Gorgon City ring in 2019 with new club track, ‘Lick Shot’

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Gorgon City ring in 2019 with new club track, ‘Lick Shot’50927256 2176547705739938 6950406061694124032 O

2018 was a killer year for Gorgon City, as they released their first studio album since 2014 with Escape. The album—with star features like Duke Dumont and JP Cooper—was followed up by an “Escape Live Tour” that showed the London-based duo in a whole new light. To finish out the year, Matt and Kye returned with a two-hour edition of Kingdom Radio on London’s Rinse FM. Now, Gorgon City’s decided to capitalize on the momentum with their first track of 2019, “Lick Shot.”

Released on the duo’s very own REALM imprint, a platform utilized primarily for underground/club-geared tracks through Virgin EMI Records, “Lick Shot” is the perfect treat for long-time Gorgon City fans. The production fuses elements of UK-grime and melodic house sounds, with pleasant hook leads and some stimulating deep bass on the drop.

Gorgon City will hit a few club dates before an appearance at Coachella 2019 in April.

NMF Roundup: Skrillex and Hikaru Utada take on Kingdom Hearts III, Zeds Dead and Delta Heavy team up, Gorgon City unveil ‘Lick Shot’ + more

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NMF Roundup: Skrillex and Hikaru Utada take on Kingdom Hearts III, Zeds Dead and Delta Heavy team up, Gorgon City unveil ‘Lick Shot’ + moreSkrille Superjam Bonarroo Live

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

Skrillex and Hikaru Utada kick off some of the most prominent of NMF releases with the heavenly “Face My Fears” from Kingdom Hearts III. Also leading the charge are Zeds Dead and Delta Heavy with a powerful drum & bass collaboration, “Life You Up.” Sofi Tukker and ZHU have delivered the sultry “Mi Rumba,” and Gorgon City bring the heat with a feisty new original, “Lick Shot.” Sam Feldt and Kate Ryan dive into their feelings in “Gold,” and Slushii dreams of warmer days with the tropical “Never Let You Go.” 13 summons a storm on the formidable “Uppercut,” and Above & Beyond are “Flying By Candlelight” in their new collab with Marty Longstaff. Lost Kings continue their slew of releases with “FU4E,” and Xan Griffin delivers his first release since his September Self-Discovery album. Peking Duk sprinkle some sweetness in their new original with Jack River, “Sugar,” and Richard Durand puts his intense spin on Armin van Buuren‘s “Wild Wild Son.”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

ODESZA, Bassnectar, Zeds Dead, and Kygo top impeccably curated Electric Forest 2019 lineup

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ODESZA, Bassnectar, Zeds Dead, and Kygo top impeccably curated Electric Forest 2019 lineup36467260 1771093626272667 1859437706333913088 O 1

Electric Forest is pulling out all the stops for their single 2019 edition. The festival recently scaled back their two weekend offering back to their original one weekend format, though organizers were quick to even it out with the delivery of 2019’s lineup. To say next year’s billing is stacked would be an understatement — ODESZA, Kygo, Bassnectar, and Zeds Dead are holding down headlining duties, with festival favorites The String Cheese Incident returning for a three-night run. The under card features a mile-long list of talent headed to Rothbury, Michigan including Claude VonStroke, Alison Wonderland, Bob Moses, Lettuce, Ekali, Whethan, Gramatik and many more across June 27 – 30.

SLANDER and NGHTMRE are billed for a GUD VIBRATIONS label showcase, with Snails, TOKiMONSTA, The Knocks, and Bloodpop all slated for Electric Forest 2019 as well. Live sets from Gorgon City, Pnuma, and Ookay are expected, along with jam band flavors and a healthy serving of hip-hop from T-Pain. See Electric Forest 2019’s full lineup below.

ODESZA, Bassnectar, Zeds Dead, and Kygo top impeccably curated Electric Forest 2019 lineupElectric Forest Lineuop 2019

Introducing Lunar Lunes: DA’s new weekly SoundCloud playlist

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Introducing Lunar Lunes: DA’s new weekly SoundCloud playlistLunar Lunes E1540831560592

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes will be a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

This week’s Lunar Lunes is highlighted by 25 new tunes from artists like Wolfgang Gartner, i_o and No Mana, CURBI, Luca Lush, and many more. Win and Woo channel warm summer days in their latest, “Satisfied.” Black Coffee and Aquatone have remixed AGORIA’s “Embrace” to craft a mellow, peaceful environment. Melodic dubstep aficionado Au5 tackles Celldweller’s “Eon” in an interesting turn of events. Justin Caruso taps Jake Miller for a pop-friendly original, “Don’t Know You” on Big Beat Records. Ephwurd teams up with ATRIP to sample Beastie Boys’ iconic “Ch-Check It Out” in a bass-laden house track. Jaenga melds dubstep and elements of drum & bass in his take on Zeds Dead and 1000 Volts’ “Kill Em.”

The selection will be updated every Lunes (Monday).

Good Morning Mix: The Knocks hop on Sirius XM’s The Cookout for a disco mix [Exclusive]

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Good Morning Mix: The Knocks hop on Sirius XM’s The Cookout for a disco mix [Exclusive]28871998 10155178138792353 2702811060794629432 N

It was The Knocks‘ turn for a feature on Sirius XM’s The Cookoutdishing out a groovy hour of classic house and disco vibes. Aired weekly on Diplo’s Revolution, the mix series is set to showcase some quality talent for the remainder of 2018, including fan favorites Malaa, Gorgon City, Boys Noize, and more.

Kicking off with Aroop Roy’s recently released disco track “What I Love,” the track list also includes some of the duo’s original content, with a “2K18 dance edit” of the their hit single “Classic,” and a Purple Disco Machine remix of “Ride Or Die” (also a vocal edit). With a some 2018 gems and an Aretha Franklin mashup to close out, this mix is packed with feel-good jams that’ll brighten anyone’s morning commute.

The NY-based producers will embark on their 2019 tour with a NYE performance at Mezzanine San Francisco. Head here for tickets and a complete list of tour dates.

Gorgon City’s remix of ‘Feel My Needs’ is an easy dance floor jumpstarter

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Gorgon City’s remix of ‘Feel My Needs’ is an easy dance floor jumpstarterGorgon City

Following the release of their critically-acclaimed album Escape, Gorgon City is back with a remix of Weiss‘ house jam “Feel My Needs.” With a widely successful sophomore album and a what appears to be steady new material stocked as well, the English duo has hit their stride this fall season, gearing up for a well-equipped 2018 tour.

The remix is sure to be a fan-pleaser, as Gorgon City stick to their UK underground house roots on this one. The producer duo throw in some beloved deep bass and quick drum hits, topping off their remix effort with interchanging piano chords and echoed vocals cropped from the original mix. The tempo is sped up a bit, which sets this up perfectly with the theme of most Gorgon City live sets. Jump into Gorgon City’s “Feel My Needs” remix below.

Gorgon City release dancehall-tinged single, ‘One Last Song’

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Gorgon City release dancehall-tinged single, ‘One Last Song’Unnamed 4

Gorgon City are extremely skilled at combining their pop sensibilities with the sounds of the underground. Their work ranges from catchy UK house to soulful garage, always brimming with some of the best talent the United Kingdom has to offer. This holds true on “One Last Song,” the most recent single for their upcoming album, Escape.

Bringing on vocalists JP Cooper and Yungen, Gorgon City construct a track that features smooth steel drums and piano keys over a dancehall beat. Cooper’s soulful vocals are a fitting contrast to Yungen’s wistful lyrics, with both yearning for “one last song” with the one they love. The third and final single for their sophomore album, the British duo seem to be building strong anticipation. With the record dropping next week and a tour starting immediately after, Gorgon City will surely be a name to watch over the coming months.

Zeds Dead give Gorgon City’s ‘Go Deep’ a melodic rework

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Zeds Dead give Gorgon City's 'Go Deep' a melodic rework

Zeds Dead have spent the past two years exploring a variety of production styles, from their drum & bass collaboration with Jauz to their future bass work on “Blood Brothers” with Diskord & Reija Lee. The duo have now released a remix of Gorgon City‘s “Go Deep,” which reaches back to the melodic dubstep roots that hooked many of their original fans.

The Toronto-based duo’s take on the track comes as part of a four song remix EP, released today by Gorgon City. Zeds Dead pair the smooth, sultry vocals with an iconic wobbling bass line, keeping the track relaxed and atmospheric until the later half of the track, which breaks down into some classic Zeds Dead dub. Sure to please fans new and old, this remix is another solid addition to the duo’s ever-expanding catalog.

Watch Gorgon City’s dreamlike video for ‘Go Deep’

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Gorgon City has a new video to complement their latest single, “Go Deep.” Originally released in May 2018, the track features a uniquely U.K. house style — one that they’ve coined as their own since their debut in 2012.

The video for “Go Deep” pulls filming techniques from the Oscar-winning film Shape of Water, namely the “dry for wet” technique that uses smoke, colored filters, and lighting effects to mimic the featured characters on screen being under water when actually filmed on a dry stage. The “dry for wet” approach creates quite the juxtaposition against a house beat that with its visuals, suddenly feels more organic in nature.

Gorgon City has also announced a set of tour dates that include both DJ sets as well as live performances to hit cities across the U.S.

Step aside, men: Study of pop music finds rise in sadness, upward trend in female chart toppers

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I’m gunna let you finish, Kanye, but uh…

Female singers with upbeat dance songs are far more likely to top the music charts nowadays, according to new findings by researchers at the University of California, Irvine. The study also found a downward musical trend in happiness and an increase in sadness.

The study, published in the journal Royal Society Open Science, examined 500,000 popular songs released in the UK over a three decade period, from 1985 and 2015, and categorized them each based on their mood.

“‘Happiness’ is going down, ‘brightness’ is going down, ‘sadness’ is going up, and at the same time, the songs are becoming more ‘danceable’ and more ‘party-like,’” co-author Natalia L. Komarova told The Associated Press.

Of course, researchers emphasize that a gradual decrease in the average “happiness” index does not mean that all successful songs in 1985 were “happy” and all successful songs in 2015 were “sad.” They were looking for average trends in the acoustic properties of music and the moods describing the sounds.

The overall mood shifts in the songs’ musical elements fall in line with past studies that have examined lyrical content changes over the years. They have found that positive emotions, on the whole, have declined; while indicators of loneliness and social isolation have increased.

“So it looks like, while the overall mood is becoming less happy, people seem to want to forget it all and dance,” says Komarova, a mathematician and evolutionary biologist who led the study. She added, “The public seems to prefer happier songs, even though more and more unhappy songs are being released each year.”

Some songs with a low happiness index in 2014 include “Stay With Me” by Sam Smith, “Whispers” by Passenger and “Unmissable” by Gorgon City. Songs from 1985 with a high happiness index include “Glory Days” by Bruce Springsteen, “Would I Lie to You?” by the Eurythmics, and “Freedom” by Wham!

Additionally, researchers found the most successful musical genres of recent are dance and pop, with a “clear downward trend” in the success of rock, beginning in the early 2000s.

The researchers also found that the “maleness” of songs — or the frequency of male singers in popular music — has decreased over the last 30 years. “Interestingly, successful songs exhibit their own distinct behavior: They tend to be happier, more party-like, less relaxed and more likely to be sung by a woman than most.”

The same trends hold true for the US market, based on a preliminary review of data by researchers. A few 2014 hits that meet the study’s qualifications for successful pop music include Clean Bandit‘s “Rather Be,” Taylor Swift‘s “Shake It Off,” and Meghan Trainor‘s “All About That Bass.”

The findings arrive at a critical time when the music industry is grappling with issues of gender inequality, where men are overwhelmingly dominating the visible ranks of artists and songwriters, despite studies such as these, which show a strong cultural/consumer yearning for female dance/pop hits in the contemporary global music climate.

Read the fully study by UC Irvine here.

H/T: Stereogum