Lunar Lunes: Ferry Corsten and Gabriel & Dresden link for ‘I Am You,’ graves and High Zombie reveal ‘Ghosts’ + more

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Lunar Lunes: Ferry Corsten and Gabriel & Dresden link for ‘I Am You,’ graves and High Zombie reveal ‘Ghosts’ + moreFerry Corsten Photo Credit Getty

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Getty Images

Lunar Lunes: Louis Futon and The Philharmonix flip ‘Hey Arnold,’ Marshall Jefferson and Solardo deliver ‘Move Your Body’ + more

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Lunar Lunes: Louis Futon and The Philharmonix flip ‘Hey Arnold,’ Marshall Jefferson and Solardo deliver ‘Move Your Body’ + moreLouis Futon

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Photo credit: Louis Futon/Facebook

Lunar Lunes: Luca Lush and Sadkey flip Flume, Bloodtone remixes deadmau5 and Kaskade + more

This post was originally published on this site

Lunar Lunes: Luca Lush and Sadkey flip Flume, Bloodtone remixes deadmau5 and Kaskade + moreLuca Lush Mad Decent

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

The selection is updated every Lunes (Monday).

Dexter’s Beat Laboratory Vol. 107

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 107Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here


Goldroom is less than two months away from the arrival of his new LP, Plunge/Surface, and continues to share snippets of what fans can expect from the two-part album. The latest of these is “Running Wild” with former collaborator Nikki Segal. This relaxed piece ushers the autumn season in with ease.

RÜFÜS DU SOL blessed their fans with a new set of remixes for Solace on Sept. 6, sharing among them Gerd Janson‘s vocoder mix. The German producer brings a sparkling, bright new atmosphere to “Treat You Better,” putting a twist on the original’s vocals by incorporating a vocoder.

Fox Stevenson has been hard at work on his live show, a documentary, and his debut album, so it’s crazy to see the amount of material he’s been releasing. The latest in a string of releases is “Dreamland,” a vocal-powered drum ‘n’ bass-but-otherwise-hard-to-define song. He calls it “maybe [his] favourite song [he’s] ever made,” and it’s easy to see why.

deadmau5 and Kaskade‘s iconic “I Remember” is chillingly haunting in its original format, so when BLOODTONE got his hands on it, he somehow found a way to make it even more so. He’s given it what he calls “a dark warehouse feel” and plunged it to the depths of the shadows in a thrilling way.

The opening notes of RL Grime‘s “Core” are undeniably some of the most recognizable in today’s EDM scene. The 2014 tune has received a frantic drum ‘n’ bass facelift from Flite, and it’s nearly three minutes of pure energy. It’ll make your head spin—but in the best possible way.

Dexter’s Beat Laboratory Vol. 96

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 96Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Grabbitz and Sullivan King‘s roots are firmly planted in rock ‘n’ roll, and their new Monstercat collaboration showcases that fact perfectly. “Crazy As You” manages to be simultaneously vulnerable and heavy, weaving seamlessly between Grabbitz’s emotive vocals and Sullivan Kings fiery guitar progressions. This song is inspiring, allowing both artists’ talents to shine in their rawest forms. Prepare to have your heartstrings tugged.

Ever in pursuit of a party, The Knocks have created a pristine summer tune called “Awa Ni.” Just in time for the longest day of the year, they’ve linked with Nigerian singer Kah-Lo for an easygoing, carefree single. The phrase “awa ni” roughly translates to “that’s us” in Yoruba, one of the native languages spoken in the city of Lagos, Nigeria, where Kah-Lo’s from. She said in a release that the beat The Knocks concocted “gave me the vibe of rolling around town back home with my friends” and made her want to write something about where she’s from. “Awa Ni” is the perfect result.

The countdown to Flite‘s Calm Before the Storm EP continues with the release of a new single, “Skywalker,” on Liquicity Records. The tune follows the debut single of the compilation, “Decisions,” which arrived a few weeks ago. Both songs are are impeccable examples of top-quality U.S. drum ‘n’ bass, as Flite continues his mission to bring such music to the States’ masses. “Skywalker” is a full-throttle launch into outer space, rocketing through its drum ‘n’ bass rhythm and gliding at a more graceful pace through interludes of twinkling melodies and soothing vocals.

BLOODTONE brings listeners back to earth with the release of “Already Dead,” an ominous techno endeavor that pounds furiously in listeners’ ears. Backed by a frenetic beat of the deepest bass, “Already Dead” drifts between melancholy piano melodies and eerie vocals chanting “already dead” that bleed into the corners of the brain. BLOODTONE continues to cement his dark and sinister style with captivating releases such as this one.

Horn connoisseur Alexander Lewis is back again with another trap-infused heater. He continues to make music that’s unpredictable and completely unique, opting this time to take a cinematic and orchestral approach. He described “Soar” perfectly in the song’s description: “‘Soar’ is an amalgamation of my influences from current movie scores and trap. It features three string players (recorded and layered to sound like a full orchestra) and eight brass players (two horns, two trumpets, four trombones). At the time of writing the song, ‘chaos’ was the only word to express how I was feeling, but when I had a final product it ended up being so much more than that. It represented/represents positive ways of dealing with chaos, and finding the beauty in it.”

Lunar Lunes: Ekali remixes Alina Baraz, Rusko releases new EP, Modestep and Virtual Riot join forces + more

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Lunar Lunes: Ekali remixes Alina Baraz, Rusko releases new EP, Modestep and Virtual Riot join forces + moreEkali Leaving Owsla

Each week, New Music Friday sweeps through with torrential force, showering streaming platforms with immeasurable amounts of new tunes. Just like Dancing Astronaut rounds up 25 of the biggest songs of the week for the Hot 25 Spotify playlist each New Music Friday, Lunar Lunes serves as a landing pad for SoundCloud users who want a whole new dose of tunes to kick off the work week.

Just one week after the release of his massive “R U I N” collab with 1788-L, Ekali returns with an emotive remix of Alina Baraz and Khalid‘s “Floating.” Rusko brings a new body of work to Deadbeats in MEGARAD, and Hermitude links with Hoodlem for the slow-burning “Every Day.” K?d throws it back with a grinding remix of SMF’s 2011 “HAHAHA,” and Modestep and Virtual Riot make a formidable trio in their new Disciple release, “Nothing.” Brasstracks paint a soulful soundscape with a slew of smooth releases in their new R&B-oriented EP, Before We Go, and KDrew unleashes his first track of the year, “Sometimes.” Apashe takes no prisoners in his new The Good The Bad & The Fake EP, and KUURO take on 3LAU and HYO in a new remix of “Punk Right Now.” Two Friends put their own spin on Panic! At The Disco’s “High Hopes,” and Grabbitz turns The Japanese House’s “Lilo” into an upbeat wonder. Justice Skolnik throws it back more than a decade with a fresh take on Justice‘s “D.A.N.C.E,” and Phantoms tap Shaylen for “Are You Up.”

The selection is updated every Lunes (Monday).

Photo credit: Brandon Artis Photography

Dexter’s Beat Laboratory Vol. 75

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 75Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Fans have come to expect consistently groovy tunes from The Knocks, and they always deliver. The New York duo has released some mighty remixes already this year including ones for Charli XCX and Joe Janiak. Now, they’ve taken on ODESZA‘s “Falls,” flipping it into a “Get Up Mix” of easygoing swankiness. This remix brings The Knocks’ signature good vibes, giving listeners a new way to digest one of ODESZA’s most iconic tracks.

BLOODTONE‘s latest original comes at the listener dark and heavy. Fitting in perfectly with his “post-apocalyptic horror house” brand, “Drag Me Down” does just what its name implies and drags its listener down to the deepest depths of his breed of house music. Haunting vocals drift in and out between a weighty bassline and sharp kicks, giving an eerie atmosphere to the song’s entire length. It’s deliciously spooky.

Julian Calor returns to Monstercat with his second single, a spirited psytrance track called “You Might Get Lost.” The track is brilliantly deceptive, with an introduction that seems easygoing enough. A computerized voice warns to not wander around your memories, because you might get lost. Even when a build begins to crescendo, it’s still hard to grasp the pounding trance beat that hits at the drop. The melody is infectious, too.

Hidden Face‘s latest takes on a bit of a different feel, showing a vulnerable and emotive side to his often-mysterious production. “Looking For Happiness” leads in with a delicate guitar introduction and soothing vocals, setting the tone for the minimalist instrumentals to follow. These components together give the track a dreamy and contemplative feel throughout course of the song. It feels deeply personal and somehow familiar, and it’s a beautiful thing.

For his first release of the year, Grabbitz leans into his pop/hip-hop skills. “Polaroid” on Ultra Music is all about heartbreak and the raw emotions that come with it, which Grabbitz showcases perfectly with wistful vocals and solemn instrumentals. Its smooth beat flows effortlessly with the heartfelt verses, illustrating Grabbitz’s production capabilities in their finest form. The Buffalo native continues to demonstrate his versatility with each release, leaving fans wondering what’s coming next.

Dexter’s Beat Laboratory Vol. 59

This post was originally published on this site

Dexter’s Beat Laboratory Vol. 59Deters Beat Lab@0.

Dexter’s Beat Laboratory is a weekly collection of songs from DA managing editor Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.

Listen in playlist format here.


Putting his own “post-apocalyptic horror house” spin on AWAY‘s “Honest to God,” Bloodtone returns in full force. The producer ramps up the energy from the original, bolstering it with a pounding bassline and down-pitched vocals. He calls the original “one of the my favorite electronic tracks that I have heard in the last five years” and brings his own creative flair to the piece by building a dark, eerie atmosphere. He gave a similar treatment to Alison Wonderland‘s “U Don’t Know” a few months ago and returns with an equally sinister reworking here.

F.O.O.L‘s new EP is one of the most fascinating bodies of work I’ve heard this year. Highway weaves its way from mystery-filled synthwave to high-powered electro, teaming up with collaborators like Laura Brehm and Anzo to complete the collection. After releasing the EP’s title track in June, fans knew to expect something dynamic and fresh from the Swedish producer — and that’s precisely what happened. The EP’s second track, “Escape Plan,” follows the synthwave path, thrilling with a frantic orchestral melody and backed by racing ’80s-style synths in the verses. The synthwave takeover is nigh, friends.

Oliverse recent joined the Disciple Records family, and he bursts onto the label with an EP that showcases his versatile production skills. The title track for the EP, “Get High,” is a powerful piece. Catchy vocals lead into a forceful, wobble-filled drop, pounding the ears with a perfect balance of old-school dubstep and contemporary elements. He makes an impressive showing for his Disciple debut, dropping a 30-minute mix just days before the release of Get High. From his Koo remix in 2015 to now, I’ve thoroughly enjoyed observing his experimentation across the EDM spectrum.

The release of deadmau5‘s “Monophobia” with Rob Swire in July led to an onslaught of remixes. Artists couldn’t wait to get their hands on the mau5trap masterpiece, and rightfully so. It’s been reworked every which way, but one in particular’s caught my ear. Essenger took the time not only remix “Monophobia,” but cover it as well. His take is a minimalist, garage-influenced one, leaving space for the listener to absorb the dreamy essence of his production and vocals. A guitar melody takes the place of the song’s plucky introduction, leading the unassuming listener into a dramatic synthwave switch-up about halfway through the cover. It’s a refreshing and compelling take on the original.

There’s just something special about this 11-minute piece from Chasing Dreams. I first heard it at the beginning of a Gorm Sorenson Silk Music mix and was captivated by its gorgeous ascending melodies and peaceful atmosphere. “The One Who Watches” begins with a simple piano melody and leads into harmonious chords, gently easing the listener into the serene soundscape that lingers long after the song has come to a close. It’s an uplifting, hopeful piece that’s part of Chasing Dreams’ Ascesa album, which has been described as “a lingering, gentle, pensive rise presented as a melodious milkshake of stories, experiences, and feelings.”