North Coast boasts diverse 2018 lineup featuring Miguel, Axwell ^ Ingrosso, Jamiroquai & more

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Chicago’s North Coast Music Festival unveiled the diverse lineup for its ninth edition, returning to Union Park August 31–September 2.

This year’s headliners include Jamiroquai, Miguel, Axwell ^ Ingrosso, DJ Snake, The Revivalists, and Yellow Claw.

Additional artists performing at “Summer’s Last Stand” include Vulfpeck, Snails, RL Grime, Gramatik, and more. This year, North Coast will also debut all-new daily showcases curated by industry collectives, showing off the best sounds in hip-hop, house, rock, and beyond with sets from the likes of The Cool Kids, Lyrical Lemonade, and more.

Tickets and more information are available here.

Featured Photo Credit: Michele D’Amaro

Creamfields announces unmissable 2018 lineup

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Creamfields announced their 2018 lineup and it’s looking to be behemoth year for the Cheshire-based extravaganza. Rich in both depth and considerable breadth, the festival will bring together 300 artists across 30 stages from August 23–26.

Techno don Carl Cox will be making his return to the festival for the first time in over a decade, where numerous other artists will be making an appearance, showcasing the festival’s keen ability to tap into the full spectrum of dance music. From artists like Skream, Kölsch, and The Black Madonna, to The Chainsmokers, Tiësto, and Above & Beyond, Creamfields 21 promises to be an unmissable installment for all dance aficionados.

creamfields18-lineup

More information and tickets are available here.

Dancing Astronaut’s Youtube hot picks: Trap Channels

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Looking for new music? Then you’ve come to the right place. Dancing Astronaut will be highlighting YouTube channels every dance music fan needs to know about. From drum n’ bass to melodic trap, we’ve got something for you. Make sure to subscribe to Dancing Astronaut’s YouTube for the best dance music news in the galaxy.

Proximity

“Your Favorite Music You Haven’t Heard Yet.”

Started in 2009, Proximity has become a staple channel for the EDM scene for both artists and fans. As one of the largest YouTube music channels, Proximity has racked up over 2 billion views and 5.6 million subscribers. From mashups to original premieres to the ZHU x Proximity exclusive, Proximity has listeners covered for all their dance music needs. Recent track postings from Proximity include Axwell Λ Ingrosso, Galantis, and Cash Cash, among others.

Trap and Bass

If you’re looking for your fill of bass music look no further. Created in 2012 as an outlet for up and coming talent, Trap and Bass has secured a cool 804,000 subscribers. On their channel you’ll find a mix of trap, hybrid, future bass, and bass house. Bringing the channel from irl to url, Trap and Bass has also hosted events and been a part of sponsorships worldwide. Recent track postings from trap and bass include DJ Snake, Oski, and UZ, among an up-and-coming roster of trap producers.

Run the Trap

With the intention of bringing 808 and trap music out of the shadows, Run The Trap was built in 2012 to create A New Order for Underground Culture. With 147,000 subscribers its obvious they know how to curate their music. From heavy trap to atmospheric future bass and with features like the newest Ekali x ZHU release, RTT has your deepest bass desires covered. With recent postings of tracks from Flosstradamus and Louis Futon, its no surprise that Run the Trap is one of YouTube’s most heralded channels for electronic releases.

Photo Credit: Grady Brennan

 

Did Axwell Λ Ingrosso really ruin ‘Dreamer?’ An analysis

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Swedish progressive house duo Axwell Λ Ingrosso have released their long awaited single “Dreamer” after more than a year of anticipation. Following the release, fan reactions were a mixed bag of emotions ranging from purist contempt to wholehearted appreciation to downright confusion.

The basis of such stark difference in opinion stems from the decision to alter the track’s structural elements or, in layman’s terms, change its drop. Is Axwell Λ Ingrosso’s fanbase truly this vexed over the group’s decision to flip the script on the track?

The collective frustration and confusion was exacerbated by the sheer amount of time that fans spent anxiously awaiting the track’s release, during which fans obsessed over live rips or “ID’s” of the “original” track—which first debuted at Amsterdam Dance Event in 2016.

Progressive house purists claim that the Swedish producers completely stripped “Dreamer” of its identity, and that the group is making an overt attempt to latch onto electronic music’s flavor of the week.

To rebut, others claim that by altering their production M.O., the group is exhibis a healthy artistic progression marked by a willingness to produce a more forward thinking sound.

Since the disbandment of Swedish House Mafia following their final performance at Ultra in 2013, Axwell has been outward about his desire to shift away from the musical styles that characterized the progressive house zeitgeist in the early aughts of the 2010s. Axwell took to social media following the backlash to give his side of the story, noting that fans can listen to the multitude of progressive house tracks in the duo’s catalogue if they desire a more purist approach.

Recent complaints regarding Axwell Λ Ingrosso’s structural subversion of the track’s fundamental elements comes as no surprise, especially considering the group’s emotional impact on progressive house fans throughout the years. Still, the complaints beg further questions regarding how genre categorization and cultural context affects the way music is produced and, more importantly, consumed on a grand scale. Not only do artists create music with its structural and stylistic elements in mind, but many pay close attention to how said music will be perceived in a larger cultural context or within the dance music scene.

Axwell Λ Ingrosso’s newest track “Dreamer” could be characterized as an active attempt to voyage into new sonic territory, a chintzy attempt to piggy back off of the success of EDM’s hottest buzz names in an effort to remain relevant, or something entirely different. Although it isn’t fair to deem the track obsolete or jump to conclusions about the duo’s artistic intentions, fan concerns about “Dreamer” bring forth relevant questions about how context shapes a songs construction and, ultimately, its reception on a larger scale.

Read More:

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Shapov & Trouze – The Way

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Shapov and the Singapore/America trio Trouze have officially released the piano-driven, emotive “The Way,” which made its stellar debut at Axwell / Ingrosso’s’s sold-out Heineken Music Hall show at ADE last year. Between the track’s stirring vocals and propelling melodies, Shapov and Trouze have once more solidified their stance in dance music.

After having begun 2017 with his Four Corners EP and subsequently bringing in 10 million streams on the work, Shapov toured tirelessly throughout the summer. He performed at Tomorrowland twice and also hit innumerable festivals along the way including Electrobeach, Los Alamos, Electric Love,  and Parookaville, to name a few.

Meanwhile, Trouze has been steadily making strides into the electronic scene, appearing on Armada and Mixmash, and collaborating with venerable artists like Elephante.

If the two continue pumping out tunes as hauntingly beautiful as “The Way,” it’ll soon be impossible for the dance scene to look in any other direction.

 

 

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Axwell Λ Ingrosso release uplifting music video for ‘More Than You Know’

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Axwell / Ingrosso have released their music video for the lead single of the summer “More Than You Know.” The film follows a young lady being filmed by her counterpart as she goes to an Axwell / Ingrosso set at a festival, parties, and goofs around, all through the lens of a ’90s era camera.

The track’s core sound has several aspects that make it catchy and infectious, one of them being the positive and uplifting feeling it delivers, and the duo clearly capitalize on these elements throughout their feel-good music video.

Read More

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