Dexter’s Beat Laboratory Vol. 87

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 87Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Culture Shock continues to cement his name on the drum ‘n’ bass ranks, delivering heater after heater for the past 15 years. His latest installment is “Renaissance,” which makes its debut on Andy C‘s RAM Records. In this newest release, Culture Shock uses mighty female vocals to power the emotive aspect of the song and builds an intense, pounding rhythm around them. “Renaissance” marks the sixth part of his Sequence Series, which he kicked off in 2017.

Parisian house maven Dustycloud continues his reign of dance floor-primed numbers with his newest, “The Way.” Released via BIJOU‘s Do Not Duplicate Recordings, “The Way” is one of the first songs Dustycloud made after coming to America last year. “It’s a song about the journey because that’s been the best part, so far,” he notes in the song description. “Most people are afraid to do what they really want in life because there is a big chance they won’t make it, but it’s not about ‘making it.’ It’s about being able to do what you love, every step of ‘The Way.’”

Oliver Nelson and Tobtok have teamed up on multiple occasions, combining their talents to create a perfect blend of pop and house music. They follow up February’s blissful “Yellow” with a new single, “Something ‘Bout the Music.” This one leans more into the house realm than the pop-oriented “Yellow,” using a grooving beat to drive the song’s message home. These two Swedish producers continue to heat up dance floors around the world with funky numbers like this one.

Last week, Jay Cosmic announced a new alias and its forthcoming debut on Monstercat on April 16. What followed was his first release under the name Desert Star, kicking off with “Foreign Land,” a short-but-sweet pop-oriented piece that gives the artist a chance to express himself in a different way. “I kept realizing I was trying to find a middle ground while making music,” he told a fan on Twitter. “By splitting it up, I can make this one thing, and the new alias totally another.”

Tycho embraces 2019 with open arms in his first venture of the year, “Easy.” The easygoing piece is as breezy as the early warm-weather winds that usher in the spring season, sweeping the listener up in dreamy, drifting melodies and a relaxing pattern of percussion. Soft female vocals ebb and flow, too, weaving their way in between subtle guitar plucks. “Easy” gives listeners a first glimpse into the artist’s forthcoming LP, which is sure to be just as heavenly as its initial offering.

Dexter’s Beat Laboratory Vol. 86

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 86Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


It’s been years in the making, but Matrix & Futurebound‘s sophomore LP is finally here. The 16-track album is filled to the brim with melodic drum ‘n’ bass gems, including this beautiful tune with Ayak, “Follow Me.” The LP’s sixth track is everything Matrix & Futurebound fans have come to know and love from the UK duo. It’s led by gorgeous vocals and backed by an irresistibly infectious beat. This one will be stuck in fans’ heads for days.

It’s been only a few days since the release of Flip-Flop’s new EP on mau5trap, Synthesizer. The compilation’s formidable second track, “Just Do It,” came to life in the old converted church the duo turned into a studio. “We camped out for two weeks and made a serious amount of noise. The sample comes from the cult classic film Pump Up the Volume about a high school student in a sleepy suburb of Phoenix, Arizona who starts an FM pirate radio station prompting a revolution in his school.”

When Oliver Nelson, Tobtok, and Liv Dawson’s “Yellow” first came out in February, I couldn’t get enough of it. (Honestly, I still can’t.) There’s something about that melody that just lodges in my brain, so new and inventive takes on the song are always welcome. Russia’s Kepa is one of the latest to tackle the tune, putting a more subdued spin on it. He’s crafted a dreamier version of “Yellow,” chopping up Dawson’s vocals and giving the background synths a more restrained role. This more mellow “Yellow” is a relaxing breath of fresh air, giving the song an entirely different feel.

Volant and Punker have built a gorgeous, serene soundscape in their new song, “Godwave.” They spend the first minute of their collaboration weaving distant bird calls in between drifting synth notes, building up to a dark, ’80s-inspired drop. The song dives quickly into synthwave territory, building an otherworldly feeling sonic realm. With the overall EP, One, seeming to draw inspiration from outer space and its mysteries, “Godwave” makes for an impeccable addition, leaving the listener feeling as if they’re floating weightlessly into the unknown.

Tut Tut Child‘s Forest Knot project has been built from his experiences traveling and gathering sounds under what has morphed into a new style for the producer. He says the Forest Knot songs “come from a very different place musically and emotionally to the vibe of Tut Tut Child,” and fans have had a chance to experience fully what he means by that in the releases since August. The latest, “Undra,” exudes beauty in every form. It’s a peaceful beauty, though—the kind one might take in while exploring someplace quiet and full of nature’s wonder.

Dexter’s Beat Laboratory Vol. 85

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 85Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Metrik has returned with his first single since September’s “Dawnbreaker” on Hospital Records. Haunting vocals rise gradually in “Hackers,” building to the racing drop. This slightly frantic-feeling four-minute journey has an almost post-apocalyptic dystopian feel to it, which makes sense more as the artist explains the background behind the tune. “I made this track to be a techy dancefloor piece exploring my Y2K cyberpunk influences,” Metrik says of the release.

Just weeks after the release of his first release in many months, “Cocaine Girl,” Goldroom has delivered yet another single, titled “Yellow Flowers.” He teams up with vocalist Mereki for the spirited tune, noting its importance to him in his production process. “This song is special to me because writing it broke me through a barrier and brought me back to my first love in dance music – French house,” Goldroom said in a tweet. “Yellow Flowers” is a sun-drenched ray of sunshine, perfect to usher dance music fans into the year’s warmer months. Mereki’s vocals complement Goldroom’s production perfectly, coming together for a groovy French house number that’s guaranteed to stay with the listener long after the beat has faded out.

It’s been 25 years since Kurt Cobain‘s death, and artists across the musical spectrum have taken time this week to honor the late great Nirvana singer. One such artist is Grabbitz, who’s released a “revival” of “All Apologies,”one of his favorites. “My childhood contained a lot of sounds, but one that will never escape me is the sound of Nirvana,” he said in his accompanying music video‘s description. “From the earliest I can remember, they’ve changed the way I look at and create music.” Grabbitz’s re-imagining of the 1993 song is raw and and emotion-soaked, with his passionate vocals soaring over the instrumentals.

Chicago native Summer Was Fun has created an homage to one of the Windy City’s most recognizable streets, Lake Shore Drive. While many of the songs under his Summer Was Fun moniker are more subdued, Summer Was Fun uses inspiration drawn from his city to explore elements of trance and future bass. Cascading melodies fall both gracefully and furiously at different drops of the tune, as the producer weaves between styles and focal points. The tune ends as it begins: with a simple, graceful piano melody.

Mr FijiWiji and Matt Van‘s new Monstercat single is the perfect note to end on. The two artists have categorized the song as “chillout,” and the description is an accurate one. With a focus on Van’s captivating harmonies to Mr FijiWiji’s top-notch production, “Enough” paints a serene soundscape of lush instrumentals and wistful vocals. These longtime collaborators have consistently made magic together over the years, from “Tomorrow” to “Andromeda” to their joint Ed Sheeran cover.

Dexter’s Beat Laboratory Vol. 84

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 84Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Liquicity‘s Reflections – Part One is nothing short of stacked. The eight-track compilation is full of emerging and veteran talent, featuring remixes by Flite, Polygon, L Plus, and a Dualistic & NCT rework by one of my favorites, BoxPlot. The Massachusetts producer has taken this Liquicity classic, first released in late 2014, and given it a wholehearted, energy-filled refresher. He builds slowly but dives face-first into the drop at the minute mark, taking listeners on a whirlwind drum & bass journey.

Though he’s still young, ford. has made huge strides on ODESZA‘s Foreign Family Collective. The Utah producer follows up his 2018 album, (The) Evening, with an enticing remix of labelmate Kasbo‘s “Places We Don’t Know.” ford.’s take is a dreamy, contemplative one, slowing down the pace to focus on intermittent piano melodies and instrumentals. The remix tucks in neatly with ODESZA’s body of work, as ford. takes listeners outside and brings the crisp and calming sounds of nature to their doorstep.

Mielo‘s Anywhere But Here EP makes its full debut on March 29, composed of four tracks that showcase his storytelling capabilities. He glides through a smooth and soulful introduction onward to the previously released “ILY” and “Scar,” ending at the EP’s title track. With the help of vocalist Tori Letzler, he’s created a track that’s wistful and melancholic but still maintains the energy brought to the EP in its previous tracks. Its piano- and vocal-laden outro makes for the perfect send-off for the body of work.

Last summer, Russian producer Sound Quelle took to Silk Music to release his Ethereal “mini album,” kicking off the collection with an intro mix of “Ethereal” with Brandon Mignacca. In the months since then, other producers have been hard at work on their own versions of the progressive house track, culminating in a remix package that features takes by Referna and David Broaders. The set also includes a “chillout mix” of the original track, composed by Sound Quelle himself. This moving take on “Ethereal” gives listeners a chance to sink deeply into the songs lyrics and instrumentals.

In a sea of producers churning out the same repeated electronic sounds, artists like former hero stand out. The UK producer’s style is difficult to define or put in a box—and that’s a good thing. His newest release, a piece called “erase you,” manages to be both peaceful and energetic, leading the listeners in with an understated introduction. He ramps up into a creative drop, pounding out out a swift beat that quickly fades back into a subtle soundscape.

Dexter’s Beat Laboratory Vol. 83

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 83Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Dutch producer Edlan has been making a name for himself through a variety of Liquicity works over the past few years. Most recently, he’s taken to the label to release his new EP, Go Back Home. The four-track collection offers a diverse blend of his drum & bass production, opening with a dramatic first track that shares the EP’s title. Edlan’s tapped MVE and Neil Hollyn to set the tone for the compilation, and the result is a track that’s peaceful and packed with emotion.

Dabin‘s sophomore album, Wild Youth, made its debut on March 22, showing the full range of his growth since his Two Hearts LP in 2017. On nearly all of the new album’s 10 tracks, Dabin’s collaborated with a slew of talented producers, including Kansas City’s Essenger. These two combined create an emotive force to be reckoned with. They’ve created a melodic piece called “Home” that’s layered with powerful vocals and heavenly piano melodies, tugging constantly at listeners’ heartstrings over the course of the song.

Just before the official start of spring, Mat Zo unleashed some warm-weather music via his new Tracing Steps EP. The Mad Zoo release is comprised of three tracks, plus an extended cut of the previously released “Deep Inside.” In the EP’s opener, “Tracing Steps,” the producer leads the unassuming listener through a sun-soaked introduction of merry string melodies and lighthearted vocals before an unexpected drop takes over. Mat Zo continues to captivate listeners with unpredictable twists and turns—all of the highest quality.

Scottish producer Last Island has taken to Washington D.C.-based label Montaime to release his latest endeavor, “Let’s Go Somewhere.” The new single is full of the ever-grooving melodies Last Island has become known for. Its spirited synth themes are ushered along by occasional clapping and a funky beat, giving the tune a simultaneously funky and laid-back vibe. He calls living on a remote island in Scotland “both a challenge and an inspiration,” but the inspiration is clear and present in his consistently dynamic releases.

Mysterious duo Far Out may be anonymous, but their music certainly isn’t. Their productions are routinely powerful, whether they’re releasing Star Wars remix or taking on Daft Punk’s iconic “Harder, Better, Faster, Stronger.” Their latest release is an original, though, creating “Strangers” from passionate female vocals and a healthy dose of bass on the drops. This melodic tune ebbs and flows beautifully and carries a strong message in its lyrics.

Dexter’s Beat Laboratory Vol. 82

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 82Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Nora En Pure kicked off her year with the release of a beautiful new Spinnin’ single with Ashibah, “We Found Love.” A few months later, she’s released a small set of remixes for the track, including one she put together with Passenger 10. The pair have opted for a more understated take on the song, ditching the original’s bright melodies and piano for a more subtle atmosphere—one that would seem more appropriate pulsing through a hazy club than its radio-friendly predecessor. This version creates a dreamier environment and paints Ashibah’s vocals in a whole new light.

It’s been many months coming, but the wait for new Goldroom music has finally ended with the release of “Cocaine Girl.” Fans may recognize the intro to the track from his June “Saguaro” mix, which kicked off with what would later become his first release of 2019. “Cocaine Girl” features the blissful, sunshine-soaked melodies and beats we’ve come to know and love from Goldroom. It seems like this track might be the first release of many this year, as the artist wrote on his social media accounts: “Thank you for being so patient with me while I found myself. Shall we go on a journey together this year? There’s a lot of new music to share…”

2019 sees the return of Habstrakt in his finest house music form. He first burst into the new year with the moody “Darkness” on Spinnin’ in January and now returns with a mighty new house heater, “All Night.” Out via Musical Freedom Records, the track is Habstrakt in his classic form: cranking out a bassline that’s irresistible matched with catchy vocals. Prior to these two tracks, the last offering listeners received from Uncle Habby was the trap-centered “All Night” in October, so fans of his infectious house stylings likely rejoiced with his return to the moody pulsing beats.

CRi debuted on Anjunadeep last year with “Remember You” and makes a splendid return with his new EP, Initial. I gravitated toward the EP’s last track, “Hidden Places,” right off the bat because it’s different from the first two tracks. Instead of a house beat as a backbone, “Hidden Places” features an alluring and gradual build that seems to take place over the entire length of the song, giving the entire piece an introspective feel. The song seems to leave space in between the breakbeats and the contemplative melodies for the listener to truly dig deep into their emotions.

Bakermat follows February’s pop-oriented “Trouble” with a spirited rework of Beatchild and Justin Nozuka’s “The Only Difference.” The Amsterdam-based artist backs the soulful R&B track with a spirited dance floor-ready beat and plays up the lively piano melodies. The song works beautifully in both formats, never losing its passionate core. Bakermat continues to bring the party to whatever he’s producing, putting his unique stamp on songs of all shapes and genres.

Dexter’s Beat Laboratory Vol. 81

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 81Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Bishu‘s sixth Monstercat single comes at the listener swinging. He taps songstress Mister Blonde on the anthemic “Get To Know Me,” a booming future bass track that’s refreshing in a genre saturated with repeated sounds. Just like in last spring’s “Machine,” Mister Blonde’s sultry vocals again complement Bishu’s production perfectly, as she leads the listener up to a booming drop. “Get To Know Me” is part of the Canadian producer’s forthcoming debut EP, The Hali 2 Cali EP.

Since bursting onto the scene just two years ago, Midnight Kids have garnered support from some of the industry’s biggest names. From massive remixes to their debut original last June, this duo has shown no signs of slowing down—particularly with their newest remix: Porter Robinson‘s iconic 2010 “Say My Name.” Hardcore Robinson fans might be a bit wary of any remix of this notable track, but Midnight Kids have done it justice by focusing on the melodies and playing up the emotive aspects of the track. “Porter Robinson changed the way we look at making music,” Midnight Kids noted in their song description. “Without this record coming out things could have been different for us.”

I was obsessed with The McMash Clan’s swing-oriented moombahcore “Swing Break” in 2013 but had a hard time finding any other tunes that incorporated a swing element as flawlessly as that one. When I found out Teminite and Swing’it Dixieband had teamed up for a funky electro-swing track called “Party Like it’s 1923,” I was thrilled. Straight out of a Great Gatsby scene, this track employs bold horns, a swinging electro beat, and retro vocals for an overall classy and brassy aura. Teminite continues to demonstrate his versatility as a producer, giving fans the collaboration they never knew they needed.

Mazare returns to Monstercat after his October remix of Hailene with a gorgeously emotive collaboration with vocalist RUNN. The Italian artist also recently created an otherworldly drum & bass remix for Seven Lions and only continues to improve with each new piece of work. This new top-notch single has fans raving about the impeccable blend of RUNN’s flawless vocals and Mazare’s meticulous production—and rightly so. It’s one of the most blissful pieces of music to hit the Monstercat airwaves so far this year.

UKF has been showcasing some exceptional music so far in 2019, the latest of which is a collaboration of two drum & bass powerhouse acts: Hybrid Minds and Koven. Koven member Katie Boyle’s voice positively drips with emotion in this piano-fueled drum & bass number. It’s a vulnerable piece, and though the track is backed by a racing beat, it maintains an ethereal, wistful atmosphere the whole way through. The artists’ passion for their art form is raw and unguarded in “In Your Arms,” and it’s beautiful to experience.

Dexter’s Beat Laboratory Vol. 80

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 80Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Korean pop star teamed HYO up with 3LAU for the sassy “Punk Right Now” in late 2018, drafting both English and Korean iterations. Months later, the track has been given a bold rework by Madeaux, who’s put his signature dark, bold stamp on it with a booming bassline and formidable builds. His steamy style works effortlessly with HYO’s unabashed vocals, and the result is a remix that’s equally gritty and cohesive. Madeaux’s rework is part of a three-track remix EP also includes takes by KUURO and Raiden.

Dutch producer Maduk has returned with a brilliantly diverse three-track EP via Liquicity Records. In the EP’s opener, “Go,” Maduk teams up with vocalist Lachi to craft a euphoric drum & bass piece that delivers the listener directly to the heavens with spirited horns and soaring vocals. “I started working on ‘Go’ one year ago and the instrumental gave me so much energy and happiness right away,’ Maduk says in a release. “I have never recorded this many brass instruments (trumpet, saxophone, trombone, tuba) for a track before, so it’s very exciting!”

French artist Icy Lust has gone through a huge life transformation over the past year. The former web developer quit his job and moved to Paris study sound engineering at Abbey Roads Institute, something he calls one of the best choices of his life. “Lots of things started to get clearer,” he told DA. “Got surrounded with inspiring people, lost myself in deeply listening to music that enhanced my moods. I started to really ask myself what do I love, feel, and what kind of stories my brain builds through those records. It has been a whole introspection, and still is.” His newest track, out now via Tasty, takes place at this turning point. It’s a beautifully and deeply introspective piece, comprised of moody melodies and lush vocals. His future knows no “bounds.”

Essenger‘s clear knack for production and knowing what “works” shines brighter and brighter with each release. The Kansas City artist has only been releasing music under this moniker for less than a year, but he’s already made a name for himself with innovative originals and unique takes on songs like deadmau5‘s “Strobe” and WRLD‘s “Rooms.” His latest is an original called “Afterburner,” which he’s branded as a “synthwave/alt.” The single is much more than either of these classifications, however. He builds slowly, with emotive vocals and twinkling melodies. The chorus, however, takes off like a rocket, with a powerful guitar melody and racing synths. It’s a gorgeous blend of nostalgia-inducing synthwave and something that’s all Essenger’s own.

Party Ghost‘s latest is a brief but satisfying number, packed with all the elements that comprise an ear-catching piece by the California producer. “Thinking About You” marks his first release since December’s “Wraith,” which was a decidedly darker piece. This latest one has a wistful and dreamy atmosphere to it, sprinkled with lighthearted melodies and subtle bass. Distant vocals of “I’ve been thinkin’ ’bout you” weave in and out between a bouncing beat, creating the easygoing environment of someone caught in a daydream. Its message is simple and sweet.

Dexter’s Beat Laboratory Vol. 79

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 79Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Oakwite puts his unique stamp on his nothing,nowhere remix right off the bat by switching to a different key. He largely keeps the verses and bridges the same as the original, introducing a dramatic drum & bass rhythm for the chorus. The original track lends itself well to a drum & bass pattern, and elements like its melancholic guitar melody led one SoundCloud user to call it “emo dnb.” This fitting description makes an interesting niche for the same artist who (successfully, in my opinion) tackled Post Malone’s “Psycho.”

I’m still riding a high from The Knocks‘ St. Louis show last week, so they were bound to make an appearance in this week’s Beat Lab. The New York duo debuted this Wankelmut remix of “Retrograded” on Feb. 13, giving the smooth track a re-envisioning as a more house-oriented number. The German artist has crafted a lively beat around The Knocks’ catchy vocals, making this a stellar rendition of a standout New York Narcotic track.

Within the span of a month, London’s 1991 has blessed the music world with two of his creations: January’s “Guiding Light” and now “Illusions.” He builds the song dramatically, leading in with gradually crescendoing synths and hints of beautiful female vocals that make a full appearance as the introduction creeps up to the drop. 1991 once again flexes his ample command of the drum & bass realm with this brilliant blend of ethereal vocals and a racing beat.

“Made this just because I really love the original,” Grabbitz noted of his newest release: a remix of The Japanese House‘s 2018 “Lilo.” Where the original is a downtempo, introspective piece that drips with emotion and nostalgia, Grabbitz gives it a more upbeat rhythm and a subtle trap backbone. He leaves plenty of space for the English artist’s vocals to shine in the verses, but chops them up in an intriguing manner in the chorus, mixing them with a distinctive percussion pattern.

Feb. 22 has brought an impressive slew of EPs and LPs to the electronic music sphere—among them, Rameses B‘s. Spacewalk III: Alpha Cen‘s fifth track, “Get Through” with Veela, is a gorgeous, slow-burning example of the Leeds artist’s otherworldly production capabilities. “Veela’s vocals gives us a reason to get past even the most hardest of times, with her soothing yet striking tone of voice paired with minimalistic and melodic liquid drum and bass makes us believe that we can get through anything,” Rameses B observes in the track’s description.

Dexter’s Beat Laboratory Vol. 78

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 78Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Drum & bass masterminds Matrix & Futurebound are back at it again. In their latest, they’ve tapped the talents of songstress Zelah for an impeccable combination of adrenaline-pounding drum & bass and heavenly vocals. “I Got You There” marks the longstanding duo’s first release of 2019 and also gives fans a first look at their upcoming album, Mystery Machine, on Metro/Viper Recordings.

Kill Paris delighted fans by dropping a funky-fresh LP on Valentine’s Day, featuring collaborations with artists like Big Gigantic, Fatherdude, Tim Moyo, and more. While all tracks bring something special to the table, his swanky collaboration with Fatherdude is particularly ear-catching, featuring silky-smooth vocals from the New York artist. Kill Paris describes how the track came about in its description: “Sent the beginning ideas of this track to Fatherdude, who instantly wrote these wicked lyrics and just like that – a song is born!”

The music world was also gifted with new Goshfather music on Valentine’s Day. In his newest disco-infused venture, the Los Angeles artist drew from Madonna‘s “Like a Prayer” and created his own fun spin on the iconic 1989 hit. Goshfather brought along singer AU8UST for the vocals, and the pair have crafted a fresh take that’s both 1989 and 2019 with filtered vocals and a grooving bassline.

Norwegian artist Rootkit has a fluid style that’s led him to create music across the genre spectrum. From melody-centered future bass remixes to dark house originals, he’s demonstrated his production aptitude across the board. For his newest release, Rootkit takes his talents to Monstercat to drop “Voyage,” a house number that has journey-like qualities, making the title completely appropriate. Beautiful vocals also lend themselves to “Voyage,” accentuating its adventurous spirit.

For weeks, Fox Stevenson has been hyping a new body of work he says is a “little bit different” from what fans may have come to know his music as. He returns to his original focus of songwriting and puts out the first from this new focus of tunes called “Out My Head,” a pop-oriented track that still contains many of the dance-friendly elements his fans have come to know and love. But the spotlight is very much on his vocals in this new release, and it’s beautifully catchy.