3LAU, Shaun Frank, and Grabbitz deliver listeners’ next addiction with ‘At Night’

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3LAU, Shaun Frank, and Grabbitz deliver listeners’ next addiction with ‘At Night’3lau

3LAU, Shaun Frank, and Grabbitz teamed up to deliver an addictive collaboration we didn’t know we needed: “At Night.” The release is another one rumored to be a part of the new album 3LAU is working on. “At Night” fuses alt-electronic notes with a soft house backdrop, creating a unique whole that fans haven’t heard from the trio before.

Sultry vocals welcome listeners into a somber sonic universe filled with pulsating synths with vocal breaks mixed in. As the drop nears, the song cresdcendos into a soundscape bursting with euphoric chord progressions and electric guitar riffs that signal the explosion ahead. Once the shuffle friendly kicks rejoin the mix, the infectious single leaves little choice but to let loose to the rhythm.

“At Night” is out via Blume, 3LAU’s not-for-profit label.

Photo credit: Rukes

Dexter’s Beat Laboratory Vol. 129

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Dexter’s Beat Laboratory Vol. 129Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


3LAU, Grabbitz, and Shaun Frank come together this Valentine’s Day for a slow-burning house tune, “At Night.” This moody collaboration is an impeccably produced amalgamation of the three artists’ styles and is sure to delight fans of all three musicians.

Nostalgia hits hard in blanke’s new flip of Paramore’s iconic “crushcrushcrush” from the band’s hit 2007 album, Riot! Blanke revives the 13-year-old song with an electronic twist, adding dramatic synth layers and a hefty helping of bass.

Trivecta and Varien have been friends for years, but until today, they’d never released a collaborative song together. “We always knew it wasn’t something we’d want to force,” Trivecta shared. “Recently I was working on a remix for [Varien] when I realized it was getting so far off track that maybe it would be cool to turn it into an original collab. Boom. ‘Revelation’ was born.” This powerful psytrance collaboration is a true force to be reckoned with.

Feb. 14 marks the release of Far Out‘s new EP, Bridges in Time. The seven-track effort expertly showcases the depth of Far Out’s production, from its emotive piano intro and orchestral outro to formidable tunes like “Our Own” with vocalist Micah Martin. Martin’s striking vocals vividly complement Far Out’s instrumentals, making it a standout in this collection of songs.

Those who’ve seen Luttrell live recently will recognize his latest release, “Some Other Time,” as a set staple. The song, which makes its mark as the second single from his forthcoming Lucky Ones album, has a beautiful air of mystery around it. It’s both complex and minimalist and only fuels the anticipation for his upcoming body of work further.

NMF Roundup: Calvin Harris spreads love with new Love Regenerator material, Boys Noise and Rico Nasty team up + more

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NMF Roundup: Calvin Harris spreads love with new Love Regenerator material, Boys Noise and Rico Nasty team up + more1 Cred Conor McDonell

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Conor McDonell

Dexter’s Beat Laboratory Vol. 128

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 128Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Since its release four months ago, many producers have put their own spin on NGHTMRE and Grabbitz‘s “Bruises.” But no one has put a blistering drum ‘n’ bass spin on it until now. Enter AWOLTALK, who flips the song into pure fast-paced mayhem. His iteration is a searing, in-your-face one, guaranteed to delight fans of the drum ‘n’ persuasion.

It’s been nearly 16 years since the release of Britney Spears‘ beloved “Toxic,” but musicians like Alexander Lewis and Y2K are still finding ways to make their own mark on the tune. Though less than two minutes long, Lewis and Y2K pack a powerful, trap-fueled nostalgic punch to this classic Britney tune.

Even farther back on the music timeline, Dido released “Thank You.” The melancholy 1998 song is easily recognizable for any ’90s kidand Felix Jaehn is one of them. He’s revived this iconic tune and flipped it into a bass-heavy house heater, giving Dido’s vocals a lift into the dance music sphere.

Fast forward to 2014, when Disclosure‘s “Latch” was pretty much the only thing that mattered. Remixed into oblivion, many tired of the song quickly. StayLoose and FatherDude gave “Latch” a few years’ breathing room before covering it, and the result is brilliant. FatherDude’s vocals are a gorgeous complement to the original tune, and StayLoose’s production freshens up the original’s instrumentals. It’s so much fun.

Au5 appears ready to take the new decade by storm, self-releasing the dramatic and powerful “Seraphim” at the end of January. Within the first few seconds of the new single, it’s apparent that the dynamic producer has plenty of tricks up his sleeve in the new year. “Seraphim” instantly explodes with energy the producer maintains throughout the song, weaving delicate elements throughout his compelling dubstep sound. He truly thrills with each new release.

Dexter’s Beat Laboratory Vol. 123 | Top Tracks of 2019

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Dexter’s Beat Laboratory Vol. 123 | Top Tracks of 2019Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


When I started using SoundCloud in early 2014, I made playlists weekly (read: obsessively). I’ve backed off a bit in recent years, but I still take time to collect songs for my yearly “best of” playlist, which I create every January and add to throughout the year. In late December for the past five years, I’ve narrowed it down to my 50 favorite releases of the year. They range from hard-hitting anthems to serene soundscapes, which truly sums up my music preferences.

In 2019, I was fortunate enough to premiere a few of my absolute favorite tracks of the year, including The Midnight‘s remix of SYML‘s “Clean Eyes,” Com Truise‘s remix of Gold Fields‘ “Waterfall,” and Essenger‘s “After Dark.” (A big thank you to all the artists who choose DA as their platform to reveal new music—we love you!)

2019 was a stellar year for drum ‘n’ bass, exhibited in tracks like Kove‘s “Le Retour,” Koven‘s “Love Wins Again,” 1991‘s “Guiding Light,” Metrik‘s “Hackers,” and so many more. The genre took some fun twists and turns, which fans heard in Mat Zo‘s Latin-infused “Games” and Sub Focus‘ earth-shattering remix of Bring Me The Horizon‘s “Mother Tongue.”

This year saw the arrival of a slew of monstrous collaborations—some unexpected and some that simply made sense. Regardless, tracks like Sullivan King and Grabbitz‘s “Crazy As You” and Delta Heavy and Zeds Dead‘s “Lift You Up” blew my mind. I was delighted when Fox Stevenson and Feint teamed up on a remix of the former’s “Out My Head,” since it flawlessly combined both their styles.

Speaking of Fox Stevenson, the UK producer released his highly anticipated album, killjoy, this year, and it’s a dynamic journey through all sides of the producer’s capabilities. Goldroom wowed me with his double-sided, multi-faceted Plunge/Surface effort, which has quite a story behind it. I had a hard time picking a favorite from A R I Z O N A‘s nostalgic Asylum LP, which is gorgeous and heart-wrenching from start to finish. I also need to mention what was likely my most-listened-to album of the year, which isn’t on SoundCloud: Ollie Wride’s Thanks in Advance. It’s gold. I lived in the aforementioned albums this year, and I’m so grateful to the artists who made them for sharing their creativity with the world.

Without further ado, here are my 50 favorite songs of 2019, in no particular order.


A look back…

Dexter’s Beat Laboratory Vol. 121

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 121Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


AMTRAC‘s newest is a synth-filled sparkling venture, packed to the brim with beautiful melodies and irresistible vocals. The RCA Records venture is an impeccable combination of modern elements and nostalgic twists. It’s everything a house music fan could dream of, but it’s in a league of its own, categorized under the simple name of AMTRAC.

In early November, Grabbitz revealed his newest Ultra single: “Roam With You,” a tune soaked in emotion and vulnerability. A month later, the Brooklyn native has released a club mix of the original tune, incorporating a hastened tempo and more of notable beat in the chorus. This new interpretation opens the song up to new possibilities, making it more accessible to those crafting club sets.

Tycho‘s newest single leads to anything but its namesake: “Stress.” The relaxed single finds its place amongst the “No Stress” instrumental version and the original July release “No Stress” with Saint Sinner”—but in an unexpected way. It’s warm and breezy, embracing the listener with its enveloping synth work and dreamy melodies.

It’s been more than five years since Uppermost released the original version of “Night Walk.” But here, many years later, the artist has blessed us with a new interpretation of the track. Uppermost has reimagined the track, giving it a deeper, darker feel. It’s still the contemplative, dark piece many have grown to love—just a newer take on it.

Late last week, Matt Van released a new single, “Conifer.” The winter-ready piece took the listener inwards, encouraging them to look inward. Just one week later, Direct and Mr FijiWiji teamed up to concoct their own translation of the tune. One could argue that it’s an even more reflective construction of “Conifer,” incorporating others’ interpretations of the already-beautiful piece.

NMF Roundup: Four Tet remixes ‘Midnight Hour,’ Dillon Francis flips Maroon 5 + more

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NMF Roundup: Four Tet remixes ‘Midnight Hour,’ Dillon Francis flips Maroon 5 + moreFour Tet Photo Credit DAN WILTON

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Photo credit: Dan Wilton

Dancing Astronaut’s Top Tracks of 2019

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Dancing Astronaut’s Top Tracks of 2019Madeon Top Tracks Eoy 2019

2019 has been a remarkable year for new music.

The past twelve months brought with them a collection of highly anticipated LPs: Madeon‘s Good Faith, Avicii‘s posthumous Tim, Gesaffelstein‘s Hyperion, Illenium‘s ASCEND, along with a Flume mixtape. Notable collaborations like REZZ and Malaa‘s “Criminals,” Seven Lions, Wooli, Trivecta, and Nevve‘s “Island,” and GRiZ and Subtronics‘ “Griztronics” hit the airwaves in blazes of glory. Supergroups like Dog Blood (Skrillex and Boys Noize) and Get Real (Claude VonStroke and Green Velvet) showcased the power of doubling up on brainpower. And, of course, countless singles had us hitting repeat more times than were calculable: Dillon Francis‘ “Still Not Butter,” i_o‘s “House of God,” Habstrakt‘s “De la Street,” Alesso‘s “Progresso,” and so many more.

In no particular order, we present a 30-track collection of our favorite songs of the year, chosen by DA writers and editors.

NGHTMRE taps Gunna for latest hip-hop offering, ‘CASH COW’

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NGHTMRE taps Gunna for latest hip-hop offering, ‘CASH COW’NGHTMRE Gunna

NGHTMRE is keeping his portfolio of music diverse with newest release “CASH COW” featuring Gunna. The single is a Hip Hop release, and it is a refreshing change of pace for listeners who are a fan of NGHTMRE’s ability to produce a wide variety of musical genres.

Many electronic producers have diversified their sound by releasing cross genre singles. These songs frequently enlist elements of non-electronic genres but fuse them with electronic drops. Unlike many electronic music producers who release cross-genre singles, NGHTMRE is known to release strictly Hip Hop singles with no electronic elements juxtaposed with his heavy hitting electronic output.

“CASH COW” is an example of one of NGHTMRE’s strictly Hip Hop releases thanks to its simple and catchy note progression that builds around Gunna’s lyrics. Gunna’s rapping serving as the focal point of the release, and the low BPM makes the track the antithesis of what fans could expect to be featured in NGHTMRE’s live sets. “CASH COW” would find a perfect home in a Hip Hop club.

The single follows NGHTMRE’s recent collaboration with Grabbitz, “Bruises,” which is contrastingly melodic. “CASH COW” is out now via Ultra Records.

Photo supplied by Ultra Music

Dexter’s Beat Laboratory Vol. 116

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 116Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Grabbitz‘s latest release is an appearance on Ultra Music for the guitar-laden “Roam With You.” His heart-wrenching voice guides listeners through an emotive introductory verse before launching into a dramatic chorus. The second verse finds the artist harmonizing with himself to further the wistful tone of the piece.

Another Buffalo native, Snow-Key, takes to Future Vibes for a vibrant and powerful future bass-inspired piece, “716.” Likely a nod to the area code of that western corner of New York, “716” comes at the listener swinging after a relaxing introduction. Trippy bass and synth punches wallop the eardrums in an unexpected and enticing way, drawing the listener deeper into the dynamic world the artist has crafted.

Seven LionsOphelia Records plays host to Crystal Skies‘ newest set of tunes: the five-track Constellations EP. The duo have tapped collaborators like Satellite Empire, Gallie Fisher, and RUNN for the EP, and songs like “On My Own” prove that the EP is a gorgeous collection of songs. “Incredibly proud and excited to show you guys this EP,” the duo note in the EP’s description. “Some of our favorite music we’ve ever made and we hope you guys think so too.”

Sofi Tukker have remixed Laurent Wolf and Eric Carter’s 2008 classic, “No Stress”—something that seems to be a career highlight for duo member Tucker Halpern. “When I first fell in love with dance music and started to learn how to DJ, I remember the first ever playlist I made and ‘No Stress’ was on it,” he says in a press release. “I remember being so excited to play it in my first ever set, and it went OFF.” Their rendition is a groovy, up-to-date interpretation, allowing fans of the original to relive the original in a fun new way.

SNBRN comes at New Music Friday hot with a new collaboration with 1993, “DMs.” As sultry as ever, the producer has whipped up an irresistibly deep beat to pair with hazy vocals from 1993. While the vocals may sound passive, the lyrics are feisty, claiming “I got million-dollar deals in my DMs.”