Unflinchingly danceable Frenchman, Dombresky recently shared his hour-and-a-half house set from HARD Summer, gracious grooves abound. Needless to say, it’s the ideal vessel to rock listeners into a carefree weekend. The Parisian producer has racked an impressive set of releases this year along with major festival play. His standout singles from recent memory include “Meli-Melo,” the free-flowing, four-on-the-floor wave with a thumping bassline and filtered melodies, as well as an official remix for Diplo‘s LSD supergroup, by way of their single “No New Friends.”
Within the recent HARD Summer sonic affront, the DJ crafts an infectious and well-timed web of house music, to no longtime listener’s surprise. Fans have been expressing their desire for a more permanent slice of their memory from LA’s premier electronic music festival; and Dombresky delivered.
Dombresky is currently on tour finishing up shows at France’s Amnesia Cap d’Agde and Ushuaïa in Ibiza. Soon, he’ll bring down the house at New York’s Electric Zoo on Aug. 31. Catch an extended glimpse below of what to expect from a four-on-the-floor maven.
Earlier this summer on July 1, Mat Zo debuted his imprint’s inaugural compilation album, This is Mad Zoo. Geared with 12-tracks ranging from drum ‘n’ bass to dubstep, breakbeats, and more, This is Mad Zoo is as proper of a showcase of Mad Zoo‘s roster as it is fittingly in tune with Zo’s visionary roots in pushing the boundaries of the scene.
Now, the Mad Zoo boss once again proves to be one of the most eclectic forces in dance music, re-channeling his attention to This is Mad Zoo in a 37-minute mix. Redefining tracks from the compilation with masterful transitions and fortifying the experimental extremities championed by This is Mad Zoo‘s spectrum of genres, the UK producer takes listeners through a genre-blurring journey that exudes energy, beauty, and darkness all at once.
Immerse yourself in the madness of Mat Zo’s This is Mad Zoo mix below.
The opening seconds of Amelie Lens‘ set from Awakenings Festival are eerily climactic: muffled voices comprise an inconclusive dialogic exchange that slowly fades out as a pulsating beat hammers forth. As Lens’ showing unfolds, atmospheric tones filter in to augment the affective power of the set’s steady, underground derived-beat arrangements.
However, Lens steps back from this pounding, palpitating construction at several junctures, to offer listeners brief reprieves. Such a moment occurs around the 11 minute mark, at which point Lens gently grounds the effort via the introduction of an undulating collection of chords. Looping voiceovers prove a crucial component of Lens’ sonic toolkit at multiple points in the probing electronic endeavor, which potently evinces Lens’ techno expertise.
Their 72-minute set took attendees through an array of both artists’ tunes, sprinkling some IDs and songs from friends like Green Velvet, Valentino Khan, Wax Motif, and many more.
The iconic duo seamlessly wove one heater into the next, no doubt thrilling all who were fortunate enough to be in the crowd. Luckily for the rest of the world, the set has surfaced on DJ Snake’s SoundCloud and is now streamable for all.
The 2019 iteration of Belgium’s world-renowned Tomorrowland has come and gone. One notable act that was all-too-perceptibly missing from this year’s 15th anniversary lineup was Swedish House Mafia. The Stockholm trio were rumored to be closing the main stage for Weekend 2, after Martin Garrix was confirmed as the closing act on the STMPD Records stage for the first weekend only, leaving the following weekend’s slot up for grabs. But when Swedish House did not end up performing, many were not shy about expressing their disappointment.
Fans fortunately did get a full set from Swedish House member, Axwell, who played an hour-and-15-minute set on his label-branded stage, Axtone. Fans audibly hungered for the performance; and Axwell delivered. The set includes a forthcoming Swedish House Mafia release around the 12-and-a-half minute mark, alongside the long list of Axwell originals. Stream the full set below.
Hotel Garuda makes his debut on Diplo & Friends with a genre-bending mix that takes the listener through an unconventional journey showcasing his eclectic sound palette. The duo, until recently was halved by Manila Killa, though now stands tall as a solo effort championed by Candle Weather.
Through the hour-long effort, groovy undertones meet indie alternative accents. While the mix is undoubtedly electronic, the drops are sparing, energizing the listener for the lyrically led minutes to come.
The artist notes on his Soundcloud, “I’ve been a listener of this show since the very start, and the mixes I’ve heard over the years have influenced my DJing and production as much as going to shows and finding new music. “
Hotel Garuda recently completed a tour with renowned DJ/producer Jai Wolf. Fans looking to catch a mix from him live can view the full tour and ticketing information here.
Anyone who knows Adventure Club has heard or has at least vaguely associated them with their mixtape series, Superheroes Anonymous. The duo released the first edition of Superheroes Anonymous back in 2013; the rest is history. Since then, the mixes have grown virtually synonymous with Adventure Club themselves, with the two producers putting forward the best of melodic dubstep, electro-house, trap, and hip-hop into one hour of cathartic heaven.
Now, we revisit one of Adventure Club’s most iconic mixes, Superheroes Anonymous 6: Road to Red Rocks. Road to Red Rocks showcases Adventure Club’s versatility at its best, with each track traversing through a sonic journey. Starting off with proper intensity, the mix delivers bass music from Barely Alive, Zomboy, and NGHTMRE and trap tunes like Styles&Complete & EXSSV’s “Starstruck” and Father’s “Wrist” before leveling out into melodic picks from San Holo, Sweater Beats, and Cashmere Cat. Adventure Club takes the opportunity to shift the momentum from filth to feels and energy to stillness over the course of the mix, incorporating their beloved signature sound throughout and gracefully closing out with Gallant‘s “Open Up”.
As the opening notes of “everything matters (when it comes to you)” started to drift into the crowd, thousands of fans who’d gathered to hear San Holo perform his album1 show lit up with excitement.
The June 13 performance was the artist’s first headlining gig at the storied venue, and he brought along friends like Shallou and Chet Porter to share in the experience. The bitbird label head performed his album1 LP in full during his set, taking his audience on a journey through fan favorites like “lift me from the ground” and “worthy.”
In the video’s description, the producer refers to his set as “vibrant,” and rightly so. Those who cherished album1 upon its September 2018 release and continue to do so will appreciate this glowing live rendition of the album’s 12 tracks. View the performance in full below.
June has officially arrived, which means it’s time for the next installment of Lane 8‘s seasonal Mixtape series. The progressive wizard’s latest seasonal offering delivers just the spot of summery bliss needed to start the day; clocking in at three hours, 40 minutes, listeners are taken on a journey through various new and unreleased cuts of the silky, melodic variety with plenty of peaks and valleys to maintain intrigue through the ride. It ends on a sensual note, with a brand new Yotto collaboration wrapping the mind in vibrant synths and alluring melodies.
The Summer Mixtape comes at the heels of Lane 8’s return to his old home of Anjunadeep, where he released a pleasant two-piece EP, Anthracite. Its title track was a particularly notable collaboration with Tinlicker. He also released a remix EP to his recent hit “Visions,” which included a remix by talented up-and-comer Rinzen.
REZZ put her transcontinental cult (and undoubtedly a few unsuspecting victims) in a beautifully bemused trance this past May at the annual Las Vegas installment of Electric Daisy Carnival.
This particular witching hour is full of unearthly surprises, like warped bludgeons of wonky, free-form bass, titillating transitions (see Linkin Park “One Step Closer” into “Alien,” near the midpoint) even a nasty dose of drumstep. And you can bet your bottom dollar it’s a real REZZ riot when you hear the crowd sing along to the lyric-less, diabolical bass rhythm of “Edge.”
REZZ also took the opportunity to invite Underoath drummer/vocalist Aaron Gillespie, whom she’s formerly expressed interest in working with, onstage to perform their forthcoming collaborative track, “Falling.” The unreleased song appears on the official tracklist for REZZ’s impending EP, Beyond The Senses.