Anjunadeep to roll out tenth anniversary compilation, mixed by James Grant and Jody Wisternoff

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Anjunadeep to roll out tenth anniversary compilation, mixed by James Grant and Jody WisternoffPasted Image 0

Since its humble beginnings as an Anjuna appendage in 2005 in London, Anjunadeep has become one of the top purveyors of deep, textured, and melodic house music. Known for their towering catalog currently spanning over 400 releases, Anjunadeep artists and fans have come to revere the label’s compilation series since Above & Beyond released the very first in 2009. Coming in scorching yet tender as always, Anjunadeep have put together a special offering for their 10th mix in 10 years.

Due out Feb 22, the compilation features the label’s top-tier talent, new and old, like Luttrell, Yotto, and Lane 8, while pulling out deeper cuts from newcomers like BAILE, Ocula, and GRAZZE. Seamlessly mixed by Anjunadeep co-founder, James Grant, and Bristol-based DJ Jody Wisternoff, the release has been a profound source of reflection for the esteemed and aptly suited pair.

In trying to maintain a fresh and all-encompassing tone for the compilation, the DJs note that, “It’s hard to believe we’ve reached the 10th volume in the Anjunadeep compilation series. Despite Anjunadeep 10 being a bit of a milestone, we’ve resisted any temptation to go down a nostalgic route. Instead we’ve tried to keep the mix as forward-looking as possible. Our amazing family of artists have been creating far too much exciting new music for us to contemplate any other approach.”

With such high precedents already in place, anticipation for the newest installment is imminent. Fans can find the trailer, tracklist, and dates for global release parties below.

Tracklist:

Disc 1
Hiatus – Relic
Lycoriscoris – Belong
Ocula – Immunity
BAILE – Soft Light
Ole Biege – All The Time (Jody Wisternoff & James Grant Rework)
Nox Vahn feat. Mimi Page – There Is Peace Beyond (Jody Wisternoff & James Grant Rework)
Tomas Barfod – Things That Matter feat. Louise Foo & Sharin Foo (Jody Wisternoff & James Grant Remix)
Luttrell – Still Dreaming
16BL – You Are High
Virtual Self – Ghost Voices (Lane 8 Remix)
CRi – Initial
Modd & Hosini – Swallow’s Nest
Spencer Brown & Qrion – Sapporo
GRAZZE – Querencia
Nuage – H.A.L.O.
boerd – Someone (Jody Wisternoff & James Grant Remix)
Modd – Ruskeala
Ben Böhmer – Little Lights

Disc 2
Aiiso – City Lights
Nox Vahn & Marsh – Prospect
Jody Wisternoff & James Grant – Dapple
Jani R – Autumn’s Feathers (Jody Wisternoff & James Grant Remix)
Savvas – Peace Of Mind
Eli & Fur – Night Blooming Jasmine (Rodriguez Jr. Remix)
Aiiso – Programmer
Nox Vahn & Marsh – Serena’s Garden
Jazz Do It – For A Moment
Joseph Ashworth – Heavy
Dosem – Stay True
Jack Lost – Walls
SØNIN vs. Yotto – Nothing Like You
Fluida – A Self And A Mind
Luttrell – Out Of Me
Ben Böhmer – In Memoriam
Lane 8 – Feld (Jody Wisternoff & James Grant Edit)
Antic & i_cann – Jura
Kidnap – Tempest

Anjunadeep 10 Release Parties

Feb 08 – Sound, Los Angeles – James Grant, Marsh
Feb 17 – Phonox, London – James Grant & Jody Wisternoff (Open To Close)
Feb 22 – The Penthouse at FIVE Palm, Dubai – James Grant, 16BL, Dom Donnelly

Dancing Astronaut’s Top Tracks of 2018

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Dancing Astronaut’s Top Tracks of 2018Skrille 1

Paring down an entire year’s worth of songs is no easy feat.

2018 saw the explosion of songs like ZEDD‘s “The Middle” and Calvin Harris and Dua Lipa‘s “One Kiss,” dominating both the dance music charts and the radio airwaves. Ear-catching tracks like these, along with fan favorites like FISHER‘s persuasive “Losing It” and Anti Up‘s entertaining “Pizza” wiggled their way into festival sets around the world and — love them or hate them — stood out as notable tracks that do their part in immortalizing this whirlwind of a year.

We also saw a creative collective of remixes surface in 2018, including Rinzen‘s compelling take on deadmau5 and Rob Swire‘s hit “Monophobia” and Skrillex‘s intoxicating rendition of Travis Scott‘s “Sicko Mode.” We celebrated the return of Gesaffelstein with “Reset” and welcomed new projects from Diplo in LSD and Silk City. We welcomed collaborations from Ekali, Medasin, and Elohim in “Forever,” Tiësto, Dzeko, Post Malone, and Preme in platinum smash hit “Jackie Chan,” and ZHU and Tame Impala in “My Life.”

Ultimately, though, we’ve narrowed 2018 down to 30 tracks that stole our hearts and smashed streaming records.

Sunday Morning Medicine Vol 157, with Duskus, Boston Bun, ATTLAS, + more

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Sunday Morning Medicine Vol 157, with Duskus, Boston Bun, ATTLAS, + moreSmm@0.

Sunday Morning Medicine is a feature from Dancing Astronaut dedicated to the mellower side of electronic music. We bring you our favorite therapeutic selections—old and new—in attempts to alleviate the agonizing effects of a long weekend of partying.


Lane 8/This Never Happened young gun, Anderholm, is first on the scene with his mellifluous chord progressions and clattering percussion to rouse the sleepiest listener from the worst alcohol-induced slumber. “Timecode”‘s subtle splendor is like a gentle reminder to reacquaint oneself with the universe.

The San Holo-housed, Duskus‘s most recent single, “Where To Go,” has the technicolor tenderness to make your Sunday morning neuroticism cower in its tracks. One rendezvous with the track’s minimal magic—led by simple, saccharine vocal intonations and a deliberate, ardent beat—counts as full weekend’s act of contrition.

Parisian house project, Boston Bun, knows how to not only pull, but full-on yank on the heart strings. “Missing You” exemplifies the Ed Banger producer’s ability to make poignancy feel like ecstasy—which is unanimously at least mildly applicable for some good-old-fashioned requiem for the weekend.


Anjunadeep duo, Eli & Fur, can leave any purposeful listener in utter awe, bringing emotive, cinematic tension to each and every record they let loose in the oh-so-saturated blogosphere. Rodriguez Jr. recently got his hands on “Night Blooming Jasmine,” and even Eli & Fur took a liking to the outcome, bolstering the rework in their sets as of late. The newfangled rendition offers fluttering synth-patterns and the original’s hazy, incantation-like vocalizing, in remembrance of that hazy, sublime figure from the club last night who scampered off just before you could catch her name.

ATTLAS‘s new mau5trap EP, Charcoal Halo, acts as a vessel for listener’s to reconnect with both themselves and the boundless latent energy around them. “Coldest Night,” with its slow-burn breakbeat and blissfully despondent vocals, is like a rhapsodic snapshot of listeners’ end-of-weekend contempt.

Snowbombing Canada unveils 2019 lineup, featuring headliners Illenium and Cypress Hill

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Snowbombing Canada unveils 2019 lineup, featuring headliners Illenium and Cypress HillSNOWBOMBINGCANADA2018 JT 3291

Snowbombing Canada makes a grand return for the festival’s third edition, promising three days filled with winter sports, day and night activities, and an influx of talented DJs over the April 5-7 weekend. Hosted amidst the snowy mountain peaks of Kamloops, British Columbia, the annual festival is set to light up Sun Peaks Resort for one last run before the end of the season, complete with a talented array of artists that bring tinges of house, future bass and hip-hop to envelope the weekend.

Featuring nine unique stages that are located on the snowy peaks of the mountains to the dark and brooding tunnels to the underground haven, headliners Illenium and Cypress Hill remain responsible for closing out the nights, while being accompanied by a handful of reigning talent like Lane 8, Sasha, and Yotto to further soundtrack the festival. Marking the end of skiing and snowboarding season, Snowbombing Canada welcomes everyone from first-timers to experts on the hills for a winter sports and dance music spectacle.

Festival packages are available for purchase here.

Snowbombing Canada unveils 2019 lineup, featuring headliners Illenium and Cypress HillSnowbombing2019

Lane 8 showcases serene soundscapes in new winter mixtape

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Lane 8 showcases serene soundscapes in new winter mixtapeDSC 0085 Copy

Lane 8 has squared away 2018 with the release of his winter mixtape. He’s gracefully arranged four lengthy mixes over the course of 2018 that uniquely embody the not just the nature of their respective seasons, but the transformative essence of those seasons changing.

Through his fall 2018 mixtape, Lane 8 sonically thread warm and bright vibrations together with the moods evoked of changing colors and longer nights. His summer mix set the scene for waves crashing on beaches and warm breezes. The spring mixtape took listeners into this year with grace, through a soundscape that pollen could dance on. With each mix Lane 8 has accomplished the personal, trying, and unique feat of giving a portion of time — and the change that happens during that time — a sonic stamp.

The winter 2018 mixtape is no exception. Through four hours of fluid mixing and careful, hand-picked arrangement, Lane 8 has given this winter his stamp. Starting in with his own remix of Virtual Self‘s “Ghost Voices,” Lane 8 starts guiding his listeners into the mix, gliding over the icy inhibitions and harsh winds of the season. By an hour and a half into the mix, he hits listeners with the Yotto edit of Fatima Yamaha’s haunting “What’s a Girl to Do.” Through the acts of Jon Hopkins, Rampa, Eelke Kleijn, Black Coffee, Dirty South, the crews of Anjunadeep, All Day I Dream, and many more, Lane 8 finds an enjoyable, quintessential feeling that unifies the chill of winter with the warmth within people who not only withstand the cold it but love it.

Lane 8 has been putting these seasonal mixes for a few years now, and with each passing year, they’ve become more refined and more needed, bringing out the best of each season. This winter mix evokes visions of fur rugs, fireplaces, and snow falling softly outside wooden-frame windows — cozy spots where one would hope to be posted for a quick four hours in the upcoming months. Now, thanks to Lane 8, those moments have a perfect soundtrack.

ODESZA, Phantogram, Lane 8, and more top CRSSD festival’s spring 2019 lineup

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ODESZA, Phantogram, Lane 8, and more top CRSSD festival’s spring 2019 lineupCRSSD FEST 1

Organizers on behalf of San Diego’s house-and-techno-hailing CRSSD festival have released the Waterfront Park event’s phase-one lineup. The expansive artistry, including widely received electronic billings, like ODESZA (who will be returning after making their far humbler debut in 2015), Phantogram, and Whethan, exemplifies the once-modest festival’s continued growth in popularity and attendance.

The bi-annual soiree, of which this year’s spring installment is set for Mar 2-3, has seen idiosyncratic acts across the board–from Gesaffelstein to Empire Of The Sun–sweep through its stylistically sectioned stages, The Palms, City Steps, and Ocean View. With a mass of acts still to come, the brimming first batch includes additional support from Petit Biscuit, The Martinez Brothers, Jungle, and more. See the full lineup below.

Tickets to 2019 CRSSD go on sale Tuesday, Dec 11. They’ll be available here.

ODESZA, Phantogram, Lane 8, and more top CRSSD festival’s spring 2019 lineupCRSSD

Avoure returns to Lane 8’s This Never Happened for some deep house delight, with his ‘U’ EP

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Avoure returns to Lane 8’s This Never Happened for some deep house delight, with his ‘U’ EPAvoure U 1

Ukrainian deep house dynamo, Avoure, has rendezvoused with This Never Happened for his three-pronged debut EP, U.

Avoure made his advantageous emergence earlier this year alongside the This Never Happened life-giver himself, Lane 8, for their effervescent collaborative single, “Let Me.” U, it appears, has been a long while in the making–seeing as Lane 8 has repeatedly spliced offerings from the project into his recent seasonal mixes, as he has done to bolster a sundry of other burgeoning label talent as of late, most notably, with Khåen.

succeeds in spanning the fluid, chugging waters of its lead single, as well as the precipitous ripples and skittering hi-hats of “Aura.” To traverse the EP is to allow its deep blue grooves and subtle instrumentals–like the moody guitar interlude mid-way through “Floyd”–to penetrate the pores and fill the earbuds with a languorous listen that happens so naturally, the listener must actively remind themselves to observe the unfettered atmosphere around them.

The temperately transcendent EP should be filed appreciatively under “Easy listening for house heads.”

Sunday Morning Medicine, Vol. 152: featuring ATTLAS, Icarus, Khåen, + more

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Sunday Morning Medicine, Vol. 152: featuring ATTLAS, Icarus, Khåen, + moreSMM 2400

Sunday Morning Medicine is a feature from Dancing Astronaut dedicated to the mellower side of electronic music. We bring you our favorite therapeutic selections—old and new—in attempts to alleviate the agonizing effects of a long weekend of partying.


Bristol’s Icarus brethren avoid flying too close to the sun, with this ambient house offering, “October.” Instead, like a warm summer’s rain, they’re here to absolve you of weekend transgressions with skittering, precipitous percussion and revelatory vocal incantations.

Listeners of intention may recognize “Third Evangelist,” as well as most of Khåen’s new Solace In The Night album, from Lane 8‘s adorned seasonal mixes and live sets, as well as featured on the latter’s recently incepted This Never Happened label housing. With minimal production froth, “Third Evangelist” glows with a transcendental twinkle, intended to rescue listener’s from the icy precipice of a Sunday afternoon.

ODESZA addicts will revel inside the redemptive reverb of Satin Jackets’s “So I Heard.” The sultry track’s languorous strings and otherworldly vocal harmonies are likely to incite wakeful dreams through lustrous beaches eons from the throes of office monotony.

Sexy doesn’t even begin to chronicle the audible encounter that is mossy.’s reworking of Lido‘s “Dye.” The track experiments, unfettered, with beat-deliberate downtempo mechanisms, most notably its lush and languid harp plucks.

ATTLASmau5trap endeavor from earlier this year, “Concussion,” is an equal parts blissful and torrential odyssey that eventually lands listeners back on their feet—once its effects have abated—much like a night of heavy drinking. Its rattling percussion and stormy synth blasts are mediated by a tender, steadying melody that reminds the listener of lighter arenas, like a ghost of dance floors past.

Sunday Morning Medicine resurrected, Vol. 151 with Cubicolor, G Jones, and more

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Sunday Morning Medicine resurrected, Vol. 151 with Cubicolor, G Jones, and moreSMM 2400

Sunday Morning Medicine is a feature from Dancing Astronaut dedicated to the mellower side of electronic music. We bring you our favorite therapeutic selections—old and new—in attempts to alleviate the agonizing effects of a long weekend of partying.


Synth-wave savant, Lucy In Disguise‘s twinkling catalog of dream-scapes drums up memories of the “Stranger Things” soundtrack, if it were funneled through a warm, neon kaleidoscope. His latest dose of effervescent electronica, “Sunset Blvd,” greets listeners through the Electronic Gems compilation, Milestone.

Cubicolor‘s deliciously despondent lyrics are Dancing Astronaut-certified for a little Sunday morning soul-searching, as per usual. The Anjunadeep-ian triad’s “No Dancers,” combines dissonant arpeggios with rippling keys for a tranquilizing chaos fit to lay any weekend to rest.

Chrome Sparks‘s precipitously active, ’80s-indebted partnership with Miniature Tigers’s Charlie Brand, Promises Ltd., is well-versed in the high art of unrequited love. The slow-to-strike “American Eyes” will assuage intrusive thoughts of the tragically unattainable and “painfully cool,” by way of its utterly sensuous, beat-lenient synth-pop.

G Jones‘s new album, The Ineffable Truth, is the equivalent of a long, strange dream, during which “Everything All At Once” is the eye of all turbulence. The offering is complete with sedating, organ-like components that reverberate into the foremost corners of the uncharted psyche, intermittently erupting into spiraling synth-blasts.

One of Anjunadeep‘s newest breadwinners, Ben Böhmer, has proved himself an austere presence within the Anjunabeats sub-label, melding his visceral, atmospheric sound to the housing’s most intimate foundations. In his “Hold On” remix, Böhmer leaves his polished patriarch, Lane 8‘s creation still starkly recognizable, slightly pitching up and restructuring the lead synth-line, and leaving Fracture’s exploratory vocals unadulterated through the chorus. The remix, like the Lane 8 original, is the ideal soundtrack for flying over a sea of snowy mountain peaks, or a long Sunday’s rest atop a vapory mass of clouds.

Origins festival brings the underground to light in Arizona

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Origins festival brings the underground to light in ArizonaGoldrush18a 006

Relentless Beats is back again with a brand new adventure into the underbelly of dance music. Called Origins, the event is founder Thomas Turner’s homage to the sounds of electronica from where he draws his roots. The gathering will touch down in Rawhide Western Town on November 17 to help bring the underground to light.

The inaugural lineup sees This Never Happened owner Lane 8 headlining, along the live-infused sounds of Justin Jay, and quite a few other power players like Autograf, Nora En Pure, Duke Dumont, and more. Tickets are now on sale for as low as as $39 for GA, and $89 for VIP.

“The response we have received from the RBDeep brand is reflective of the growth in interest of deeper music, which made this the right time to take it to the next level. This is just the beginning for Origins, and I cant wait to see it evolve in the years to come,” stated Turner of Origins’ birth.

Origins festival brings the underground to light in ArizonaOrigins Fest