laszlo has been building to this 10-track collection for years, with songs like “Airglow” and “Sphere” dating back to 2016. The versatile album sees Laszlo flex a full range of production talents, from drum & bass to trap and everything in between. I instantly gravitated toward “Rendezvous,” a gorgeous piece of work that takes off quietly and builds into a feel-good drum & bass track with a beautiful melody.

SevenDoors makes a bold reappearance on the mau5trap roster with his latest offering, Rising Sun. The EP’s latter half, “Spirit,” is an intricate, seven-minute piece of work that showcases the minimalist techno style he’s been debuting on the label in past releases. “Spirit” is a pensive piece, highlighted by the haunting chants of solemn choirs woven in between its dark, pulsating beat. A variety of airy synth melodies float in and out as well, setting a tranquil tone for the song surrounding them.

Following a mellow remix of TS Graye‘s “Take Notes” in September, Philly’s Instupendo is back with a new rework. This time, he’s taken on sakehands’ “GOODBYE FOREVER.” This rendition is more subdued than the original’s pop-leaning elements, as Instupendo walks the remix along with elements of percussion sakehands’ version lacked. Subtle bass and an easygoing beat make this take on “GOODBYE FOREVER” a fresh listening experience and open it up to the world of dance music a bit more.

“Darkness comes before the dawn,” red. teases to introduce his new original, “Dispatch.” While the minute-long introduction appears to lead into a bright, sunny soundscape, the artist proves to have deceived his listeners by quickly dipping into a deep, resounding bass pattern. While red. appears to have delved into a dark soundscape, he continuously leads listeners back up into the light by introducing glowing melodies. “Dispatch” is a true journey of a song and exudes a vibrantly colored aura from start to finish.