London’s decade-long Aphex Twin drought finally subsided with the producer’s September 14 performance at Printworks. Aphex Twin’s first club show in London in ten years’ time, and unsurprisingly, a sold out endeavor, the momentous live effort won’t be just a shadowy memory for attendees who pervaded the famed UK venue, thanks to the ten-piece camera crew who brought a 360°, full-length video of the two-hour set to fruition.
The visual eccentricity classic of an Aphex Twin appearance is on full display in the video. Bright flashes of white light accent the amorphous visuals that crawl across the screen in unpredictable fashion. Aphex Twin sourced this component of the live package from familiar collaborator, Weirdcore.
Staticky and climactic, the set develops at a languid pace. Aphex Twin originals such as “Stone in Focus” and “Umil 25-01” surface among unreleased new Aphex material, as do productions from a sampling of fellow artists, including HVL, Quartz, and Ye Gods, among others.
Aphex Twin will next set his sights on Manchester’s The Depot on September 20.
The Warehouse Project has unveiled its full lineup for its 2019 iteration, announcing a new wave of acts including Four Tet, Skrillex, Goldie, Diplo, Underworld, and many more. Manchester’s legendary party series will return September 20, 2019 and run through January 1, 2020 — hosting 28 events in total featuring some of the best offerings from electronic music. This year, The Warehouse Project will take place at newly-launched, 10,000 capacity venue The Depot.
In a mystifying new mix from Warp Records, DC native Kelela takes the form of spirit guide through a near hour-long journey of an abstract and ambient collection of music.
Kelela sings deliciously over tracks from the likes of Aphex Twin, Visible Cloaks, Oneohtrix Point Never, and more. The mix is hypnotizing, as words and musical transitions are left undiscerned. According to the singer, ‘AQUAPHORIA’ was arranged mostly in solitude, with remote online collaboration from the artists featured on the mix. The result of her labor is melt-worthy.
As it was created, ‘AQUAPHORIA’ begs to be experienced internally, perhaps on a rainy day or over a cotton candy sunset. Kelela’s voice envelopes the senses, as do the carefully selected talents and tracks that carry her.
The Warehouse Project (WHP), one of the UK’s most legendary parties, is back and bigger than ever. This year the event will christen a new venue called The Depot; a 10,000 person capacity creative space within Manchester’s historic former train station, Mayfield. And of course, the lineups for each of the party’s seven iterations throughout the summer will no doubt sell all 10,000 tickets.
Aphex Twin is kicking things off on Sept. 20 with a lineup he curated himself. The electronic enigma who only plays live when he feels like it has tapped fellow esteemed colleagues such as Nina Kraviz, Lee Gamble, and the European debut of 33EMYBW.
Sept. 21 will be the official opening party for WHP 2019 entitled “Welcome to Mayfield.” More than 20 artists are booked that night, including a DJ set from Disclosure, a live set from Maribou State, as well as a who’s-who of UK favorites.
For the rest of the summer, some of the best artists electronic music has to offer will make an appearance at the event. From WHP favorites like Annie Mac and Skream to welcome surprises like Skepta and Flume (who is the only artist booked for the Nov. 13 edition at this time).
Tickets for all seven nights of WHP 2019 go on sale June 27 at 9 a.m. GMT. Head to the official WHP website to buy them and check out the full lineups for each night below.
FRIDAY, SEPT. 20: APHEX TWIN CURATES Aphex Twin Nina Kraviz Lee Gamble 33EMYBW (European debut) Rian Treanor Zuli Aleksi Perala Kyoka SOS Gunver Ryberg Renick Bell Acre Szare Croww
SATURDAY, SEPT. 21: WELCOME TO MAYFIELD Disclosure Maribou State (live) Annie Mac Dennis Sulta Mall Grab Skream Mella Dee Jayda G Krystal Klear DJ Seinfeld Paul Woolford Baba Stiltz Leon Vynehall Moxie Kettama Prospa Dan Shake Sherelle Jaguar Tsha Krykso Greg Lord Zutekh DJs
SATURDAY, SEPT. 28 Warehouse Project & Kaluki Present: Marco Carola Loco Dice Apollonia Pirate Copy & De La Swing Pete Zorba & Calvin Clarke
Archive: Maceo Plex Anna Joy Orbison ItaloJohnson Olli Ryder & Luke Welsh
Concourse: Richy Ahmed Skream Waff Joey Daniels Ben Sterling Alisha
SATURDAY, OCT. 5 Metropolis & Wah Chase & Status DJ (A-Z) Barely Legal Bassboy Chimpo Danny Bird Darkzy David Rodigan DJ Zinc Dub Phizix & Strategy Emerald Friction Holy Goof Hybrid Minds Indika K Motionz Laz Cru Levelz Mark XTC B2B Exile Mollie Collins B2B North Base My Nu Leng Notion Rich Reason? Sasasas TS7 Voltage B2b Bou MCs in all rooms
FRIDAY, OCT.18 Mura Masa presents Raw Youth Collage Nao Black Midi Flohio Joy Orbison Special Request Mount Kimbie (DJ set) Jacques Greene Vegyn Tsha Jadu Heart Space Afrika Blehrin Now Wave DJs
WEDNESDAY, NOV. 13 Flume plus special guests
SATURDAY, NOV. 23 Skepta Octavian Flohio Miraa May Tiffany Calver Sherelle Maximum Places + Faces Rich Reason Black Josh
This year’s Red Bull Music Festival will end with a performance by Aphex Twin alongside Afrodeutsche, Caterina Barbieri, and Nihiloxica. The show will mark the end of Aphex Twin’s 10 year hiatus from performing at London clubs.
The festival’s finale will take place at London Printworks on a stage designed specifically for Aphex Twins’ triumphant return. Weirdcore, a London-based design company, is collaborating with the festival and Aphex Twin for a display with all the promise of a mystifying and trippy show.
This is the first year that Red Bull Music Festival is being held in London, and the four-week-long festival, beginning August 20 and going until September 14, will hit iconic music venues around the city, including a can’t-miss night of UK bass at Fabric London.
Tickets for Aphex Twins’ show go on sale Thursday, June 20 on the Red Bull Music website.
Each year, California’s premier music festival outdoes itself by booking an eclectic array of artists from throughout the dance music realm alongside its smattering of other genres. In 2019, these acts spread — perhaps more than ever before — throughout the event’s numerous stages, lending the opportunity to experience the diverse roster within equally diverse environs. While there are, of course, a number of fantastic performances from Coachella’s first weekend that are not represented on this list, we’ve narrowed down 10 sets which particularly impressed us.
Anytime a Frenchman takes the stage in a metal mask, Coachella history is soon to be made. And, amid a lineup filled with prodigal artists from the festival’s past, Gesaffelstein stood out as one of the its most formidable acts. After releasing the pop-laden album Hyperion in March, fans weren’t sure what to expect from Michel Lévy’s Indio return — would he focus on his newer, more mainstream fare, or return to his darker days of yore? Once he took the stage, donned in a shimmering, Vantablack metal suit, little question remained. For the first hour of nightfall in Coachella’s final day, Gesaffelstein melded his new releases with classic favorites and overwhelming live edits, synchronized against an ominously spectacular visual production. Indubitably, a new era lies on the horizon for the harrowing luminary, and Coachella provided the perfect backdrop for its debut.
Gesaffelstein will play the Outdoor stage from 7:40-8:40 PM on Sunday, April 21.
There are few acts in electronic who better embody the descriptor of “stunning” than Jon Hopkins. The British artist’s fusion of melodic ambient with erratic techno influences would set him a cut above the rest of his class, were there anyone else in his class at all. His Coachella set, which closed the Gobi tent for the weekend, dutifully matched the quality of his catalogue. Hopkins dove into mesmerizing, cathartic live edits of Singularity, his Grammy-nominated 2018 album, accompanied by a transcendent selection of video arrangements which culminated in one of the festival’s most emotionally evocative performances.
Jon Hopkins will close out the Gobi tent from 9:40-10:40 PM on Sunday, April 21.
For years, Richard James has been one of the most hoped-for additions to the Coachella lineup. Anyone with a semblance of dance music knowledge knows that his Aphex Twin project is one of the most influential pieces of electronic music history. Because James’ last appearance at the festival, in 2008, predated the “EDM boom,” his 2019 appearance marked the first time that many recent fans have been able to see him perform. Suffice it to say, he did not disappoint. Standing before a surprisingly roomy Mojave tent crowd, Aphex Twin put forth more than 90 minutes of eclectically arresting garage, techno, EBM, IDM, and downtempo music. Piercing lasers and a hysteria of often-unsettling visuals accompanied his arrhythmic score in a chaotic fashion which demonstrably proved that Richard James’ bite easily equals the bark of his hype.
Aphex Twin will close out the Mojave tent from 9:05-10:35 PM on Saturday, April 20.
Within the techno community, Nina Kraviz’s Coachella set was likely the most polarizing of the weekend. The Russian artist and Trip label-head is known for her highly energetic DJ sets, so the confusion at her decision to break from this mold in her live show debut is understandable. Indeed, for the lion’s share of her set, Kraviz dabbled more in avant-garde performance art, interacting bizarrely with set pieces more primed for a playhouse than a nightclub. However, once the peculiar producer moved on to the techno portion in her set’s second act, the patience of those who remained was duly rewarded. Kraviz’s cerebral, thunderous dance selections were awe-inspiring to say the least. And, when paired with the unique visual components which reflected her moves onstage, her set’s climax echoed Richie Hawtin’s stunning CLOSE performance, which debuted in the same Friday closing slot at Mojave two years earlier.
Nina Kraviz will close out the Mojave tent from 10:15-11:15 PM on Friday, April 19.
Anytime Âme graces an American festival roster, they are an absolute must-see. More accurately, “he” is a must-see, as generally, Kristian Beyer performs DJ sets without his partner, Frank Wiedemann. Seeing Âme in the Yuma tent at the height of Saturday afternoon is a sensorily peculiar experience. As a benchmark of Dixon’s coveted Innervisions imprint, Beyer’s deftly crafted mixes of soulful balearic house, deep techno, and tribal club music transport the listener to after-hours parties in the White Isle or Berlin. Therefore, it’s easy to forget that the sun is shining brightly just outside the walls of Yuma’s pitch-black interior. A trip to the bathroom during Âme is a smack in the face from reality, but this just makes the imminent return to Beyer’s darkened fantasy realm all the more delectable.
Âme will play the Yuma tent from 4:30-6:00 PM on Saturday, April 20.
Undoubtedly, Deep Dish is the best kept secret on Coachella’s 2019 lineup. For those unaware, the duo, which disbanded in 2006, is comprised of Dubfire and Sharam. The Yuma tent provided an impeccable setting for this storied reunion, which Deep Dish more than duly reciprocated throughout their 90-minute set. Ranging from the house influences of Sharam to Dubfire’s favored brand of apoplectic techno, the duo’s reign over Yuma stood out as one of the tent’s most diverse — and best — sets of the weekend.
Deep Dish will play the Yuma tent from 6:00-7:30 PM on Saturday, April 20.
Charlotte de Witte
Over the past two years, Charlotte de Witte has grown from a hero of techno’s underground into one of the genre’s most sought-after acts for the festival circuit, and it’s easy to see why. During her prime Sunday slot, the Belgian DJ provided one of the Yuma tent’s darkest sets of the entire weekend — no small feat, considering her competition from ominous legends sharing the roster, such as Nicole Moudaber and Cirez D. From the moment she took the stage, de Witte plunged her audience into a uniquely aggressive realm, ensuring that all in attendance would be reinvigorated for the festivals final sets thereafter.
Charlotte de Witte will play the Yuma tent from 7:00-8:30 PM on Sunday, April 21.
In 2019, Coachella poured more resources into their preeminent onsite nightclub than ever before. The intricate lighting arrangements throughout the stage and ceiling of the Yuma tent exceptionally accentuated the deftly-curated soundsystem for each act on the weekend’s stellar lineup. With this pristine setup, Goldenvoice would be hard-pressed to find a better weekend closer than Eric Prydz. Impressively, albeit unsurprisingly, the Swedish icon artfully claimed the stage as his own during his sinister, 2-hour set as Cirez D. Prydz’s team masterfully executed the lighting system of the Yuma to its fullest potential, creating a monolithic experience which mirrored the environs of the artist’s former residency at Hï Ibiza. Though the bass often obscured the top-lines of Cirez D’s fast-paced, techno-heavy set, the aggressively sleek selections culminated in a larger than life experience, providing Yuma — indeed, all of Coachella — with the conclusion it deserved.
Cirez D will close out the Yuma tent at 10:00 PM on Sunday, April 21.
In the realm of live electronic music, an intricate visual production can be as defining (or more) an element of an artist’s set as the music itself. An artist’s decision to eschew any video or lighting component whatsoever is, therefore, quite the statement. As the sun set on Coachella’s second day, Four Tet shrugged off the visual effects at his disposal, opting to perform his entire slot in front of the Mojave tent’s black screens. With no other stimuli competing for attention, Four Tet’s eclectic selection of experimental house and garage-infused tech took center stage, leaving a masterful impact on all in attendance.
Four Tet will play the Mojave tent from 7:35-8:35 PM on Saturday, April 20.
Chances are, those who catch Bassnectar’s closing Saturday night set at the Outdoor stage at this year’s Coachella won’t be seeing him for the first time. Over the last two decades, Lorin Ashton has cultivated one of dance music’s most dedicated fanbases. And, thanks to his high-octane brand of amorphous bass music and vibrantly chaotic visual productions, bass heads will attend as many of his shows as they feasibly can. However, Bassnectar’s set during the first week proved to be a unique experience in its own way.
2019 marks Ashton’s first Coachella appearance since he performed the Sahara tent six years ago, and the rare opportunity to witness the iconic artist from a spacious, open-air crowd is certainly one to be relished. During the first week, Bassnectar’s setlist echoed performances from one of his most beloved eras, the early 2010s. Perhaps due to his relatively brief time-slot, Ashton spent little time exploring his softer, more melodic influences. Instead, he opted to put forth formidable classics from his own catalogue alongside cuts from the likes of Gesaffelstein and a visually stunning, at times political, light show.
Bassnectar will close out the Outdoor stage at 12:05 AM on Saturday, April 20 (technically Sunday).
Featured image via Coachella 2019 by Charles Reagan.
Not all heroes wear capes; some stand still with an ever-so-steady hand for a full 90-minute performance in Coachella‘s Mojave Tent. One fan took it upon themselves to document Aphex Twin‘s Saturday night performance—easily one of the most anticipated sets on this year’s Coachella 20th anniversary lineup—for everyone else’s viewing pleasure.
Hot off the heels of his first NYC appearance in nearly two decades, the Collapseproducer pulled out all the stops with anonymous visual artist Weirdcore in tow, delivering a mind-bending, sensory-overloading performance. It has been 11 years since Richard James’ last performance at Indio’s Empire Polo Club, and his return to Coachella during this year’s first weekend proved to be well worth the wait. Relive Aphex Twin’s full performance below.
Aphex Twin has gained critical acclaim over his historic career of live performances and recorded work. From ambient records to shows filled with pummeling techno, his variety of musical styles over 20 years has made him a fan favorite. Taken from one of his early performances at New York’s now defunct nightclub, Limelight, a rare recording of an Aphex Twin DJ set has emerged from the owner of New Jersey’s Lofidelic Records.
Packed to the brim with an hour of distorted acid, techno, and house tunes, Aphex Twin shares cuts from Green Velvet, Dave Clark, and himself as a display of his unrelenting sound. A storied location, Limelight was operated out of an old church in Manhattan’s Flatiron District. A relic of New York City’s ’90s nightlife scene, the recording, found below, is a perfect listen for those yearning for the early rave days.
Lately Aphex Twin has been at the center of a whirlwind of activity that, to date, has included the release of two brand spanking new edits of “Avril 14th,” and an ensuing original single dubbed “Mangle 11.” To further fan the Aphex flames, the producer, born Richard David James, also announced a series of upcoming live performances, signaling his return to the festival circuit in 2019. Aphex Twin notably graces Coachella’s 2019 lineup, and will also handle headlining duties alongside Massive Attack at Mexico City’s Ceremonia Festival in April.
2019 is evidently shaping up to be a big year for Aphex Twin, with his recent nomination for a 2019 BRIT Award. Aphex will vie with fellow nominees Craig David, George Ezra, Giggs, and Sam Smith for the BRIT award for “Best Male Solo Artist.” The third time might just prove a charm for Aphex Twin, who previously received nods in the same category in 2002 and 2016. The 2019 BRIT Awards will take place on February 20 at The O2 in London.
The Collapse producer is also preparing to perform in New York City for the first time in 20 years. The acclaimed electronic entity will close the gap between his last live performance in New York during the 1990’s and 2019 at Avant Gardner in Brooklyn. Slated for April 11, the show will also mark Aphex Twin’s first appearance in the US since his set at Houston’s Day For Night festival in 2016. Tickets to Aphex Twin’s Avant Gardner show will go on sale January 18 at 10 AM EST, here.
A city with a vibrant music scene and appreciation of electronic music, Mexico City has become a hotspot for touring electronic artists in recent years. Returning for the 2019 iteration of the event, Mexico City’s Ceremonia Festival has announced an exceptional lineup including performances from Massive Attack, Aphex Twin, and more.
In addition to the exciting headliners, Ceremonia has brought an eclectic array of electronic and indie talent to their esteemed festival. Jon Hopkins, Kaytranada, DJ Koze, and Modeselektor will provide a day full of grooves, as rebellious Russian punk rockers Pussy Riot and the unbelievably funky Khruangbin will hold down the fort with live band performances. With acts crossover acts like Yaeji, Rosalía, Ambar Lucid, and serpentwithfeet rounding out the lineup, Ceremonia is bringing a variety of must-see talent to Mexico City this April.