After skipping the 2019 iteration of the festival, Florida’s beloved Okeechobee Music & Arts Festival (OMF) will return in 2020 to Sunshine Grove. Soundslinger, the founders of OMF, have partnered with North American festival leader Insomniac to bring the destination multi-genre music and camping event back to its picturesque home on March 5-8, 2020.
Okeechobee is known for its eclectic festival lineups, which have included artists like Travis Scott, Usher, and Khalid all of the way to ODESZA, Skrillex, and Kings of Leon in the past. In addition to OMF’s three main stages—Be, Here, and Now—dance music fans will gravitate once again toward Jungle 51, a dusk-’til-dawn dance party nestled in the heart of the jungle that has hosted some of the biggest names in house and techno in recent years.
During the day, OMF attendees will again be able to experience Aquachobee Beach, situated in the scenic background where Sunshine Grove’s jungle meets the white sand beach, that will give Okeechobee-goers the chance to catch daytime live music sets while swimming and sunbathing.
Passes are on sale for all ticket and camping types beginning Aug. 23 at 10 a.m. ET here. The festival has released a video to get fans excited for the 2020 edition of the event, which potential festival-goers can view below.
The first weekend of August, two mass shootings in Texas and Ohio left more than 31 people dead in the span of 14 hours.
The first shooting in El Paso, Texas on Saturday, Aug. 3 took 22 lives. Another nine people were killed in Dayton, Ohio. The two shootings are the latest in a dangerously common trend that have led to a toll of 255 U.S. mass shootings in 2019 as of today. The number of mass shootings has outpaced the number of days in the year.
In wake of the recent tragedies, the world has shown an outpouring of support and condolences for the communities affected. Artists and music industry figures, from Mija to Khalid to Lana Del Rey, and Bebe Rexha used their platforms to express their grief and provide comfort for those affected.
Mija, Khalid, and Riot Ten took to social media to announce their respective benefit concerts while Lana Del Rey wrote a song, “Looking for America” with Jack Antonoff in light of events. Meanwhile, Bebe Rexha urged her followers to talk to their senators to make changes against gun violence.
J.I.D. and Kacey Musgraves used their Lollapolooza slots to address audiences. The rapper dedicated a moment of silence to victims before his set, while the country singer addressed her concerns during a performance of her song, “Rainbow.”
“I can’t even believe that we’re having to process the s–t that’s happening in the last 24 hours, much less everything that’s happened in the last two-hundred and f–king fifteen days in America. I don’t know what the answer is but obviously something has to be f–king done,” Musgraves urged. “Maybe somebody will hear us if we all yell together to say, ‘Somebody f–king do something.”
the El Paso shooting was dark & horrifying… my heart is heavy for families that lost people they love. @clubhereiloveyou & I will donate all the profits from my aug 17 El Paso show to the El Paso Community Foundation. info about Victims Shooting Fund is in my letter – amber pic.twitter.com/4tjHfhMSmG
Over the past few days, I’ve been thinking of ways to help out and support the city. I’m planning for a benefit concert later this month, all of the proceeds will go to the families affected by the shooting. Sending everyone my love and will keep you guys updated
To say Ed Sheeran has become one of the most successful artists in the streaming era in an understatement. He is the number one most streamed artist on Spotify with over 61 million listeners a month, with the number one most streamed song, “Shape Of You,”—the only song with over 2 billion plays. Sheeran has four songs with over a billion plays, and from the looks of the roster on his upcoming No. 6 LP, he’s rearing for more.
What do superstars do after reaching peak financial security? Khalid makes sure he gives back to the hometown that gave him life: El Paso, Texas.
The R&B crooner launched The Great Khalid Foundation in El Paso on May 10th. It’s a music and fine arts institution focused on underserved communities. The website for the foundation says its plan is to cultivate “an atmosphere of support and freedom for kids to dream BIG! Through our music education programs, scholarship awards, and gift giveaways we are investing in our children and in their future.” Options for volunteering, donating, or sponsorship is are available.
The Great Khalid Foundation shares scholarship recipients on Instagram. The one featured in this post reads, “If I wasn’t in the position I am in life right now, I would’ve became a music teacher. Luckily, I get to teach in a way I would’ve never imagined! I wanna give a congratulations to all of the Performing Arts Scholarship winners! Everything is super new right now and it’s all a work in progress but you gotta start somewhere! Manifestation is super important! One day I WILL open up a school, but I gotta believe in myself.”
This year, Khalid released his second studio album, Free Spirit, in April which included the Billboard chart topping “Talk” produced by Disclosure.
The musical articulation of the sentiment that prompts the “what are we?” talk in an emerging relationship, Disclosure and Khalid‘s collaboration, “Talk,” has pervaded radio airwaves and playlists alike. The cautiously curious lyrical nature of the track, combined with Disclosure’s characteristic groove-inducing production rendered the song an instant commercial success, and from Justice Skolnik‘s perspective, Skolnik’s latest re-imaginative endeavor. The electronic power of Skolnik’s take is noticeably more potent than that of Khalid and Disclosure’s decidedly smooth-flowing number, which doubles as a tempered, pop-leaning effort and R&B reminiscent single, all in one.
Gone is the languid pace of the original, and the crisp percussive pops that create the head bob worthy rhythm of “Talk.” Listeners instead receive starry synths that sonically shimmer, drum-like accents that amplify the percussive aspect of Skolnik’s remix, a build that accelerates the BPM, and a layered, multi-chord drop. Skolnik’s showing provides a satisfyingly fresh perspective on Disclosure and Khalid’s inescapable joint project.
Lollapalooza Berlin will return to the German capital city for its fifth year, running September 7-8, 2019. The festival, which takes place in Olympic Stadium and Olympic Park, has released its lineup, donning a diverse range of acts. Swedish House Mafia will make an appearance, adding to their list of tour stops, coming on board as co-headliners of the festival. Other headliners include Martin Garrix, Kings of Leon, Kraftklub, Twenty One Pilots, and an additional act yet to be announced. Martin Garrix will be bringing his STMPD Rcrds stage to the festival, which will showcase a variety of artists involved with the label.
More electronic music acts heading to Berlin include Don Diablo, Alan Walker, Loud Luxury, Gryffin and more. These artists will be juxtaposed with performances ranging from Khalid to Hozier, giving fans plenty to look forward to. Tickets are now on sale.
Khalid‘s latest single “Talk,” has officially hit the Beats 1 Radio airwaves. The brand new Disclosure-produced collaboration is a soulful rendition that evokes feelings of stillness. Veteran radio host Zane Lowe spoke with Khalid in regards to the song’s meaning, ahead of the track’s debut.
Khalid eloquently explained that “Talk” is set in the honeymoon stage of a relationship. The track itself calmly reflects on the importance of awareness and the communication one must engage in to move forward as the intensity of love settles in. With a voice so unique that it simply cannot be mimicked, Khalid croons, “Can’t we just talk? Talk about where we’re going/Before we get lost/Let me out fast/Can’t get what we want without knowing.” Disclosure’s production backdrop serves up the dreamy yet steady beat for Khalid’s words and emotion to swim through. Khalid said, “It’s one of my favorite songs I have ever been a part of.”
“Talk” is the lead single off Khalid’s upcoming sophomore album, which the El Paso sensation announced would be released before his upcoming performance at Coachella.
For more than a decade, DJ Earworm has been blending the year’s top songs into a massive “United States of Pop” mashup at the end of each year. He began the series in 2007, kicking off with a combo of songs from Soulja Boy, Akon, Avril Lavigne, Rihanna, Fergie, and more. It’s been 11 years since that inaugural mashup, and Earworm hasn’t slowed down in the slightest.
The festival gods have called for “A Music Vacation” in Gulf Shores, Alabama, as Hangout Fest is set to return for its 10th installment mid-2019. Those lucky enough to make it down south this year saw performances by Zedd, Galantis, The Killers, and other memorable, genre-spanning acts throughout the extended weekend.
However, 2019 will take Hangout’s perennially diverse lineup to the next level by including headliners Travis Scott, Khalid, Cardi B, Kygo, and Diplo, with additional support from GRiZ, Alison Wonderland, Jimmy Eat World, and more. Transpiring atop Alabama’s sandy beaches, the three-day festival takes place May 17-19. Tickets are on sale Tuesday, Dec 4 with various travel packages already up for grabs.
Khalid fans’ love will surely lie with Matt Medved‘s take on this Normani feature. “Love Lies” exuded a fierce sense of attraction for many artists, including Louis The Child, Snakehips, and Medasin, each of whom submitted revamps of the Khalid-catalogued favorite. Not one to be left standing outside of the remix ring, Medved strides in with a house-inflected flip that lends a velvety homogeneity to the raspy edge of Khalid and Normani’s original.
Seductively situated in deep-house territory, Medved’s version douses “Love Lies” in a noticeable, but unimposing underground groove. The remix relies on a mid-tempo supportive beat that, in characteristic house music fashion, keeps a steady, but unhurried pace. The viscous polish of Medved’s vision of the track seems only to amplify the harmonic refinement of Khalid and Normani’s duets, and much like Khalid and Normani’s vocals when joined, Medved’s effort is blissfully complementary to its predecessor.