Kygo releases remix package for ‘Kids In Love’

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Kygo Kids In Love Remixes Cover

Kygo has officially released the remix package for his 2017 album, Kids In Love.

The original project featured artists such as One Republic, Jason Walker, John Newman, Wrabel and The Night Game, only to name a few. The remix package features twists from such artists as Gucci Mane, Alan Walker, Alok, and Sam Feldt, as well as acoustic versions of “Never Let You Go” and “Kids In Love.” Since the release of Kids In Love, Kygo has remained relatively quiet, aside from the remix package at hand and securing prime real estate on the Coachella poster this year. Where will the Norwegian DJ go next?

Launchpad: January remix roundup

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Launchpad 2400

Launchpad is a playlist series showcasing music we love, hand selected by our staff. The tracks come from both emerging and mainstream artists; it’s all about the quality and the unexpected. If you’d like your music featured in Launchpad, submit it for consideration here

DA Launchpad Selects:
Yellow Shoots – “wild fire (Nick AM) Remix”

Known for his captivating reworks of off-kilter tracks, Nick AM’s arsenal includes takes on tracks like Whethan and Charli XCX‘s “Love Gang,” Kanye West‘s “Love Lockdown,” A Tribe Called Quest’s “Electric Relaxation,” and more.  On its face, “wild fire” may appear to delve too deep into the experimental waters, but expectedly Nick AM rises above. He showcases his keen ability to weave disparate elements together in this smooth lo-fi number and it’s just another testament to the searing potential of a rising New York visionary.

APEK & MAXR (ft. Denny White) – “Crawl (Villms & ZIIDAN Remix)”

The young talent and most recent Enhanced releasee Villms is on his way to becoming a recognizable force in the progressive house realm. He’s teamed up with ZIIDAN and the two take their melodic dubstep to APEK, MAXR, and Denny White’s hit “Crawl,” transforming it into a euphoric, piano masterpiece.

Tracklist:
Thutmose – “Blame (SHADES Remix)”
APEK & MAXR (ft. Denny White) – “Crawl (Villms & ZIIDAN Remix)”
Kygo -” Stargazing ft. Justin Jesso (Atlassius Remix)”
Marshmello & Selena Gomez X Vincent – “Wolves (Crystalize Remix)”
Yellow Shoots – wild fire (Nick AM Remix)

Kygo debuts ‘Stranger Things’ music video

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kygo cameras

Coachella releases 2018 lineup

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Coachella has released their lineup for 2018 featuring The Weeknd, Beyoncé, and Eminem. The lineup is the festival’s 19th edition.

Notable undercard acts on the bill include ODESZA, Kygo, Soulwax, Illenium, Jamie Jones, Motor City Drum Ensemble, The Black Madonna, and Maceo Plex, among a plethora of other diverse artists. Beyoncé was scheduled to headline the festival in 2017, but chose to forsake her performance due to an impending pregnancy.

Coachella’s headliners were recently leaked by Consequence of Sound.

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See r/EDM’s highest voted electronic songs and albums of 2017 [full list]

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The people of r/EDM have spoken.

As streaming platforms like Spotify compile end of year playlists comprised of the year’s most popular dance tunes, so too does Reddit‘s electronically focused r/EDM subreddit. The subreddit has produced a list of 2017’s “Highest Rated” songs, albums and EPs, and throwback posts, using user submitted Reddit ‘up-votes’ to calculate the year’s crowd favorites.

The democratic approach sees Reddit visitors elect The Chainsmokers & Coldplay‘s “Something Just Like This” as the highest rated song of the year with 497 votes. The full list features a total of 30 tracks, with Skrillex‘s remix of “Humble” registering in second place with 443 votes, and Illenium‘s “The Sound of Walking Away” weighing in at third with 373 points. Kygo, Martin Garrix, Marshmello, and ODESZA likewise rank, speaking to a resurgence of preference for mainstream releases among voting Reddit users. Porter Robinson‘s opaque Virtual Self alias charts twice on the highest rated list for “Eon Break” [303 points] and “Ghost Voices” [245 points], reflecting a general fondness of the DJ’s new pet project. Virtual Self’s eponymous EP is duly noteworthy for its placement as fourth on the subreddit’s grouping of the highest rated albums and EPs.

Reddit voters exhibit a collective inclination towards ODESZA‘s A Moment Apart, the platform’s top voted album of a total of ten albums/EPs with 561 points. Avicii’s Avīci EP receives the second most votes at 528, while Illenium’s sophomore album attracts the third most, earning 441 for Awake. Kaskade‘s debut seasonal album, Kaskade Christmas also emerged as a highly celebrated release, securing the eighth spot on the list.

r/EDM’s Highest Rated Throwback Posts category is as selective, as the subreddit’s Highest Rated Albums/EPs section, made up of only ten tracks. A testament to the memorable quality of Porter Robinson’s original productions, “Language” sits at the top of the list, likely gaining newfound popularity in the wake of Robinson’s foundation of Virtual Self. Skrillex’s Scary Monsters & Nice Sprites EP claims the succeeding position, while Justice‘s “Cross” follows.

The publication of the subreddit’s statistics has elicited a variety of responses from r/EDM users, with some finding the results to be an “expected” but paltry reflection of the year’s most widely acclaimed electronic releases, whereas others alternatively identify the lists as those that are accurate in their identification of listeners’ dance preferences this year. While the findings are indicative only of the listening trends of those that voted, the charts denote just where voters’ fan favorites were concentrated, with the utmost transparency nonetheless.

See the full list of r/EDM statistics here.

Via: r/EDM

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What will Coachella’s EDM programming look like this year?

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What will Coachella’s EDM programming look like this year?

Coachella‘s status as a music festival has grown to become larger than life since its humble, European-inspired beginnings in 1999, and their yearly lineup is both a cultural statement regarding the current state of music and a presage to future trends.

The behemoth brand has always integrated electronic music into their programming, with artists like The Chemical Brothers, Paul Oakenfold, Moby, Kraftwerk, Aphex Twin, and even Daft Punk helping to shape its reputation as an audacious tastemaker when it comes to curation. Until Coachella, electronic music had a hard time making it across the pond — it certainly never occupied such prime real estate as desert fields filled with upwards of 60,000 attendees.

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Coachella’s longstanding relationship with EDM has been as mercurial as the multifaceted genre itself, with its programming interests shifting in conjunction with the tastes of festival attendees. 2010 saw Tiësto occupy a sub-headlining set, playing after Muse on the festival’s main stage. Swedish House Mafia’s seminal 2012 performance has become solidified as one of mainstream house’s defining moments as a genre. Calvin Harrisiconic set in 2016 marked the first year that an EDM artist has headlined Coachella, a precedent that has since shaped the festival’s programming ethos. Its most recent iteration saw the most electronic artist names in both the second line and undercard areas of its lineup in its entire history.

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So, what will EDM look like at Coachella 2018?

As always is the case, Coachella’s internal forums and sub-Reddits have been crawling with speculation around the lineup since the end of last year’s festival in April. However, 2018 has been more silent in terms of credible rumors than in recent years. 33 names on the 2017 bill were confirmed by this time in 2016, including all three headliners. This year, a mere 8 names are confirmed, with only Beyoncé confirmed as a headliner due to her unexpected cancellation.

The Chainsmokers‘ potential elevation to headliner status catalyzed a lot of buzz earlier in the year, for example, but these rumors have since been proven insubstantial at best. Such hypotheses beg the question: Who aside from Calvin Harris does have the EDM star power to headline a festival as large as Coachella? One could only name a few potential candidates, really: the new ‘it boy’ Marshmello, Daft Punk, Zedd, and maybe Major Lazer or Skrillex off of a new album.

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The Sahara Tent

Most of the Coachella’s EDM selection tends to be confined to one of North America’s most storied destinations for the genre: the Sahara Tent. Since the festival’s recent attendance expansion, it has gone to great lengths to increase the amount of space between stages, removing bottlenecks and increasing traffic flow. However, it failed to predict that the jump in attendance would largely be from those looking to quench their collective thirst for EDM.

Massive acts like DJ Snake & Martin Garrix were placed one after the other in 2017, rather than being scheduled in conjunction with one another to help ease crowding. The same was true of Sahara mainstays Dillon Francis and Steve Angello, both of which played there once more at peak hours.

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The likely reason for this lack of counter programming stems from the fact that fans pay a great deal of money to see as much of their music of choice as possible, so directly countering EDM with more EDM would likely upset Coachella’s core demographic. Still, the Sahara Tent is nearly uninhabitable after sundown, and fans can’t even break into the tent to catch their favorite sets if this scheduling methodology persists.

Coachella’s online forum users have pointed towards the prospect of the festival adding another gargantuan tent similar to the current Sahara Tent, which could showcase similar styles of music while lessening the bottleneck effect in the Sahara. A more plausible option, though, would be the expansion of the current Sahara Tent to accommodate a larger number of attendees.

Regardless of how they tackle it, Goldenvoice must, and likely will address the overflow of wide-eyed festival goers flooding into the Sahara Tent in dangerous fashion.

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Second Liners

With so many dance titans occupying the second line of Coachella’s roster over the past couple years, its seems like the event has almost jumped the gun just a bit. Booking so many of EDMs hottest names means that there are now far less to look at for 2018, assuming there are no repeats — quite the conundrum indeed.

ODESZA appears to be one of Coachella fans’ most sought-after artists. Fresh off of a new album and accompanying tour, which saw them incorporate a drum line and other exciting elements into the mix, the seminal indie/pop electronica duo is likely going to claim one of Coachella’s top spots come Spring of next year. One could even go so far as to wager that they will fill the third name on the second line and occupy the same main stage sunset spot that Porter Robinson & Madeon occupied in 2017.

Since Kygo’s ascension to national stardom that essentially began in 2015, the Norwegian giant has garnered hundreds of millions of streams and has since gone on to popularize the “tropical house” sound and captured the attention of the masses. A key second line slot seems fitting for Kygo in 2018 — a step up from his 2015 booking — and the artist certainly has the clout to headline the festival’s second biggest stage: the Outdoor Theatre.

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Eric Prydz is another name that hasn’t played Coachella in years, and has since accrued a massive increase in popularity among the dance music community. With the release of Opus in and the debut of his new Epic 5.0 stage setup, Prydz is certainly a candidate for high placement on Coachella’s 2018 poster — there’s even a good chance he could occupy a similar after-dark set on the Outdoor theatre, à la Justice in 2017. Or, perhaps Prydz could headline the legendary Sahara Tent during a main stage set from The Chainsmokers.

One of trap music’s most elusive figures, RL Grime, has been on his headlining Nova tour for the last two months, which features groundbreaking visuals that are rarely seen in the trap world, or EDM world at large. The LA native, who has redefined trap music’s fundamental style, always ensures his sets are filled with a tangible verve. He could very well close out the Sahara Tent or perform second to last on Coachella’s Outdoor Theatre, especially if he releases an album in the foreseeable future.

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Finally, after their meteoric rise to mainstream recognition since Group Therapy, Above & Beyond is also primed to their long-awaited return to the Polo Fields — maybe for 2018 after the release of their Common Ground album. The trio is known for filling their sets with tear-inducing moments aided by sentimental visuals, and like RL Grime, would make for perfect counter programming in the Sahara Tent or placement at the Outdoor Theatre.

GRiZ has never performed at Coachella and, fresh off of the release of his newest album Good Will Prevail, the Michigan DJ and saxophone master is definitely evolving into an excellent booking choice. With live, instrumental-centric sets that are full of insurmountable energy, it’s only fitting that GRiZ occupies a coveted slot on the lineup. GRiZ seems to be on the cusp of second liners — he may be closer to filling a high spot on the third line — regardless, he might make his debut at the 2018 iteration.

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Yuma Yuma Yuma

As Coachella’s electronic programming progressed through the years, organizers soon felt a need to incorporate a tent that captured the essence of the underground dance niche. Thus, the Yuma Tent was birthed in 2013. The stage’s indoor setup features awe-inspiring lighting schemes, air conditioning, a giant disco ball, and even giant beds that sore feet can head to rest and soak in the sounds of top underground talent.

In years past, the Yuma Tent has featured such legendary acts as J.E.S.u.S (Jackmaster, Eats Everything, Skream, and Seth Troxler), Richie Hawtin, The Belleville Three (Juan Atkins, Derrick May, Kevin Saunderson), Bicep, and Ben Klock, to name just a few.

So who will DJ in the legendary tent this year? Our bets are on the return of artists like those that comprise J.E.S.u.S. Others that are due for a return include Maceo Plex, Carl Craig, and Dubfire.

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Coachella’s Yuma tent selections continue to break ground within the electronic side of the festival sphere, but it will need to expand upon its current scheduling methodology in order to keep up with the growing factions that divide ‘popular’ underground leaders — like Hot Since 82, Solomun, and The Martinez Brothers — and their lesser-known counterparts.

Will bookers finally decide to pay homage to such pivotal acts as Len Faki, Amelie Lens, Rødhåd, Detroit Swindle, and The Black Madonna? The aforementioned underground acts have not typically made the cut in recent years; whether this is due to them not receiving an offer, or simply not wishing to play a mainstream festival like Coachella, is entirely unknown.

One thing that is for certain is that they would do well to expand their horizons in terms of the styles of techno and house they book, given the apparent lack of diversity in the Yuma Tent’s recent years. Ultimately, the stage is still defining its identity after only half a decade of existence, so who knows what it will have in store come April 2018.

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Undercard Hopes

Coachella’s most consistent aspect is its stellar undercard, and electronic music within this area of its roster continues to act as an integral force in its success. Acts like Nicolas Jaar, Tycho, Galantis, Kaytranada, Jai Wolf, and Four Tet all occupied its undercard last year. When one considers that even some of electronic music’s most established and hottest acts didn’t even make the second line, the festival’s depth becomes entirely apparent.

This year’s bill has the potential to showcase an array of tantalizing dance music up-and-comers. Some acts we predict will appear on the 2018 undercard include Virtual Self (Porter Robinson’s alter alias), Ekali, Big Wild, Gorgon City, Malaa, and Oliver, to name a few.

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A Cultural Phenomenon

Coachella holds strong in the festival sphere of influence, continually expanding its attendance rates and selling out each year thanks to bookings like Lady Gaga, Radiohead, Outkast, Kendrick Lamar, and more.

The festival is a glaring manifestation music’s current state and where its headed: this is especially true for its electronic programming, in which its talent buyers are faced with a more arduous task than ever to remain cutting-edge for the upcoming rendition.

Coachella’s upcoming lineup is most definitely going to be incredible no matter what, and we’re excited to see who makes the cut.

Kaskade drops dulcet new remix of Kygo’s ‘Stargazing’ [Stream]

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Kaskade has placed his re-imaginative stamp on “Stargazing,” the lead single off of Kygo‘s newest EP of the same name.

The original hails straight from Kygo’s wheelhouse, layering Justin Jesso’s melancholic vocals atop a piano assisted backdrop characteristic of the Norwegian producer’s sound. Kaskade maintains much of the single’s character in his rework, weaving subtle elements like an understated yet ambient guitar melody among the song’s opening chords. The remix maven localizes the majority of his sonic revision at the track’s first drop, trading Kygo’s signature mounting airy tones and piano drop for an echoing ascension that culminates in a drop defined by its piercing synth work.

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Kygo’s New Delhi performance cancelled due to heightened air pollution levels

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Smog has stolen one of Kygo‘s shows.

The tropical house tastemaker will soon make his debut in India, scheduled to perform three consecutive shows in Hyderabad, New Delhi, and Mumbai from November 24–26, respectively.

While Kygo’s Hyderabad and Mumbai performances will proceed as planned, the Norwegian producer’s show in the country’s capital has been cancelled due to the “ongoing pollution levels in Delhi and the poor air quality in the area,” according to a statement released by event coordinator, Sunburn Festival. New Delhi air pollution levels currently rest 12-times above the World Health Organization’s recommended limit. Air quality concerns prompted United Airlines to suspend various flights destined for the capital last week.

Full refunds will be issued to all ticket holders of Kygo’s New Delhi show, slated to take place at the Jawaharlal Nehru Stadium.

H/T: Bangin Beats

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Kygo releases final track I See You before album release

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Kygo releases final track ‘I See You’ before album release

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For the week preceding the release of his album, Kids In LoveKygo has dropped one track off the LP per day. Set to bow on November 3rd, the tracks released so far have covered a wide range of sounds and genres.

The last track before Kids In Love is released is “I See You” featuring Billy Raffoul, a production that continues the trend of diversity the album is set to debut. “I See You” can only be described as indie rock with its mellow guitar and slow tempo centered around Raffoul’s unique vocals.

The Norwegian producer also announced an accompanying world tour with the album release that is set to kick off in Helsinki, Finland in February of 2018. Pre-sale tickets for his tour are available here with the password “love.”

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Kygo – Permanent ft. JHart

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Kygo – Permanent ft JHart

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Ever since the announcement of his new album a few weeks earlier, Kygo has been consistent in giving fans more and more and get excited about. Whether it’s the rollout of tracks one-by-one or the release of new tour dates, the superstar producer has no intentions of slowing down as 2017 winds down.

His latest release is the collaboration with JHart, “Permanent.” The track eschews Kygo’s classic tropical sound for a wholly pop production, with JHart’s wistful, emotional vocals ramping up the track’s broad appeal. Piano unsurprisingly forms the foundation of “Permanent,” with Kygo crafting a bittersweet and catchy new anthem.

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