The Chainsmokers‘ string of releases off of Sick Boy continues with a new sultry tune called “This Feeling.” The release is a stark contrast from the previous track they dropped from the album, which came by way of a style-departing dubstep effort alongside NGHTMRE titled “Save Yourself.”
Vocalist Kelsea Ballerini fuels the track, serving as the focal point of the release with The Chainsmokers’ subtle electronic undertones anchoring the backdrop. “This Feeling” is definitely another radio-ready product from the “Closer” duo, and adds an interesting dynamic to the collection of versatile releases on Sick Boy.
Alex Pall and Drew Taggart sat down with Zane Lowe on his Beats 1 slot for Apple Music to discuss the release, and had some interesting insight for fans wondering what the duo’s path forward looks like. Pall notes,
“The fact that we can just write a new song today, and it’s not like ‘Oh shit it doesn’t fit into the album, we have to wait like ten months to put this out or something.’ You know I mean, now we just swap something out swap it around, do whatever. I think what we’re doing right now, and where our music goes, is going be the most challenging part of our career. The world is changing so fast, and trying to find your identity and write something that connects with people, that you’re proud of is right now the most challenging thing.”
Despite playing 200 shows a year, the duo also spoke about a studio session they recently had with emerging emo rapper Juice WRLD, in which they wrote not one but three tracks. “This Feeling” is a dynamic addition to the duo’s collection of hit releases, but it seems that we should be expecting plenty more to come from Pall and Taggart in the near future.
Idris Elba spoke with Matt Wilkinson on Beats 1 on August 28 to discuss his directorial debut, Yardie, coming out August 31 in the UK. In addressing the film’s influences, Elba noted the soundtrack that features a Skip Marley cover of “Johnny Was.” He then mentioned wanting to collaborate with A$AP Rocky.
“Yeah, A$AP and I, we share a mutual friend, Hector Delgado, who is his engineer and producer.” Elba told Wilkinson. “I love A$AP. He’s a good soul. And every time we meet each other we’re like, ‘Let’s work.’ Not necessarily music. He wants to act, he does act, I want to do music. So we just collaborate and we nearly made it happen . . . It hasn’t happened. Skepta is a good friend also, and they connect. So we’re just in a circle where there’s a possibility.”
The proven DJ, actor, and now director continued to speak about cross-genre collaboration and its seemingly simple process of reaching out to inner circles. A collaboration of any type with A$AP will continue to push cross-genre collaboration.
At 2018’s Tomorrowland, Anna Lunoe sat down with Steve Aoki on Beats 1 to talk pizza, plans for the upcoming album, and more. During the interview, Aoki reveals that there’s going to be some “out-of-the-box collabs” on Neon Future III, which is set for a September 2018 release. He mentions Blink-182 and Nicki Minaj, explaining that “Twitter is still used” when trying to get through to artists of that caliber.
It’s common knowledge that Aoki’s keen on experimenting with “out-of-the-box” artists/genres, as he’s worked with everyone from Fall Out Boy to Lil Yachty and more recently, Daddy Yankee. He’s also been hanging out in the studio with Colombian Reggaeton singer Maluma, so the possibilities feel quite endless at the moment.
“Del is in hospital still in Roskilde. He’s got seven fractured ribs, and he punctured his lung on one side, lacerated it on the other.”
“He’s gonna be fine,” Albarn goes on to say. “It was just a stage fall, and I’ve fallen off stage several times, off stages way higher than that and I’ve been so fortunate. When he fell down, I was looking at him like, come on get up there’s 80,000 people out there and we need to finish. I thought I was going to able to carry the song on. I thought he was going to be okay…. But he really wasn’t.”
The Gorillaz performance was ultimately halted after the incident occurred. Albarn concludes, “It’s an awful, awful thing that I can’t quite believe. I keep playing it through my head.”
From runways to radio airwaves, Louis Vuitton’s Artistic Director has a new design in mind.
On June 18, Virgil Abloh will host the introductory episode of his very own Beats 1 radio show on Apple Music from Louis Vuitton’s atelier in Paris. Entitled “Televised Radio,” the channel will act as an “audio mood board,” fusing new releases with time honored classics, while peppering musical selections with surprise guests who will join Abloh to discuss not only music, but art, design, and fashion.
“Music has an amazing ability to bring people together, and I couldn’t think of a better format to catalog all the multidisciplinary work I do under one umbrella,” Abloh said of the venture. “I’m using the two hours every so often to discuss various design projects and the rationale around them . . . in an effort to highlight my friends that make up my creative world. Apple’s design legacy and consideration of fostering art and design made it a perfect partnership.”
Those interested can tune in at 10 AM PST to catch Abloh’s inaugural episode.
In a wide-ranging conversation, Albarn revealed to Lowe that the new album has a distinct lack of features compared to the group’s other works, with only “Humility’s” featured vocalist, the jazz and soul legend, George Benson, and Snoop Dogg slated for appearances on The Now Now, leaving the rest of the vocal heavy lifting to Albarn himself. Albarn also puts the kibosh on the rumors that he lost an entire Gorillaz LP by leaving his laptop in the back of a cab.
Wavy synths and a thorough backbeat make for a mellow, smooth tune. One that is likely a primer for the “summer record” Albarn has promised.
Flume sat down with Zane Lowe on Beats 1 to dish on past collaborations, life before and after Future Classic, and the two documentaries recently released on him, When Everything Was New and Sleepless: The Story Of Future Classic, both of which are now available via Apple Music. The former is Flume’s own documentary, while the latter divulges into how the Future Classic label catapulted Flume’s career in its most incipient stages.
Flume tells Lowe how he entered a contest with Future Classic, simply to get his name on the map. Though Flume placed runner up in the competition, his decisive entry catalyzed the two entities quintessential relationship.
Known to work some of the industry’s most cerebral, influential rappers into his beat heavy productions, like Vic Mensa and Vince Staples, Flume comments on what he looks for in those types of collaborations.
“I just want to I want to find people who are doing something different and open to working with different sounds and unconventional beats and rigid open-minded people who have something to say,” Flume says. “And yeah I think that’s something that I’ve definitely felt working with Vince and Vic and a bunch of other people.”
Currently, he says he is keen on working with JPEGMAFIA, who recently released his fourth solo record, Veteran.
The Aussie, who has been less active lately than in previous years, also reveals he has bought a one-way ticket to Sri Lanka, where he plans to focus entirely on new music. He says been “writing all the time,” and that this time around he is “going back into the heavy.”
Carl Cox is scheduled to release his first drum & bass mix in more than seven years on March 30 through Apple‘s Beats 1 Radio show. The performance will be Cox’s first appearance on Beats 1 since his seminal Beats 1 mix from 2016.
The mix is a part of Apple Music‘s One Mix Drum & Bass month, which features a plethora of talent every Friday at 7 a.m. GMT. Other guests slated to perform on the show include Kasra, Etherwood, Pola & Bryson and High Contrast, with the legend himself closing out the month in head-splitting fashion.
The shows are available to stream live here and on demand here.
2017 was an epic year for the genre shapeshifter Eric Prydz. Capping off the year with three headlining performances at the storied Output club in Brooklyn, Prydz has continued to push the boundaries of progressive house and infiltrate the electronic music mainstream deeper than ever before. Known to experiment with alter aliases — Cirez D, Pryda — Prydz announced the coming of his debut EP as the mysterious Tonja Holma alias back in November.
Beginning the new year in stride, Prydz has released the 24th episode of his EPIC Radio show via Beats 1. “As this year is coming to an end, I have been reflecting a lot over all the cool stuff that I’ve been doing this year. All the experiences I’ve had,” he says. The episode features a plethora of tracks, all honing in on the progressive sonic landscape Prydz has helped popularize.
Each and every sonic endeavor from Eric Prydz is a stunning work of art. Namely, his long-running Epic Radio show via Beats 1 stands out as an exemplary facet. Prydz cemented this notion further on the show’s latest installment, broadcast on November 17, where he debuted a world exclusive — a brand new track entitled “Fulda.”
Alongside the speechless-rendering, irresistibly danceable “Fulda” was a handful of other tracks showcasing Prydz’s curational depth, from the likes of his newly minted Tonja Holma alias, to KiNK, and even Lindstrøm. While it’s unsure as to when or if his new album will arrive soon, Prydz seems to be consistently serving up newness to tie his fans over until that big moment arrives.
1 Eric Prydz – EPIC Radio Beats1 Intro ID 2 Eric Prydz – Fulda 3 Eric Prydz – With Me (OMT Edit) 4 Pryda – Moln (First Draft Edit) 5 TonJa Holma – Trippleton 6 Pryda – Viro (Eric Prydz’ Intro Edit) 7 Brett Johnson – It’s The Underground (Eric Prydz Remix) 8 KiNK – Five 9 Lindstrøm – Tensions 10 Eric Prydz (ft. Adeva) – In and Out (Eric Prydz Remix)