Dexter’s Beat Laboratory Vol. 129

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Dexter’s Beat Laboratory Vol. 129Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


3LAU, Grabbitz, and Shaun Frank come together this Valentine’s Day for a slow-burning house tune, “At Night.” This moody collaboration is an impeccably produced amalgamation of the three artists’ styles and is sure to delight fans of all three musicians.

Nostalgia hits hard in blanke’s new flip of Paramore’s iconic “crushcrushcrush” from the band’s hit 2007 album, Riot! Blanke revives the 13-year-old song with an electronic twist, adding dramatic synth layers and a hefty helping of bass.

Trivecta and Varien have been friends for years, but until today, they’d never released a collaborative song together. “We always knew it wasn’t something we’d want to force,” Trivecta shared. “Recently I was working on a remix for [Varien] when I realized it was getting so far off track that maybe it would be cool to turn it into an original collab. Boom. ‘Revelation’ was born.” This powerful psytrance collaboration is a true force to be reckoned with.

Feb. 14 marks the release of Far Out‘s new EP, Bridges in Time. The seven-track effort expertly showcases the depth of Far Out’s production, from its emotive piano intro and orchestral outro to formidable tunes like “Our Own” with vocalist Micah Martin. Martin’s striking vocals vividly complement Far Out’s instrumentals, making it a standout in this collection of songs.

Those who’ve seen Luttrell live recently will recognize his latest release, “Some Other Time,” as a set staple. The song, which makes its mark as the second single from his forthcoming Lucky Ones album, has a beautiful air of mystery around it. It’s both complex and minimalist and only fuels the anticipation for his upcoming body of work further.

Dexter’s Beat Laboratory Vol. 127

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 127Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic—to say nothing of a name that lends itself to punnery—DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Last Island‘s newest release positively sparkles with energy and flair. The artist notes that he wanted this song to be all about “colourful and vibrant synths all with an ’80s influence,” and he couldn’t have been more spot-on. “Dream On” is full of gorgeous melodies and is guaranteed to lift spirits even in its first few seconds.

In a recent tweet, Desert Star announced that he’d “been listening to a loooot of ’80s music (and it’s about to become very clear).” He was right. His latest Monstercat release, “Empty Sky,” would be right at home in a feel-good retro montage, complete with the open road and clear sky that are depicted in the song’s artwork.

Hospital Records is making its mark already this decade with a noteworthy new compilation, Sick Music 2020. The collection features 25 new songs from artists like Urbandawn, London Elektricity, and Etherwood. Etherwood’s contribution is the slow-burning “American Fruity,” which is highlighted by a dreamy piano melody and stellar drum ‘n’ bass production.

Lowly, too, appears to have a big year up its sleeves. The New York indie label just released Far Out‘s newest tune, “Strike,” which marks the first release from their forthcoming Bridges in Time EP. Like much of Far Out’s discography, “Strike,” has an intense and otherworldly atmosphere about it, leaving the listener wondering what’s coming next.

Tycho has a thrilling year ahead of him. After being nominated for a Grammy for Weather, the producer has announced he’s releasing its instrumental companion, Simulcast, in late February. “Outer Sunset” is the sister song to “Skate,” and its an instrumental-oriented treat for those who love the lush themes of the original.

NMF Roundup: Skrillex drops new EP, Knife Party return + more

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NMF Roundup: Skrillex drops new EP, Knife Party return + moreSkrille Press Shot

It’s most important day of the week: New Music Friday. With the overwhelming amount of tunes hitting the airwaves today, Dancing Astronaut has you covered with the latest edition of The Hot 25.

With just a day’s notice, Skrillex has surprised-dropped a two-track EP on OWSLA, consisting of “Fuji Opener” and “Mumbai Power.” Knife Party came out of the woodwork, too, to reveal their first releases in four years in the form of the Lost Souls EP. Perhaps today’s biggest mega-collaboration comes in the form of Dillon Francis, Boombox Cartel and Desiigner’s “Drip,” and one of the biggest remixes is sure to be Gryffin’s remix of Shawn Mendes’ “If I Can’t Have You.” Golf Clap have cooked up a spicy remix of Madi and Robokid’s “White Horse,” and Far Out takes Zeds Dead and Delta Heavy’s “Lift You Up” to new heights. Madeaux takes listeners deep into a late-night club with “I Want You,” and Goldroom continues his string of new releases with “Nothing Matters.” DESERT STAR returns to Monstercat with “Carissa,” and Alesso remixes his own tune with TINI, “Sad Song.” Andrew Rayel and HAILENE prove to be a match made in heaven on “Take All of Me,” and Hardwell and Quintino take things up a notch with “Reckless” on Spinnin’. Ray Volpe and Aviella join forces for “Our World,” and Mark Knight’s remixed David Guetta and Raye’s “Stay (Don’t Go Away).”

As each week brings a succession of new music from some of electronic music’s biggest artists, here’s a selection of tracks that shouldn’t be missed this NMF.

Lunar Lunes: Luca Lush remixes MAX, Grabbitz and Sullivan King team up + more

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Lunar Lunes: Luca Lush remixes MAX, Grabbitz and Sullivan King team up + moreSullivan King Grabbitz

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Luca Lush has put a groovy spin on MAX’s “Love Me Less,” and HeRobust delivers his first solo venture of 2019, “BRUH?!” Dr. Fresch and VOLAC take to Tchami’s CONFESSION to release “Filthy” with Dread MC, and Sullivan King and Grabbitz team up for a powerful Monstercat collaboration, “Crazy As You.” Keanu Silva puts a bouncy spin on Oliver Heldens’ “Summer Lover,” and Kraysh returns to Mad Zoo to unleash “Void” with fknsyd. TheFatRat, Slaydit and Anjulie make a formidable trio on “Stronger,” and Ryan Browne brings the heaviest of bass on “BEATDOWN.” Alexander Lewis appears to “Soar” on his new original, and KARRA joins Tisoki on “Don’t Lie.” Lee Burridge and Lost Desert link for “Mibale,” and Baaku shares a remix of Madeon’s “All My Friends.” Saint Punk gives Win and Woo’s “Right In Front of Me” a deep and glitchy vibe, and Excision and Dion Timmer prove to be “Breaking Through” on their new collaboration.

The selection is updated every Lunes (Monday).

Lunar Lunes: Tchami and Ibranovski unleash ‘Omega,’ Delta Heavy and KUURO team up on ‘Replicant’ + more

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Lunar Lunes: Tchami and Ibranovski unleash ‘Omega,’ Delta Heavy and KUURO team up on ‘Replicant’ + moreTchami Future Fest Maria Boyadgis

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Perhaps March 25th’s biggest release is a fiery collaboration between CONFESSION‘s Tchami and Ibranovski by the name of “Omega.” DEVAULT puts his own mellow spin on Alessia Cara‘s “Out of Love,” and Oliverse cranks up the intensity on a remix of Emalkay’s “Fabrication.” Golf Clap keep things smooth and grooving with their new single, “Demo Tapes,” and Riggi & Piros join forces with MOTi for “Side 2 Side.” Delta Heavy reveal their 11-track Only In Dreams LP, featuring “Replicant” with KUURO, and CloZee puts her own worldly downtempo twist on Axel Thesleff’s “Eco.” Zack Martino takes on Armin van Buuren‘s “Lonely For You” with Bonnie McKee, and Sullivan King throws it back to 2005 with a hardcore remix of Green Day’s “Boulevard of Broken Dreams.” Grant returns to Monstercat for a contemplative new single, “Wishes,” and W&W and Maurice West link up on “Matrix.” MYRNE taps Sam Rui and Gentle Bones for “Call, Call Me,” and Amon Tobin previews his forthcoming studio album with the release of “Vipers Follow You.”

The selection is updated every Lunes (Monday).

Photo credit: Maria Boyadgis

Dexter’s Beat Laboratory Vol. 83

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 83Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Dutch producer Edlan has been making a name for himself through a variety of Liquicity works over the past few years. Most recently, he’s taken to the label to release his new EP, Go Back Home. The four-track collection offers a diverse blend of his drum & bass production, opening with a dramatic first track that shares the EP’s title. Edlan’s tapped MVE and Neil Hollyn to set the tone for the compilation, and the result is a track that’s peaceful and packed with emotion.

Dabin‘s sophomore album, Wild Youth, made its debut on March 22, showing the full range of his growth since his Two Hearts LP in 2017. On nearly all of the new album’s 10 tracks, Dabin’s collaborated with a slew of talented producers, including Kansas City’s Essenger. These two combined create an emotive force to be reckoned with. They’ve created a melodic piece called “Home” that’s layered with powerful vocals and heavenly piano melodies, tugging constantly at listeners’ heartstrings over the course of the song.

Just before the official start of spring, Mat Zo unleashed some warm-weather music via his new Tracing Steps EP. The Mad Zoo release is comprised of three tracks, plus an extended cut of the previously released “Deep Inside.” In the EP’s opener, “Tracing Steps,” the producer leads the unassuming listener through a sun-soaked introduction of merry string melodies and lighthearted vocals before an unexpected drop takes over. Mat Zo continues to captivate listeners with unpredictable twists and turns—all of the highest quality.

Scottish producer Last Island has taken to Washington D.C.-based label Montaime to release his latest endeavor, “Let’s Go Somewhere.” The new single is full of the ever-grooving melodies Last Island has become known for. Its spirited synth themes are ushered along by occasional clapping and a funky beat, giving the tune a simultaneously funky and laid-back vibe. He calls living on a remote island in Scotland “both a challenge and an inspiration,” but the inspiration is clear and present in his consistently dynamic releases.

Mysterious duo Far Out may be anonymous, but their music certainly isn’t. Their productions are routinely powerful, whether they’re releasing Star Wars remix or taking on Daft Punk’s iconic “Harder, Better, Faster, Stronger.” Their latest release is an original, though, creating “Strangers” from passionate female vocals and a healthy dose of bass on the drops. This melodic tune ebbs and flows beautifully and carries a strong message in its lyrics.

Dexter’s Beat Laboratory Vol. 76

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 76Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Metal and electronic music have been colliding more and more as of late. This collision takes many different forms, including artists like Matt Lange putting their own spin on the instrumentals of a song originally fueled by rock elements. Lange has taken Periphery’s “Lune” and leaned into its subdued beauty, crafting a minimalist backbone of warped bass and a dreamy guitar melody that drifts softly throughout the course of the remix. He allows Spencer Sotelo’s vocals to take center stage in his remix and has crafted a perfect atmosphere to complement Periphery’s original.

Notaker‘s off to an incredible start of 2019. His latest, “Into The Light,” pairs beautifully with its accompanying artwork, which depicts a shadowy forest highlighted by beams of sunlight. Karra‘s heavenly vocals set the scene, leading listeners into a gradual build before dropping into a booming melodic drop. Chirping birds and atmospheric layers of synths create an environment that’s both serene and powerful, as Notaker demonstrates his strong command of sound design.

Far Out’s “Worlds Apart” is what today’s future bass wishes it could be. Much like Notaker’s “Into The Light,” Far Out assemble this dreamy soundscape slowly, building gradually with lush beds of synths, piano, and strings. One could easily mistake this for an orchestral piece until just after the minute mark, when bass and drums enter to assert their dominance. “Worlds Apart” is a world within itself, full of mystery and anthemic melodies that make this a real showstopper.

And now, for a darker turn. Krayysh returns to Mad Zoo with a positively eerie remix of Shadient‘s “Leidenfrost.” He’s been making a name for himself on the Canadian label with his shadowy creations, only stepping briefly into the light for “Talk To Me.” Overall, though, his work takes a trippy, walk-in-the-woods-at-night tone, bolstered by glitchy bass and ominous melodies. His take on Shadient follows along this creepy pathway, pummeling listeners’ ears with haunting ambiance the entire way.

In a world full of endless “Shelter” remixes, it can be difficult to stand out. But REAPER is making his mark with daunting take on the iconic Madeon and Porter Robinson track by packing it full of bass and giving it an unexpected twist toward the end. The vocals have been pitched down in a way that’s a bit menacing, making the song feel more aggressive right from the beginning. With a drum & bass switch-up that takes over the last minute of the song, REAPER makes sure this remix is unforgettable.