Dexter’s Beat Laboratory Vol. 112

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 112Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Netsky and Aloe Blacc‘s “Snitch” came out swinging in July, thrilling listeners with wobbling synths, powerful bass, and forceful lyrics. Since it’s Netsky, it was only a matter of time before a drum ‘n’ bass iteration made its debut, and the world is treated to just that via Toronto Is Broken‘s remix. This “Snitch” remix is packed with energy from start to finish.

Matrix & Futurebound are slowly unraveling sets of remixes for Mystery Machine on Viper Records. In the latest set, Flite, T & Sugah, and Glitch City lend their production talents to the April LP. Flite takes on “Believe,” which was initially released last October. He gives the dreamy drum ‘n’ bass track a rougher edge, introducing a drop and following rhythm that are more vigorous than the initial track they’re derived from.

The release of Fox Stevenson‘s debut album, Killjoy, is only a week away. He’s been steadily drumming up excitement by revealing some of its components, including the latest, “Headlights.” Stevenson’s songwriting and production shines in this tune, as his vocals soar over a delicate introduction before he kicks it up a notch in the chorus.

Who doesn’t love “Million Voices” by Otto Knows? The tune is nearly at 30 million YouTube plays and has soundtracked countless parties since its release in 2012. Win & Woo have put their signature slow-burning-yet-groovy take on this beloved song after it was well-received by festival crowds over the summer. “We made it for our Lollapalooza set & loved it so much we knew we had to put it out,” the duo said in the song’s description.

A R I Z O N A‘s ASYLUM album has been two years in the making, and it finally made its full debut on Oct. 11 via Atlantic. The nine-track LP includes tunes like the previously released “Nostalgic” and “Freaking Out,” along with several new cuts like “Where You Are.” The New Jersey trio have a special knack for tapping into listeners’ emotions, and their retro instrumentals complement lead singer Zach Hannah’s vocals impeccably.

Dexter’s Beat Laboratory Vol. 111

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 111Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Two powerhouse artists have come together for an innovative new collaboration, “Bruises.” NGHTMRE and Grabbitz have both had stellar 2019s so far, each with multiple well-received releases under their belts. “Bruises” seamlessly blends both of their styles for an irresistible electronic-alternative product.

The Knocks are unveiling remixes of their recent tunes to the world, and one of the latest of these is a sultry rework of “No Requests” by Steff Da Campo. The Dutch producer gives the lighthearted song a deeper, darker tone, backing its merry vocals with an ominous bassline. It’s groovy but bold in its reinvented soundscape.

The release date of Goldroom‘s Plunge / Surface LP draws nearer, as do the single releases that lead up to it. The latest is “Just Like a Dream,” a blissful, piano-laden piece that features longtime collaborator Nikki Segal on vocals. “Just Like a Dream” dreamily draws out the end of summer, shining bright rays into the early days of autumn.

Modernized disco is seeing a resurgence, popping up in festival sets and across streaming platforms from notable artists. The Disco Fries—as their name aptly implies—are helping lead the charge with fun bootlegs like this Janet Jackson one. “We put together this bootleg of Janet Jackson’s smash ‘All For You’ around the same time we did Mary J’s ‘Family Affair’ and it has crushed in our live sets,” Disco Fries said of the tune.

Scottish artists Last Island and Alex Martyn have clearly been having fun composing music together on their Island Life imprint. July saw the release of “Miles Away,” an effortlessly groovy and lighthearted collaboration, and now they’ve returned with “Romeo.” They call “Romeo” their “attempt at a disco track… not particularly disco,” but it still showcases that spirited soundscape they both seem to foster in their music.

Dexter’s Beat Laboratory Vol. 110

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 110Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


I’ve loved Maduk and Dennis Pedersen‘s “Miles Apart” since its release last spring and was intrigued to see that Fox Stevenson had done a remix of the tune for Liquicity‘s Reflections Part 3. In true Fox Stevenson fashion, the producer has flipped the tune into a more energetic iteration, complete with his own harmonies underneath Ella Noël’s. It’s flawless.

Tobtok‘s name seems to be popping up everywhere, and his funky vintage style of house music keeps drawing me in. His latest is a collaboration with Adam Griffin and vocalist Hayley May. With a bold, anthemic melody and steady grooving beat, “The Stand Off (I Want You)” is irresistible. The Swedish producer knows how to craft tunes for the dance floor, and this is ready for just that.

Last month brought the arrival of a new Dimension song, “If You Want To”—an aggressive drum ‘n’ bass number with a dramatic, foreboding tone. Here in the following month, the British producer has reworked his own song into an electro interpretation, fueled by the sultry spoken vocals. This one has a more laid-back feel, but its underlying orchestral elements give the tune a bit of an eerie feel.

At long last, the second remix EP for The Midnight has arrived via Silk Music. It’s been more than two years since the release of the first one, but it appears lush remixes featured on this new collection have been worth the way. This take on the Nocturnal song is breathtaking, as Kobana builds a rich sonic landscape with his progressive house-inspired version of the song.

Essenger‘s new single, “Tether,” combines a wide range of styles effortlessly. It opens with a wistful guitar melody, leading into a nostalgia-fueled verse from the producer, who does his own vocals. “Tether” drips with emotion from start to finish and seems to encourage the listener to look inward and absorb the very soul of the song in a raw and real way.

Dexter’s Beat Laboratory Vol. 109

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 109Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


When Haywyre‘s “Tell Me” first came out last November, I was immediately hooked. It’s effortlessly funky, incorporating Haywyre’s own vocoder-filtered vocals and array of bright and blissful synth and keyboard elements. As part of a set of remixes, Notaker is the latest to take on the groovy tune. The St. Louis producer has put his own moody, atmospheric spin on the original, packing a serious punch with dramatic builds and hefty bass. It gives an entirely different tone to the piece, and it’s breathtakingly powerful.

Disco overlords Goshfather and Aylen are at it again. The duo have a joint two-track EP out, featuring the previously released “Found You” and the debut of “Coastin’.” The tune seeks to continue the effortless, sun-soaked tone of the summer months, incorporating a retro melody and carefree lyrics to move the steady bassline along. It’s hard not to move your feet to this one.

Liquicity mainstay Maduk is back with new heat. The Dutch producer teamed up with Calixte to create a truly infectious tune. “Everytime” seems subdued enough in the beginning, but steadily builds into a mighty drum ‘n’ bass song. A piano melody and rushing beat carry Calixte’s vocals beautifully from start to finish. “Everytime” is a tune that’s as alluring as its hypnotic cover art.

Fans of Metrik have long anticipated the arrival of “Gravity.” The release is the first time Metrik has ever featured his own vocals, and the addition rounds out what I believe is one of his best releases in recent history. “This track represents a new wave of music I’ve been developing using my voice, guitar & synthesisers and is the purest expression of my sound yet,” Metrik said of the release.

UKF is celebrating its 10th anniversary, and with it comes an exclusive set of singles and EP from the notable platform. The latest of these is Kove‘s “Le Retour,” a drum ‘n’ bass number with cheery horns and an irresistible overall retro style. It’s quite a swerve from its predecessor, “Motor,” which had a decidedly darker feel to it, but the difference in the songs just demonstrates Kove’s ridiculously wide range when it comes to production and sound design.

Dexter’s Beat Laboratory Vol. 108

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 108Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


I really, really love Mamma Mia. It’s fabulous, and so is its soundtrack. In the rare moments when today’s electronic music scene acknowledges the greatness of ABBA, I rejoice. So this week, I rejoice in Kramder‘s “disco tool” edit of “Gimme! Gimme! Gimme!” It’s just way too fun.

Aero Chord‘s new EP, The Sound, arrived Sept. 12 via Monstercat, delivering four songs of broad sonic range. The collection’s title track bursts into the listeners’ ears with anthemic production, booming with powerful, trap-oriented goodness from start to finish.

Unexpected drum ‘n’ bass is the best drum ‘n’ bass. I certainly wasn’t expecting it when I saw Manic Focus had released his sixth studio album, but I was pleasantly surprised when the first track had a racing beat. “Star Sweeper” still contains many of the groovy, jammed out elements fans have come to expect from a Manic Focus track, but they’re incorporated in an unexpected way.

Duskus‘ new original is a relaxing piece, leading the listener to sonic bliss with a subdued beat and filtered vocals. The orchestral interlude brings a different form of calm, delivering an almost therapeutic sense of peace.

Direct and Matt Van are an iconic duo, consistently delivering impeccable sound design and production when they get together. Their newest, “Cold Ground,” is no different, bringing their fans a flawless, mellow experience. The artists seem to implore the listener to get lost in the passion they’ve put into their music, and it’s easy to do.

Dexter’s Beat Laboratory Vol. 107

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 107Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Goldroom is less than two months away from the arrival of his new LP, Plunge/Surface, and continues to share snippets of what fans can expect from the two-part album. The latest of these is “Running Wild” with former collaborator Nikki Segal. This relaxed piece ushers the autumn season in with ease.

RÜFÜS DU SOL blessed their fans with a new set of remixes for Solace on Sept. 6, sharing among them Gerd Janson‘s vocoder mix. The German producer brings a sparkling, bright new atmosphere to “Treat You Better,” putting a twist on the original’s vocals by incorporating a vocoder.

Fox Stevenson has been hard at work on his live show, a documentary, and his debut album, so it’s crazy to see the amount of material he’s been releasing. The latest in a string of releases is “Dreamland,” a vocal-powered drum ‘n’ bass-but-otherwise-hard-to-define song. He calls it “maybe [his] favourite song [he’s] ever made,” and it’s easy to see why.

deadmau5 and Kaskade‘s iconic “I Remember” is chillingly haunting in its original format, so when BLOODTONE got his hands on it, he somehow found a way to make it even more so. He’s given it what he calls “a dark warehouse feel” and plunged it to the depths of the shadows in a thrilling way.

The opening notes of RL Grime‘s “Core” are undeniably some of the most recognizable in today’s EDM scene. The 2014 tune has received a frantic drum ‘n’ bass facelift from Flite, and it’s nearly three minutes of pure energy. It’ll make your head spin—but in the best possible way.

Dexter’s Beat Laboratory Vol. 106

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 106Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


A new set of remixes of The Midnight draws near. The Midnight Remixed 02 arrives on Silk Music on Sept. 27, previewed by this exceptional rework of “Shadows” by Uppermost. The French producer bathes the duo’s original in light, bringing it out of the, erm, shadows, to give it a blissful new tone.

Grum‘s latest Anjunabeats venture is a rework of Luminary‘s “Amsterdam.” The four-minute introspective piece is saturated with emotive trance goodness, composed of dreamlike synths, accented melodies, and drifting vocals. It’s dramatic and infectious.

We’re just a week shy of Moon Boots‘ new album, Bimini Road, and the producer continues to drop hints of what fans can expect from his second studio album. Moon Boots taps vocalist Nic Hanson for “Clear,” crafting a clean-cut, soulful atmosphere, with a dance floor-ready beat.

Dabin and Essenger‘s original “Home” tugged at listeners’ heartstrings all around the world upon its initial release. Now, with Dabin’s Wild Youth (The Remixes) compilation making its debut, fans can experience songs like “Home” in a new light, thanks to talented producers like Mazare, who adds a whole new layer to the emotive core of the tune.

On Aug. 30, Danny Howard relaunched his Nothing Else Matters imprint and celebrated with the release of a new song: “If You Were” with Eli & Fur. This six-minute house heater is the perfect combination of sultry vocals and irresistible beats.

Dexter’s Beat Laboratory Vol. 105

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 105Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Pauline Herr has truly been thriving in 2019, producing everything from a cover of “Skinny Love” to her newest original, “Long Gone.” The single simmers with the passion of love lost, and Herr’s emotive vocals tug at listeners’ heartstrings from the first words.

These are exciting times to be a Fox Stevenson fan. The producer just announced his debut LP, killjoy, set to arrive Oct. 18. Among the 13 tracks is his latest single, “Hold Steady,” which shows how the artist has honed his sound over the years to find a voice that’s all his own.

Haywyre‘s music takes many different forms, so each release is a new experience. In his latest, he’s “exploring some of the darker themes for the next chapter of Panorama,” he said in the track’s description. “I was expressing the frustrations I felt for disappointing myself and others around me, and it ended up giving me more confidence to make better decisions.”

Horn masters Brasstracks have teamed up with vocalist Kyle Dion for a slow-grooving new original, “Professional.” The New York City-based duo call this tune “the beginning of a new chapter,” and what an exciting first chapter it is. It’s effortlessly funky, soulful, and filled to the brim with talent.

Drum ‘n’ bass heavyweights Camo & Krooked never seem to sleep, churning out quality tune after quality tune on labels like Hospital Records. The Austrian duo teamed up with Mefjus for their newest piece of work, taking drum ‘n’ bass to new heights with this unpredictable new tune.

Dexter’s Beat Laboratory Vol. 104

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 104Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


On a recent synthwave binge, I stumbled across a group by the name of Lebrock. It only took one track (“Runaway“) for me to become completely hooked, and I was thrilled to see the release of a new tune called “Takes All Night” on Aug. 8. Soak it up in all its retro glory.

I’ve said it before and I’ll say it again: Oliver Nelson and Tobtok are a dream team. Their latest piece of work together is no exception, and they add their groovy touch to Wilder Woods’ “Supply & Demand” with ease. A steady-rocking bassline and the original track’s vocals work in harmony for a blissful remix.

UK drum ‘n’ bass aficionado Kove has proven himself force to be reckoned with in 2019 with releases like “Echoes” and “BEARCLAW.” He’s returned in the heart of festival season with a new Drum&BassArena heater, “Motor,” which grinds with all the ferocity of, well, a powerful motor. It’s an epic piece of work.

Aug. 16 marks the release of HEYZ‘s first EP since his Schedule 1 compilation on mau5trap, and the three-track Human 404 is in a league of its own. Tracks like “In My Arms” clearly demonstrate a new sonic path for the producer, and it’s exciting to see. Read my Q&A with him here.

Sullivan King‘s rock-infused touch has been far-reaching in the electronic music sphere since his appearance on the scene, and he’s made a name for himself by continuously demonstrating his versatile skill set. His latest is a cover of Excision and Illenium‘s 2018 collab, “Gold,” and the musician’s vocals work flawlessly with the version he’s created.

Dexter’s Beat Laboratory Vol. 103

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 103Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


ShockOne recently debuted his sophomore LP, A Dark Machine, and its title track is—in a word—thrilling. Featuring the entrancing vocals of Reija Lee, this drum ‘n’ bass tune is expertly crafted and has a unique quality to it that’s both dark and enticing.

Last Island has been on a roll this year. After his May Sustain EP, the Scottish producer has continued to churn out quality works, including his latest, a funky rework of Xan Langston’s “Don’t Think Just Feel.” In his interpretation, the vocals to glide over an effortlessly groovy beat in such a fun way.

Tom Budin‘s originals are consistently smooth and sleek, and whether he’s creating an original piece of work or remixing another artist, fans can always expect top-of-the-line production. His newest, a remix of Loui PL’s “Right Here,” is no exception. A sexy bassline anchors the tune, complemented by sultry vocals.

HEYZ previews his forthcoming LP with its first single, “Castaway King,” featuring the vocal talents of MAYLYN. The song is a dynamic initial showing from the compilation, incorporating light, flowy elements with a reverberating, dramatic bass.

Murtagh‘s new EP is comprised of just two songs, but in this pair, listeners will find 14 minutes of sheer bliss. This progressive Macarize release sees the producer tackle two times of day, 9 and 10 a.m., with vast differences in tone and ambiance. “9AM” is a gorgeously dreamy number, painting a picture of a perfect morning.