Lunar Lunes: Armin van Buuren and Inner City face off on ‘It Could Be,’ Notaker remixes Haywyre + more

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Lunar Lunes: Armin van Buuren and Inner City face off on ‘It Could Be,’ Notaker remixes Haywyre + moreArmin Van Buuren Press Shot Bart Heemskerk

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Bart Heemskerk

Dexter’s Beat Laboratory Vol. 109

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Dexter’s Beat Laboratory Vol. 109Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


When Haywyre‘s “Tell Me” first came out last November, I was immediately hooked. It’s effortlessly funky, incorporating Haywyre’s own vocoder-filtered vocals and array of bright and blissful synth and keyboard elements. As part of a set of remixes, Notaker is the latest to take on the groovy tune. The St. Louis producer has put his own moody, atmospheric spin on the original, packing a serious punch with dramatic builds and hefty bass. It gives an entirely different tone to the piece, and it’s breathtakingly powerful.

Disco overlords Goshfather and Aylen are at it again. The duo have a joint two-track EP out, featuring the previously released “Found You” and the debut of “Coastin’.” The tune seeks to continue the effortless, sun-soaked tone of the summer months, incorporating a retro melody and carefree lyrics to move the steady bassline along. It’s hard not to move your feet to this one.

Liquicity mainstay Maduk is back with new heat. The Dutch producer teamed up with Calixte to create a truly infectious tune. “Everytime” seems subdued enough in the beginning, but steadily builds into a mighty drum ‘n’ bass song. A piano melody and rushing beat carry Calixte’s vocals beautifully from start to finish. “Everytime” is a tune that’s as alluring as its hypnotic cover art.

Fans of Metrik have long anticipated the arrival of “Gravity.” The release is the first time Metrik has ever featured his own vocals, and the addition rounds out what I believe is one of his best releases in recent history. “This track represents a new wave of music I’ve been developing using my voice, guitar & synthesisers and is the purest expression of my sound yet,” Metrik said of the release.

UKF is celebrating its 10th anniversary, and with it comes an exclusive set of singles and EP from the notable platform. The latest of these is Kove‘s “Le Retour,” a drum ‘n’ bass number with cheery horns and an irresistible overall retro style. It’s quite a swerve from its predecessor, “Motor,” which had a decidedly darker feel to it, but the difference in the songs just demonstrates Kove’s ridiculously wide range when it comes to production and sound design.

Lunar Lunes: Alok and Sevenn sample Pink Floyd, Kidswaste remixes Kidnap + more

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Lunar Lunes: Alok and Sevenn sample Pink Floyd, Kidswaste remixes Kidnap + moreAlok Press Photo E1562010936732

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

In their new collaboration, Alok and Sevenn sample Pink Floyd’s iconic “The Wall,” and Kidswaste puts an emotive spin on Kidnap’s “Skin.” MOODY GOOD unveils “Bite Your Lip” on Deadbeats, and smle taps Seann Bowe for “Haunted.” Aquadrop takes his listeners straight to the beach in his new Armada Deep single, “Patu Patu,” and Goshfather tackles Eminem in his new remix of “The Way I Am.” Mielo has reimagined Crywolf’s “DRIP” in his latest, and Justice Skolnik brings vocalist Adam Gokcebay for “All I Wanted.” Olver Smith has delivered “Curiosity” on Anjunabeats, and Cheat Codes and Trixxie team up on “All Of My Life.” CARBIN brings along Mezzi Mae for “Numb,” and Elliot Berger and Laura Brehm make it “Back To You.” Ephixa and Going Quantum celebrate Monstercat’s eighth birthday with “Let’s Roll,” and Kwon has crafted a rendition of Manila Killa’s “Wake Up Call.”

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 78

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 78Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Drum & bass masterminds Matrix & Futurebound are back at it again. In their latest, they’ve tapped the talents of songstress Zelah for an impeccable combination of adrenaline-pounding drum & bass and heavenly vocals. “I Got You There” marks the longstanding duo’s first release of 2019 and also gives fans a first look at their upcoming album, Mystery Machine, on Metro/Viper Recordings.

Kill Paris delighted fans by dropping a funky-fresh LP on Valentine’s Day, featuring collaborations with artists like Big Gigantic, Fatherdude, Tim Moyo, and more. While all tracks bring something special to the table, his swanky collaboration with Fatherdude is particularly ear-catching, featuring silky-smooth vocals from the New York artist. Kill Paris describes how the track came about in its description: “Sent the beginning ideas of this track to Fatherdude, who instantly wrote these wicked lyrics and just like that – a song is born!”

The music world was also gifted with new Goshfather music on Valentine’s Day. In his newest disco-infused venture, the Los Angeles artist drew from Madonna‘s “Like a Prayer” and created his own fun spin on the iconic 1989 hit. Goshfather brought along singer AU8UST for the vocals, and the pair have crafted a fresh take that’s both 1989 and 2019 with filtered vocals and a grooving bassline.

Norwegian artist Rootkit has a fluid style that’s led him to create music across the genre spectrum. From melody-centered future bass remixes to dark house originals, he’s demonstrated his production aptitude across the board. For his newest release, Rootkit takes his talents to Monstercat to drop “Voyage,” a house number that has journey-like qualities, making the title completely appropriate. Beautiful vocals also lend themselves to “Voyage,” accentuating its adventurous spirit.

For weeks, Fox Stevenson has been hyping a new body of work he says is a “little bit different” from what fans may have come to know his music as. He returns to his original focus of songwriting and puts out the first from this new focus of tunes called “Out My Head,” a pop-oriented track that still contains many of the dance-friendly elements his fans have come to know and love. But the spotlight is very much on his vocals in this new release, and it’s beautifully catchy.

NMF Roundup: Ekali and 1788-L drop new heat, Netsky links with Lil Wanye and Bazzi, GRiZ and Matisyahu make magic + more

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NMF Roundup: Ekali and 1788-L drop new heat, Netsky links with Lil Wanye and Bazzi, GRiZ and Matisyahu make magic + moreFalls Festival 2

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Star-studded collaborations rule this week’s NMF. Ekali and 1788-L have joined forces to craft a formidable, bass-heavy collaboration, “R U I N,” and Gareth Emery and Ashley Wallbridge continue their powerful slew of releases together with “Lionheart.” Netsky taps Lil Wayne and Bazzi for “I Don’t Even Know You Anymore,” and Zedd and Katy Perry deliver their radio-friendly “365.” Feed Me returns for the second Friday in a row with “Sleepless,” and Kygo releases his first single of the year with “Think About You.” GRiZ and Matisyahu take a stand on gun violence in “A New Day,” and Madeaux brings a sultry, dark atmosphere with “ADDICTED2.” Andrew Bayer delivers an “In My Next Life” mix of 2018’s “In My Last Life” on Anjunabeats. Goshfather puts his own disco-infused twist on Madonna‘s “Like a Prayer” in his new remix, and Liquid Stranger teams up with CloZee for the eerie “Ceremony.” Kill Paris debuted his new album for Valentine’s Day, touting collaborations with the likes of Fatherdude, Big Gigantic, and more, and Armin Van Buuren tugs at listeners’ heartstrings via “Lonely For You” with Bonnie McKee.

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Dexter’s Beat Laboratory Vol. 58

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 58Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Goshfather has a unique ability to see things in songs others never would or could. Flip Drake into a fiery disco track? Check. Up next? Lil Pump and Kanye West‘s raunchy “I Love It.” Going into this funk-ified remix, it’s hard to know what to expect. But like he did with “Nice For What,” Goshfather’s concocted a refreshing take on the wide-shouldered track. He kicks off with a steady-rocking bassline to back Lil Pump’s vocals, hinting at what’s to come with subtle horns. At the drop, he drenches his listener in the grooviest of beats, aiding to the retro atmosphere of the track with an irresistible horn melody. It’s brilliant.


Jaguar Dreams are continuing their recent slew of releases with the next from their arsenal: “Behind Those Clothes.” After a killer debut with their cover of Fleetwood Mac’s “Dreams,” this New York trio are back with new original that oozes a smooth and sexy aura. With slick vocals and instrumentals that glide effortlessly behind them, it’s evident this newly formed group is swiftly paving a road to success. “Beauty has a way of momentarily conquering us, but stripping down to our essence is what makes us fall in love,” they said of the song’s release. “‘Behind Those Clothes’ can be sexual if you want it to be, but at its core, it’s about discovering truth through vulnerability.”


Beware: This is a catchy one. Micky Kojak’s “All That Acid” popped up on SoundCloud just days ago after premiering on Triple J and has since garnered attention from artists like San Holo, Robotaki, and Unlike Pluto. The up-and-coming Australian producer takes his listeners on a ride in this release, with infectious vocals and a funky warped synth melody leading to a beat that’s simultaneously laid-back and energizing. Though it clocks in at less than three minutes long, Kojak packs a powerful punch in “All That Acid,” ensuring it’ll be stuck in listeners’ heads for days to come.


Enschway‘s music typically skews trap, but not this time. For his latest, he’s reworked Golden Features‘ “Telescope” in drum & bass fashion. The rapid beat he’s crafted works impeccably with the track’s sultry vocals, tying the two together for an intense experience. This song, too, clocks in at less than three minutes, but Enschway wastes no time demonstrating his production versatility. This genre suits his music style and was met with enthusiasm in the comment section. “Finished this remix off a while back and thought I’d just chuck it up for everyone to enjoy instead of sitting on my hard drive doing nothing,” he said of the release.


My love of Metrik goes back many years. “Freefall” is one of my favorite songs of all time, and I have such respect for him as an artist. It’s no surprise that I fell in love with his newest production upon first listen. Metrik wrote “Dawnbreaker” for Forza Horizon 4, and it’s out on a Hospital Records compilation that also includes Fred V & Grafix, Etherwood, and more. It’s a gorgeous piece of music that builds a serene soundscape that sounds like what flying must feel like. His melodies are heavenly, and his sound design is unparalleled. For the full five-minute version, listen on Spotify.

Goshfather remixes Kanye West and Lil Pump’s ‘I Love It’ into raunchy disco

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Goshfather remixes Kanye West and Lil Pump’s ‘I Love It’ into raunchy discoGoshfather Kanye Lil Pump I Love It Remi

No song is safe these days from a Goshfather flip. The producer’s infectious retro disco stylings have spiced up tracks from artists ranging from JAUZ to Skrillex. The remixes follow the same cheeky dance-first ethos as his originals on labels like Spinnin’ and Hysteria. Now, Goshfather is follows his “Nice For What” remix up with another full makeover, this time taking on Kanye West and Lil Pump‘s internet-burning track “I Love It.”

The original track’s highly NSFW verses were built around the instrumental’s undeniably groovy bassline, and Goshfather’s take most definitely follows suit — but that’s about the similarities end. The remix is a sped-up disco romp that drops the track’s slow and slinky feel into a ’70s bowling alley. Slap bass is joined by wailing saxophone and an uptempo four-to-the-floor beat, and the effect is almost enough to distract from the rappers’ raunchy lyrics still tucked into the rework. Goshfather’s take proves any track can go disco if he puts his mind to it.

Dexter’s Beat Laboratory Vol. 44

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Dexter's Beat Laboratory Vol. 44

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


This is the track I’ve been most excited about this week. Hot off his release with Bingo Players earlier this year, Los Angeles producer Goshfather returns with a dirty disco remix of Drake‘s “Nice For What.” He cranks up the original’s intensity and adds an irresistibly groovy beat. It’s impossible to sit still during this one, and I’m probably responsible for half of the plays on it. I’m not sorry.


Los Angeles label Silk Music continues to tap some of the most creative and emotive pieces of work for their releases, thrilling listeners with each new feature. One of this week’s is Polish producer Andromedha’s two-track return to the label: “Luminosity” and “Purple Skies.” While both are beautifully atmospheric progressive house pieces, “Luminosity” in particular caught my ear, with its airy, heavenly feel drawing me in each time I listened.


UK drum & bass maven Friction turns up the heat in his latest: a collaboration with vocalist JP Cooper. “Friction,” out now on Elevate Records, masterfully combines fiery drum & bass production with impassioned vocals from JP Cooper. The award-winning producer demonstrates time and time again that there’s a reason he’s garnered so many accolades over the past several years: he’s endlessly talented and knows exactly the right formula for the perfect drum & bass piece.


Sinden continues to expand on his Houseline imprint with the release of Houseline Vol. 3 last week, featuring three tracks that flex the grooving g-house muscles of the compilation’s featured aritsts. While the volume’s first two tracks highlight artists CLB, Steve Darko and Danny Kolk, Sinden himself teams up with Wongo on the final track. The pair have crafted a deep, powerful house track, and it’s a true treat.


Disco Fries are letting the good times roll with a remix of Stanaj and Ty Dolla $ign to kick off the weekend. They’ve put their signature feel-good stamp on Stanaj and Ty Dolla $ign’s original piece of work, decking their remix out with a catchy background melody and rocking beat. The New York duo are on a roll this year, following up their self-titled November EP with funky originals like “The Cut” and “U Make Me.”

Dexter’s Beat Laboratory Vol. 37

This post was originally published on this site

Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


Step into this beautiful house haven that Zookëper and Goshfather have created called “For Real.” With Goshfather still riding the high of his massive hit, “Everybody” with the Bingo Players, “For Real” makes an exceptional follow up. Zookëper ended his 2017 on a high note with a feisty remix for The Knocks, so these two teaming up was bound to be a surefire hit.


New Jersey brother duo Synchronice just released a self-titled five-track EP. The introductory track, “Light,” makes for a gorgeous lead-in to the Synchronice EP. With a gradual build and layers of heavenly synths, it paves the way for the remaining four tracks. Choir-like vocals and even a brief guitar melody draw the listener in beautifully.


13 is about to blow up in 2018. Already this year, he’s followed up last year’s massive REZZ collaboration with a remix for Krayysh, a Nest HQ mix, and now, an original. “Physical” brings 13’s signature dark style in full force, mounting his attack and sneaking up on the listener with an anticipatory, moody introduction. He layers in Darth Vader-like breathing for added eeriness, pausing midway through the song to drum up another build reminiscent of someone running. It’s haunting in every sense of the word.


Colorado producer brothel has taken on one of modern pop-punk’s biggest voices: Paramore. He steps up the intensity of Hayley Williams’ vocals by kicking them up an octave and adding heavy amounts of bass. One Reddit user says brothel is able to “merge filth and beauty like no one,” and I have to say I agree.


Outcry plays with melodies in this playful new original, “Skydancer.” The Australian producer lets a lively melody carry throughout the song, though he toys with stutter effects and other variants on the lighthearted theme that carry through as hits of bass weaves in and out. “Skydancer” is a long time in the making, as Outcry notes in the track description that he’s been working on it for two and a half years.

Bingo Players release remix of hit single ‘Everybody’

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Bingo Players decided to put a new spin on his track “Everybody” with LA-based DJ Goshfather. The original collaboration was released off his imprint Hysteria prior to the “Everybody” US tour kick-off.

For this remix, Bingo Players clearly decided to replace the funky, 80s dance-influenced feel of the original with a more futuristic house sound. The old-school vibes are still there, however, listeners get a voxed-out, electronic vocal and off-beat lead synths on the drop.

Bingo Players will be touring the US through June 2018. See a full list of dates and ticket info here.