Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.
Autograf preview their forthcoming EP with the release of their new single, “Casual Love,” with The Griswolds, and FANGS debuts on Big Beat Records with a fiery new single, “Money.” Grabbitz ups the intensity of Dog Blood‘s “Turn Off the Lights” in his new flip, and Matroda teams up with Dances With White Girls for “Bang.” Grant returns to Monstercat with “Color,” and Luis da Silva releases a formidable remix of 13’s “Uppercut.” Jarvis‘ new EP, The Bro Code, is out now via Firepower Records, as is um..‘s on Deadbeats, featuring tracks like “what?” Rootkit teams up with Bryan Finlay for “Feel Your Love,” and Dombresky takes a “Simple Hit” in his new single. Chime reveals his take on Dodge & Fuski, PhaseOne, and The Arcturians‘ “Mistakes,” and Dutch producer NWYR unleashes a dreamy new single, “Artificial Intelligence.”
FANGS has turned 90’s soulful classic “This is How We Do it” into an upbeat future house release, which is out now on his own label, L’America Music.
He gets to work in pitching down the vocals and adapting them into a more modern soundscape and replacing the original’s familiar, nostalgic synths with ones built for today’s festival setting. The track takes a surprising turn with the drop, which falls into an intense future house beat that is manufactured to lift the energy in a room during live performance. Does it live up to the original? Not really, but it certainly is a fun listen.
FANGS recently unveiled that he is actually Brass Knuckles alumn Danny D’Brito, which explains why for a seemingly ‘new’ producer on the scene, his productions are nothing short of impressive.
Industry veteran Danny D’Brito has released his third single under new alias FANGS titled “Bones.” Compared to his previous releases as FANGS, “Bones” drops the ominous undertones and brings in lighter vocals by Emma Zander. D’Brito’s background producing everything from techno to commercial house is reflective in this track, as it combines elements from techno, house, and pop giving it a unique sound that doesn’t quite fit within a certain category.
For those who like to discover artists before they make their ‘big break,’ FANGS is the perfect opportunity to discover someone before their impending ascension. The producer had multiple agents vying to represent his new alias, and ultimately settled on Circle Talent Agency and a management team with a proven track record for taking acts to the forefront of the industry.
The producer releases elaborate videos to accompany each of his tracks, and “Bones” is no exception. The complex video seems as if it could fit within an intense light show or be part of a 3D video series. He is currently working on a live show that he reveals few details about, but we can expect to learn more about this and future releases in the coming months.
While ascending artists usually come out of the gate ready to prove themselves with a SoundCloud full of music and a hungry drive, few make their entrance with a live show and a stacked artist team. For FANGS, producer Danny D’Brito, this is exactly what his foray into his solo music career looks like.
In fact, the artist recently enlisted one of the top agents in the industry, Ben Hogan, who represents the likes of NGHTMRE, Slander and Elohim, to take his career to the next level. Hogan was one of the many agents vying for the artist due to his ‘triple threat’ potential, which is a position even the most high profile producers in the game rarely face.
FANGS’ great ‘potential’ is the sum of a multitude of factors. He’s a self-taught musician who plays guitar, drums, bass, and the keys. He is a former member of the group Brass-Knuckles and opened his own recording studio at just 22. This collection of experiences led him to the fortuitous position he is currently in for his artist debut as FANGS.
The production quality of his releases speak for themselves, and FANGS’ newest track “Venom” will almost certainly find its home as a club hit with an other-worldly vibe and an upbeat tech-house backbone. Deep vocals propel the melody onward, and the dynamic track leaves the listener wanting more at its close. It also begs the question of what the artists’ live show will look like, as the track is practically manufactured to captivate an audience.
To accompany the track, the artist has released a glossy music video — premiered exclusively via Dancing Astronaut — with visuals that are equal parts harrowing and intoxicating. Poisonous snakes and models writhe across the screen as the track’s spare vocal refrain flashes atop the melee.
While “Venom” is distinctly tech house, FANGS’ future productions range from house to radio worthy progressive hits, lending him the versatility it takes to make it in today’s electronic music scene.
Dancing Astronaut spoke with the rising artist about what we can expect from his impending live show, how his team will be instrumental in his 2018 ascension, and his view on the industry today. Read the full interview below:
1. If you had to set specific goals for yourself in 2018, what would those be? What can we expect from you this year?
I feel the 2018 goal is really all about my music exploration! I’m really looking forward to finally bringing the FANGS live show out to the public. It’s been a lot of late nights curating and planning all the details for this upcoming year. We’re now just focusing on implementing my music in phases, and feeling out the markets and rooms we will launch in.
2. Your live show has been described as a ‘multi-dimensional’ experience. What does that mean, and when will we be able to see it?
I feel music and visuals make the perfect marriage in expression. My goal has always been to have my music tell a story and evoke feelings — I’m definitely keen on visuals helping to paint that picture. I just feel the two work so well together, so in my eyes, they are one in the same. That’s why I’ve made it a point to have all my releases accompanied by a music video or visual vignette.
With that said, when it comes to the live show experience, I want to be able to utilize all of our exploratory senses. I’d reference ‘Pink Floyd’s The Wall’ tour which is still going strong these days thanks to Roger Waters. He puts on a complete live musical and visual spectacle with a narrative from beginning to end.
I want to focus on incorporating projections, physical props and performers that help tell the story. We are currently working on some exciting plans and incorporating some unconventional technology that can potentially take my live show format to a new experience. 3. You’ve got quite a team behind you. You’ve also been in this industry for a while. How integral would you say having a stellar team is to an artist’s success in the commercialized electronic world we now live in? Having a stellar team is vital and the ultimate key to success for any artists’ career. It would be an understatement to say how proud and grateful I am for my management team, Summer Chàpin and Tom Williams, as well as my agent Ben Hogan at Circle. They are a constant inspiration to me and their belief in FANGS is what propels us forward.
There are many moving parts in this industry and it’s nearly impossible for one person to properly cover all the various aspects alone. I’ve got a team of professionals that are experts in their given field, which allows me to focus on producing the art. They help orchestrate my career and are the spearhead to so many new opportunities.
Having a team that is not only qualified, but that you consider family is essential for getting real skin in this game.
4. Does your previous experience of being a part of a production trio, opening your own music studio, and producing a variety of genres give you a different view of the celebrity DJ/Producer world than your peers since you have been involved in so many different layers of this scene? I have no doubt that when it comes to this world, experience can mean everything. I’ve experienced many high moments, and extreme low blows in my journey in music. Experience develops foresight and keeps your ego in check. You learn not to get too excited and interpret things for what they are. You take in your good and bad experiences as lessons to better your journey moving forward.
I’ve also had the opportunity to produce and collaborate in so many genres across the spectrum. It really allowed me to have versatility when it comes to not being pigeonholed musically and allows me to evolve freely with the times. You will learn a lot from others when collaborating. It teaches you how to work, listen and take criticism from others.
By understanding how others work, you get a better understanding of yourself. Some of the biggest producers I had the opportunity in working with were the most open minded and inquisitive people I’ve ever met.
5. What kind of music would we find you listening to at home when no one is around?
I’m definitely a student of music. I have a decent sized record collection spanning classical music to music from the 1930’s to today. It’s fair to say I listen to everything. Music is music.
The more variety I listen to and the more that absorbs into my brain, the bigger the palate I have to pull from when creating new music. When working in the studio, especially with songwriters, I tend to pull the most left-field obscure references that end up being totally relevant to the project at hand. I think it’s important for all artists to open their creative minds to the decades of music out there for us to feast on.
Don’t limit your ears to just the flavor of the week or month. Genres I’ve been listening to heavy in the last couple of weeks have been Industrial, Indie, experimental, electronic female artists from Nordic countries like Hanne Hukkelberg, Jazz / Bossa Nova, Trip Hop, Deep, Tech, G house and Metal.