Dexter’s Beat Laboratory Vol. 119

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Dexter’s Beat Laboratory Vol. 119Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Yotto revealed his dreamily deep techno tune, “Nova,” in August and was met with enthusiasm for its dramatic horns and otherworldly atmosphere. Now, Cassian has put his own spin on the tune, giving listeners a refreshing new way to absorb its recognizable melodies.

French producer Kramder has kept the hits coming in 2019, polishing off November with a spirited new original, “A Kiss From Stacy.” Leading in with a funky guitar melody and even some cowbell, the artist crafts a brilliant disco tune that further solidifies his place in today’s nu-disco/house scene.

On Nov. 29, UKF‘s long-anticipated UKF10 compilation finally debuts in full to the world. Tucked among its 37 tracks is Flite‘s “Tragedy, Humanity,” an introspective drum ‘n’ bass piece that shows the producer at his finest. “It takes a special amount of energy to convey how I’ve felt about life,” he says of the release. “I hope that you can experience and understand.”

Also making an appearance with the UKF10 compilation is Futurebound and Trei’s “Stars Will Fall,” a perfect demonstration of the intensity these two producers can harness when they collaborate. The four-minute tune is loaded with energy from start to finish and makes for a stellar addition to the collection.

Volant‘s name has bounced around the electronic music community for six-plus years, demonstrating time and time again his aptitude for just about every genre he sets his mind to. Many of his recent releases have an outer space feel to them, including his latest, “【 interloper 】,” a gorgeous and ethereal piece.

Lunar Lunes: Ferry Corsten and Gabriel & Dresden link for ‘I Am You,’ graves and High Zombie reveal ‘Ghosts’ + more

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Lunar Lunes: Ferry Corsten and Gabriel & Dresden link for ‘I Am You,’ graves and High Zombie reveal ‘Ghosts’ + moreFerry Corsten Photo Credit Getty

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Getty Images

Flite re-doses RL Grime’s ‘Core’ with drum ‘n’ bass magic

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Flite re-doses RL Grime’s ‘Core’ with drum ‘n’ bass magicFlite 2019

In spite of his young age, Flite has navigated the drum ‘n’ bass scene with the prowess and maturity of an experienced artist. Producing as early as 16 years old and breaking onto the scene at 19 years old in 2014 with debut single “Featherfall,” the Texas-based talent has gained rapid momentum in recent years—following through with 14 releases in 2017 and garnering support from drum n’ bass giants like Andy C, High Contrast, Netsky, and more. With diversity ingrained in his artistic pursuits, Flite and his sound fluctuate in its exploration of the drum ‘n’ bass spectrum. Now, the rising star reworks an RL Grime classic, “Core,” with his latest UKF release.

In his flip of “Core,” Flite transforms the original trap soundscape into a massive drum ‘n’ bass track. Energizing the quintessential drop with flesh-crawling synthesizers and rolling breakbeats, the remix kicks the tempo up while maintaining the dark essence of the original. Deliciously sinister with potent pace, Flite’s remix delivers the drum ‘n’ bass makeover without straying from the skeleton of the beloved RL Grime original.

Dexter’s Beat Laboratory Vol. 115

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 115Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


It’s been a few years since the world has had new Tut Tut Child material. The artist has been mainly working on a side project, Forest Knot, since mid-2018, and prior to that, there hadn’t been a Tut Tut Child release since 2017. The London-based artist has broken his silence, though, with the release of his Pantheon EP, out now on Extreme Music. Its title track is a dramatic melodic journey and is sure to thrill fans of his previous works, as well as newcomers.

Rameses B, too, has a new compilation out Nov. 1. The Liquicity Records Eden EP showcases the artist’s strong command of the liquid drum ‘n’ bass realm, and he praised the label in a tweet announcing the EP, saying “it’s only natural to have this kind of release with them, liquid, emotional and something that represents all the good times.”

For Flite‘s latest venture, he reworked Jon Hopkins‘ 2018 track, “Emerald Rush.” He’s flipped the style into something new, and it’s completely captivating. “I absolutely LOVE Jon Hopkins’ music, he is such an influence on my own tunes,” Flite said in the track’s description. “I decided I would try and rework ‘Emerald Rush’ into a drum ‘n’ bass track. So much respect for his compositions, I hope I have done him justice.” 

The drum ‘n’ bass continues with Mazare and Philip Strand’s “Battlecry,” which debuted this week via Monstercat. Strand’s powerful vocals set the scene for the epic battle that about to take place, leading the listener into a dramatic build. Mazare’s fierce production takes over at the drop, packing a hefty drum ‘n’ bass punch.

Virtual Riot can make whatever he wants forever. The multi-faceted producer excels at whatever genre he’s producing, and for his newest, he returns to glitch-hop to play… Mario? “Bossfight Afterparty” is a brilliant three-minute combination of video game blips and bloops, polished with undeniably precise production. Your move, Bowser.

Lunar Lunes: R3HAB reveals new CYB3RPVNK single, Madeaux releases ‘ME & U’ + more

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Lunar Lunes: R3HAB reveals new CYB3RPVNK single, Madeaux releases ‘ME & U’ + moreR3hab 4

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Tony Cottrell Photography

Dexter’s Beat Laboratory Vol. 112

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 112Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Netsky and Aloe Blacc‘s “Snitch” came out swinging in July, thrilling listeners with wobbling synths, powerful bass, and forceful lyrics. Since it’s Netsky, it was only a matter of time before a drum ‘n’ bass iteration made its debut, and the world is treated to just that via Toronto Is Broken‘s remix. This “Snitch” remix is packed with energy from start to finish.

Matrix & Futurebound are slowly unraveling sets of remixes for Mystery Machine on Viper Records. In the latest set, Flite, T & Sugah, and Glitch City lend their production talents to the April LP. Flite takes on “Believe,” which was initially released last October. He gives the dreamy drum ‘n’ bass track a rougher edge, introducing a drop and following rhythm that are more vigorous than the initial track they’re derived from.

The release of Fox Stevenson‘s debut album, Killjoy, is only a week away. He’s been steadily drumming up excitement by revealing some of its components, including the latest, “Headlights.” Stevenson’s songwriting and production shines in this tune, as his vocals soar over a delicate introduction before he kicks it up a notch in the chorus.

Who doesn’t love “Million Voices” by Otto Knows? The tune is nearly at 30 million YouTube plays and has soundtracked countless parties since its release in 2012. Win & Woo have put their signature slow-burning-yet-groovy take on this beloved song after it was well-received by festival crowds over the summer. “We made it for our Lollapalooza set & loved it so much we knew we had to put it out,” the duo said in the song’s description.

A R I Z O N A‘s ASYLUM album has been two years in the making, and it finally made its full debut on Oct. 11 via Atlantic. The nine-track LP includes tunes like the previously released “Nostalgic” and “Freaking Out,” along with several new cuts like “Where You Are.” The New Jersey trio have a special knack for tapping into listeners’ emotions, and their retro instrumentals complement lead singer Zach Hannah’s vocals impeccably.

Dexter’s Beat Laboratory Vol. 107

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 107Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Goldroom is less than two months away from the arrival of his new LP, Plunge/Surface, and continues to share snippets of what fans can expect from the two-part album. The latest of these is “Running Wild” with former collaborator Nikki Segal. This relaxed piece ushers the autumn season in with ease.

RÜFÜS DU SOL blessed their fans with a new set of remixes for Solace on Sept. 6, sharing among them Gerd Janson‘s vocoder mix. The German producer brings a sparkling, bright new atmosphere to “Treat You Better,” putting a twist on the original’s vocals by incorporating a vocoder.

Fox Stevenson has been hard at work on his live show, a documentary, and his debut album, so it’s crazy to see the amount of material he’s been releasing. The latest in a string of releases is “Dreamland,” a vocal-powered drum ‘n’ bass-but-otherwise-hard-to-define song. He calls it “maybe [his] favourite song [he’s] ever made,” and it’s easy to see why.

deadmau5 and Kaskade‘s iconic “I Remember” is chillingly haunting in its original format, so when BLOODTONE got his hands on it, he somehow found a way to make it even more so. He’s given it what he calls “a dark warehouse feel” and plunged it to the depths of the shadows in a thrilling way.

The opening notes of RL Grime‘s “Core” are undeniably some of the most recognizable in today’s EDM scene. The 2014 tune has received a frantic drum ‘n’ bass facelift from Flite, and it’s nearly three minutes of pure energy. It’ll make your head spin—but in the best possible way.

Lunar Lunes: Nathan C remixes Flume, Flite takes on RL Grime’s ‘Core’ + more

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Lunar Lunes: Nathan C remixes Flume, Flite takes on RL Grime’s ‘Core’ + moreNathan C Press Photo

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 102

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 102Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Leave it to Laszlo to always make fun songs even more fun. On his latest, the Dutch producer tackles Julian Jordan‘s “To The Wire,” revamping it with his own upbeat energy. While preserving the easygoing groove of the original, Laszlo picks up the pace and packs more punch with his rendition. Laszlo’s remix is out via Martin Garrix‘s Stmpd Rcrds, as part of a set of remixes that also includes a rework by Siks.

Flite continues to trailblaze the drum ‘n’ bass movement in the United States, and he’s been busy this year. Just weeks after releasing a well-received EP on Liquicity Records, the Texas-based producer has teamed up with Spanish producers Dub Elements for “Abandoned.” The tune leads the listener through the jungle with mysterious vocals and anticipatory melodies, building gradually to a formidable, rapid-paced drop.

Australian producer Blaine Stranger has been making waves in the international drum ‘n’ bass scene for the past few years, making his way to Futurebound’s Viper Recordings to unveil his latest, “Losing Myself.” Incorporating sultry female vocals atop a furiously racing beat, this newest tune sees the producer further assert himself as a force to be reckoned with.

Shortly after announcing a European and U.S. tour with Haywyre, KOAN Sound have revived a 2011 OWSLA classic: “Meanwhile, In The Future.” This “What Year Is It Remix” strays from its glitch hop origins to march smartly into 2019, bringing with it its iconic wobbles and interlude melodies. This rework is more laid-back than its predecessor eight years prior, but it’s sure to thrill all who loved and embraced the original.

I’m so grateful I stumbled across this EP. Parisian artist LÜNE has created a meticulous and delicate six-track collection of “chillsynth” songs that are visibly personal and heart-touching. “When you are close to death, your survival instinct makes you see happy memories (souvenirs), of people and things you love, that could bring you the courage to get back to life,” the producer says of the new collection. “That’s what this EP is about, these are my souvenirs.”

Dexter’s Beat Laboratory Vol. 100: The Ultimate Drum ‘n’ Bass Playlist

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 100: The Ultimate Drum ‘n’ Bass PlaylistDeters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


There’s just something about drum ‘n’ bass that’s always spoken to my soul. I remember hearing my first Pendulum song a decade ago and thinking “what on earth is this, and where can I get more?”

The genre began making its way into the electronic music sphere in the early 1990s, right around the time I was born. Its rapid breakbeats took over London and Bristol, ramping up the jungle and rave scene to 160-180 BPM. While still more widespread in the UK to this day, the genre has slowly trickled into the United States EDM scene. We still have a long way to go before drum ‘n’ bass artists are regularly installed as main stage performers at major US festivals, but there’s so much to discover and embrace in the US drum ‘n’ bass scene (I see you, Flite and Boxplot). There’s also an endless stream of quality dnb being churned out overseas, with imprints like RAM Records, Hospital Records, and Liquicity Records as strong as ever in their supporters and fan base.

I regularly tell people that have never really gotten into drum ‘n’ bass to just try. It’s a diverse and ever-evolving genre, full of sub-genres and offshoots. I guarantee you’ll find something you like in some format. Dig through the 100-song playlist I’ve compiled to celebrate 100 installments of this series to see if there’s something there for you!

Thank you, drum ‘n’ bass, for your tireless energy, emotive vocals, and the ability you always have to yank me out of a bad mood and reignite my love for electronic music in today’s day and age. Here’s to you, and the brilliant artists who create you.