Ganz flips Alison Wonderland’s ‘Easy’

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Ganz flips Alison Wonderland’s ‘Easy’Screen Shot 2018 09 03 At 1.54.45 PM

GANZ continues to make it looks “Easy” — pun intended. The Dutch producer has returned to deliver another show-stopping remix, this time of Alison Wonderland‘s “Easy.”

Whether it’s remixing some of dance music’s hottest artists such as Flume and ODESZA or unleashing explosive originals of his own, GANZ’s style is his own. For the past half a decade, the Amsterdam-based producer has proved his ability to break down barriers and genre limits as a whole, combining heavy bass with smooth, sultry vocals.

Alison Wonderland displays her stamp of approval, debuting her radio show, Radio Wonderland, on Sirus XM with GANZ’s flip of her own song, “Want U.”

This remix follows an original called “Slippin’,” featuring CUT_, released in July. Uploading “Easy” to his SoundCloud page, he writes, “Just a new GANZ flip of my bud @alisonwonderland her amazing track ‘Easy’. Hope you guys enjoy it <3.”

Valentino Khan delivers hard-hitting remix of Alison Wonderland’s ‘Good Enough’

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Valentino Khan delivers hard-hitting remix of Alison Wonderland’s ‘Good Enough’Valentino Khan Alison Wonderland Remi

Valentino Khan remixed Alison Wonderland‘s “Good Enough” and reshaped the trap original into a higher speed, electro house-inpired heater. With vocal chop melodies and orchestral undertones on the build, the remix quickly picks up and drops into quick gritty bass notes and shuffle-inducing percussion.

After Wonderland’s successful release of her second studio album, Awake, earlier this year, the Australian top-tier DJ has enlisted remix talents for singles “Church” and “Easy.” Now, it’s time for the lead single off her album to get a rework from the Owsla producer. So far in 2018, Khan’s done official remixes for Calvin Harris and Dua Lipa‘s “One Kiss,” and Diplo, French Montana, and Lil Pump‘s “Welcome to the Party.”

Photo Credit: @terrysgotheart/Instagram

Bassnectar, Dillon Francis & Friends, Kaskade and more lead EDC Orlando’s 2018 lineup

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Bassnectar, Dillon Francis & Friends, Kaskade and more lead EDC Orlando’s 2018 lineup18PRectw

EDC Orlando will descend upon its historic host venue Tinker Field from November 9-10, and as in all past years of production, the Insomniac festival will bring a slew of stars to the Sunshine State. After last year’s record turnout, the events giant had to follow with a special billing, and suffice it to say they’ve delivered with their 2018 lineup.

Alesso, Alison Wonderland, Dillon Francis & Friends, Kaskade, Bassnectar, and more will take to the decks, their performances interspersed among a series of heady back-to-back sets, including 4B, GTA and Valentino Khan sharing the stage, Nicole Moudaber back-to-back with Paco Osuna, and Jamie Jones joining the Martinez Brothers, among others. Tiësto is slated for a special sunset performance, along with appearances from Martin Garrix, Tchami, Pendulum and many more.

Tickets to EDC Orlando are currently available and can be purchased here. Two-day GA passes to the festival begin at $189, while VIP passes start at $359.

Bassnectar, Dillon Francis & Friends, Kaskade and more lead EDC Orlando’s 2018 lineupEdc Orlando 2018 Lu R05 1

Photo Credit: aLIVE Coverage

 

Meet the artists you can’t miss at Spring Awakening: Alison Wonderland

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This year, Chicago’s Spring Awakening Music Festival, the largest dance music fest in the Midwest, will return to Addams/Medill Park with another packed, meticulously curated lineup, including TchamiVirtual SelfTiëstoAlison Wonderland, and more across its three-day span. Dancing Astronaut has teamed up with the fest to get to know its standout acts a little better, just before SAMF arrives to bid spring adieu June 8-10. 


Alexandra Sholler, aka Alison Wonderland, EDM’s token Aussie with the purplest hair and some the most massive bass beats in the game, is heading back to the Windy City for 2018’s Spring Awakening. Aside from her status as a globetrotting DJ/producer, Sholler is also a classically trained cellist, songwriter, and singer — her voice can be heard on nearly every track she writes. Last year, she made headlines for her stellar performance at Coachella, where she and Rezz were the highest paid females on the ticket — not to mention Coachella history. 

Known for her transparency about struggling with mental health, Sholler has become something of an advocate in that domain for both other artists and her fans, often taking time out of her sets to speak candidly on the topic. Both her new album, Awake, and her 2015 album, Run, are weighted in unequivocal emotion, a redemptive motif encircling her momentous trap beats and intricate sampling.

A highly in-demand collaborator, Sholler has teamed with talent across the spectrum, including Lido, Wayne Coyne of The Flaming Lips, Chief Keef, and most extensively, fellow Aussies, Slumberjack, whom she speaks so fondly of with Dancing Astronaut before she heads to SAMF’s Equinox Stage June 8. She also divulges into inspiration for Awake, must-see sets at SAMF, and her at-home, one-woman DJ sessions.

You can still buy tickets to Spring Awakening here, and the full lineup is available to view here.

How would you compare the Australian dance music scene to the US’s?

I grew up in the dance music scene in Australia. It’s what shaped my whole career as an artist. I feel like the festivals are different. I remember the first time I played EDC Las Vegas in 2015. I had never seen an electronic festival like that in my entire life.

Quite a bit of time elapsed between Run and Awake. Were you working on Awake for that entire time?

No I was not. I did a lot of touring off Run. To be honest, I didn’t expect Run to get the attention it did when I made it. I find it hard to produce and write while I’m on the road, so I started working on Awake when I had more down time in one place. I am also very inspired by my emotions, and Awake is about a pretty heavy series of events in my life. I can’t pick and choose when things happen to me or where I find creative inspiration, and I started writing awake to deal with those particular issues.

How have you evolved as an artist in that time span?

I am not sure. I feel like as I grow as a human, I grow as an artist. It’s very organic for me. I grow off feelings and intuitions. I am super bad at planning, so I think I just have more insight now. I don’t really think about how I have grown. I think I definitely am a better songwriter and producer. That’s the great thing about art: you can always learn new things.

Last time I saw you live, you got up on the decks and had so much enthusiasm. Do you still get that hyped about DJing?

100%, even when I’m alone I get hyped. I think this is the only thing I genuinely love, to be honest. I DJ alone in my house for fun. Once I played for eight hours straight at a house party I threw in LA. Ask Jai Wolf, he was there. I feel better behind the decks than in front of them. Every time I play I feel at home and it is super cathartic for me.

You’ve collaborated with Slumberjack on your past two albums. Tell me about your experience working with them.

I just f****ng love those boys. We really get each other musically. Everything just flows so easily. We always seem to make music in the most random places. “Naked” was finished in a hotel room with sh**ty laptop speakers and my iPhone as a microphone. “Sometimes Love” was made in a kitchen. I prefer collaborations that feel organic where there is mutual and equal respect. I work better that way. I mean everyone does. It is important to have trust in each other’s creative processes. I feel all of that with the Slumberjack boys.

What’s your favorite part of being on tour? Least favorite?

My favorite part is playing shows and feeling the adrenaline and connection with a crowd that comes with that. My least favorite part is the loneliness.

How does it feel to be returning to Chicago for Spring Awakening?

Amazing. I cannot wait. I love the crowd there.

What three sets would you recommend from the Spring Awakening lineup this year?

I would not miss Virtual Self, Bleep bloop, Oh and this loser. Her mother paid me $20 dollars to say this: Alison Wonderland.

Alison Wonderland speaks up about mental health, emotional abuse: ‘I was completely disintegrating’

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Despite her fairytale moniker, things have not always been butterflies and rainbows for Australian producer Alison Wonderland. In fact, she’s made it her mission to be as honest and forthright about her struggles with mental health, emotional abuse, and battle with anxiety and depression as possible. As such, her new album, Awake, exposes the deeply personal experiences and struggles she’s overcome, through its raw lyrics and a channeling of unequivocal emotion.

But now, Alison Wonderland’s opening up about her experiences with an emotionally abusive relationship, her battling of both depression and anxiety, and getting to the point where she was at a place in her life where she had considered suicide in a new interview with Viceland.

“I was completely disintegrating,” she says, holding back tears. “It was a very tough time. I wasn’t eating. I wasn’t talking to anyone. It was literally destroying me. I couldn’t remember what was good about me, I couldn’t remember why anyone would even like me. I couldn’t remember why I was even here, and at my lowest point, I tried to kill myself.”

H/T: Mixmag

 

Life is Beautiful returns in 2018 with a comprehensive, star-studded fifth anniversary line-up

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Life Is Beautiful Music & Arts Festival is set to return to downtown Las Vegas with another comprehensive line-up, September 21–23, 2018. Now in it’s fifth year, the festival boasts some of the music world’s most sought-after headliners in The Weeknd, Arcade Fire, Florence + The Machine, DJ Snake, ODESZA, N.E.R.D, Deathcab for Cutie, Tyler, The Creator, and Justice.

If this group of star-studded talent doesn’t somehow tickle the ear drums, there truly is something for every musical taste this year. Also gracing the bill in 2018 is Bastille, Cold War Kids, Foster The People, and Wolfmother for the rock-minded music seekers. As the music industry’s most rapidly growing genre, rap and hip-hop is also well represented on the bill in Miguel, A$AP FergT Pain, and more.

Of course, electronic artists continues to dominate the event with trap extraordinaires RL Grime, What So Not, DVBBS, tropical house saxophonist Sam Feldt, rising star Elohim, Galantis, CHVRCHES, Alison Wonderland, Cashmere Cat, Gramatik, Lane 8, Party Favor, and Chet Porter.

Tickets go on sale April 26th, with general admission passes starting at $295 + fees. All information can be found on the Life Is Beautiful website.

Beyond the headliners: DA presents the top 10 must-see acts of Coachella 2018

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America’s cornerstone music festival is fast approaching its Empire Polo Club descent. As Coachella Music Valley Music & Arts Festival enters its 19th annual celebration, the festival reflects on music’s past, relishes in its present, and amplifies its future. It’s an exuberant apex promising the land of milk and honey for its frenzied fashion frolickers and music aficionados alike.

Those that secured passes this year conquered its fastest selling edition on record despite having endured a price hike. This year sees the Goldenvoice brainchild packing punches and taking names as per usual. Rock ‘n roll’s presence has dwindled, giving rise to rap, pop, and R&B. Beyoncé, The Weeknd, and Eminem are headlining. In the electronica arena, rising acts like Louis the Child, Alan Walker, AC Slater, Petit Biscuit, Whethan, Cash Cash, and San Holo are carrying the torch of a new era of radio-friendly, pop-centric dance music, which Coachella’s clearly noticing based on their booking choices. 

We here at Dancing Astronaut have taken to compile a complete list of acts we deem unmissable ahead of the gathering’s first weekend. By now the set times have dropped and there are inevitable conflicts, but these acts are among the most exciting debuts, performances, and compasses for where dance music has been and will shift in the years to come.

10) Ekali

Photo Credit: Brandon Artis

If a cosign from Skrillex doesn’t entice you, perhaps it’ll behoove you to know that the OWSLA signee Ekali sold out his Babylon tour through December of last year. Maybe you’d like to know that the trap maven moves through genres with ease, having collaborated already with TroyBoi, Denzel Curry, and KRANE. Last year, he released a huge collaboration with Zhu and dropped a wide range of mixes, including his three-hour-long Awakening mixes, a Diplo & Friends mix, and a Triple J mix. Ekali became a household name in the dance community in 2017, and accordingly, DA named him one of the producers of the year. This year, he’s moved from his 2016 DoLab performance slot to an afternoon slot in the Sahara tent and if that isn’t an impressive testament to his own, and a rising class of new dance acts’ versatility, growth, and impact in the modern dance realm we truly don’t know what is.

9) Petit Biscuit

Photo Courtesy of Sacks & Co.

Nineteen-year-old Mehdi Benjelloun, known musically as Petit Biscuit, has already proven his music production talents are well beyond his years. Classically trained in the cello by the age of five, Benjelloun’s monumental remix of ODESZA‘s “Memories That You Call,” drew comparisons to the duo with a refreshing injection of poise. Not to mention, Petit Biscuit wrote, produced, and mixed his debut album Presence over the course of the last year, somehow finding a balance between high school exams and sold-out tours across the world. Petit Biscuit’s Coachella debut is a testament to a new class of classically trained electronic musicians. May there be plenty more to come.

8) Kölsch

Photo Credit: Adrien Combes

Just last year, Kölsch ran through a slew of high profile festivals, had a stellar BBC Radio 1, an Ibiza residency at one of the island’s most renowned new destinations, played the iconic DC 10, Berghain‘s Panorama bar, and performed on the Eiffel Tower for five million people around the world. With both ease and great comfort, Kölsch’s sets implement an articulate understanding of his surroundings, and though Coachella 2018 marks his debut at the festival, his ability to read the room will surely see that he delivers here and for the rest of the world in the months to follow.

7) Barclay Crenshaw

Photo Courtesy of Artist

Dirtybird head honcho Claude VonStroke, also known by his hip-hop alter ego and real name, Barclay Crenshaw, is elevating one of dance music’s mightiest messages. As the founder of the Dirtybird Campout, Crenshaw’s proven the Dirtybird flock is much more than a tantalizing tech house home base, but an embodiment of the true meaning of dance music. He’s bringing the tribe back to the dance floor and proving that love and passion, for music, but more importantly for one another, will see it all through.

6) Chromeo

Photo Credit: Tim-Saccenti

One could argue that a Chromeo set in 2018 is outdated. But, that would be to ignore the duo’s immense cultural permeability, not to mention their timelessness, and an ultimate ushering in of contemporary disco music. Chromeo’s releasing a new album in June. For now, they’ve released a new bop with D.R.A.M and renowned Prince and D’angelo collaborator Jesse Johnson for what appears to allude to their grooviest album yet. Their Coachella set will undoubtedly feature a plethora of classics and new material alike, and you’d have to be crazy to miss that.

5) Detroit Love (Carl Craig, Kyle Hall, Moodymann)

Photo Courtesy of Artist

Keeping current and experimental with underground techno bookings proves to be no easy task. This year, Coachella’s dance bookings cater to the techno heads — see Maceo Plex, Chris Liebing, Joseph Capriati, and more — while simultaneously paying respect to the birthplace of the genre with the booking of Detroit Love. Detroit Love is a trio comprised of dancefloor experimentalist and top Detroit techno producer Carl Craig, Kyle Hall, and Moodymann. Ultimately, it’s small wonder Goldenvoice looked to this crew. If any group were to lay siege on the compelling concoction that is Motown, jazz, and techno, there would be no better choice than these homies from the “D.”

4) The Black Madonna

Photo Credit: Aldo Paredes

In the era of #MeToo, where women are speaking out against their oppressors, The Black Madonna uses her music as a means to amplify the voices of the fringe dance community. Her sets raise up the central voices of club history — ones that have been forced to the periphery or silenced entirely — through a provocative exudence of acid house, disco, and outright emotion.  Her music seeps groove and love that’s made to replenish the soul.

3) Peggy Gou

Photo Credit: Dan Medhurst

Peggy Gou is going to be here for a long time. Having graduated from the underground circuit with the highest honors of club-polished sounds in 2018, Gou brings forth sets that are a dynamic testament to her compelling curation and outpouring love for the craft. She wanted to the be the first female Korean DJ to play Berghain, which she was, and along the way she also became the first female Korean DJ to play BBC Radio 1‘s Essential Mix. Now, her Coachella debut solidifies that her electrifying electro and disco will only perpetuate her meteoric rise to stardom.

2) Alison Wonderland

Photo Courtesy of Artist

Alison Wonderland is speaking her truth. She’s just released her exquisite sophomore album, AWAKE, which is a compelling collection of EDM and hip-hop crossovers. From rappers to Grammy-award winning songwriters, Alison Wonderland is successfully holding the attention of her listeners, while offering one of the most refreshing perspectives of women in the genre’s history. It’s rife with sarcasm, and yet, poppy in its deliverance. The album sees Wonderland wielding her moniker’s trope as a weapon with ease, and it’ll be no surprise if she’s a household name come the end of the year. Considering how much the EDM world is a man’s microcosm, at least onstage,  the very presence of Alison Wonderland’s perspective tends to come off as a revolutionary, dare we say, awakening.

1) REZZ

Photo Credit: Will Selviz

Dancing Astronaut named REZZ 2017’s producer of the year, “The prodigy who exceeded all expectations,” we called her. And yet, to reduce REZZ to our expectations, in hindsight, feels wrong. She’s an artist. Mercurial and acting on her own unique vision. She’s promoting the consumption of water during her sets, like many, she’s working on the little things, improving her jumps during her sets, and she’s taking on the world. As the Coachella set times were looming we began to wonder if the outside world had caught up, whether it was ready to recognize Isabelle Rezazadeh’s global ascension. Having ripped into the scene three years ago with an unparalleled juxtaposition of industrial techno and pummeling bass,  REZZ carved an unforeseen niche in the mines of ominously-sinister, singular techno, and now, the world has taken notice. REZZ will close out the Sahara tent on Friday and the world will be watching. There are no doubts REZZ will continue her momentum into superstardom after this performance, and continue to exceed our expectations, but it’s probably time we let go of those and let the Space Mom do her thing.

Featured Image Courtesy of Coachella

Dexter’s Beat Laboratory Vol. 35

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Dexter’s Beat Laboratory is a weekly collection of songs from DA music editor and staff writer Robyn Dexter. With a taste that can only be described as eclectic — to say nothing of a name that lends itself to punnery — DA is happy to present a selection of tracks personally curated by Dexter for your listening pleasure.


One of the most recent releases out of the Hospital Records camp is Logistics‘ seventh studio album, Hologram. Its third track, “Broken Light” with award-winning singer/songwriter Thomas Oliver, is a soulful and simple drum & bass tune. Combined, Oliver’s captivating vocals and an emotive piano melody give off a slightly melancholy vibe. When brought together with the drum & bass pattern, these three elements make for a stunner of a song.


In his first release since “Tell Me Your Secrets,” DEMUR packs a powerful punch. “Open Your Eyes” is a striking bass house number that sets a dark atmosphere from its first few chords. Dramatic, hard-hitting bass strikes almost immediately, pounding a haunting cacophony into the listener’s ears.


Gallant makes an impressive return with a new original, “Gentleman.” The soulful slow jam brings the heat with a smooth, sexy vibe, showcasing the artist’s silky falsetto. It’s been months since we’ve seen new material from Gallant — and it was worth the wait for this effortlessly provocative tune.


It’s Alison Wonderland album release day! The 14-track Awake is out now, featuring an exceptional collection of originals and collaborations. Additionally, she released a set of remixes for “Church,” which came out in February. One such remix was from fellow Australian Naderi, who has amplified the track’s future bass elements with chopped vocals and bouncing synths.


Following March’s “Raver,” UK drum & bass mastermind Dimension returns with a new thrilling ride. Unlike its name, “Techno” is straight drum & bass fire, adding to the intensity with excitement-building counting in both English and French. Powerful spoken word ignites the middle portion of “Techno” and carries the momentum through the remainder of the track. “I will not be regretting any of my decisions – I stand by everything I say. I will stand in truth, I will be whatever I want to be. You can try to put me in a cage, but I will break out with my rage. Because everything is just energy, and I cannot die.”

Alison Wonderland releases new music video, ‘High,’ featuring Trippie Redd

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Anticipation continues to mount for the release of future bass powerhouse Alison Wonderland’s new AWAKE LP, following the respective releases of her first couple of singles, “No” and “Church.” Arriving as the third single off her forthcoming sophomore studio album comes the ambient single, “High,” featuring Ohio-based rapper Trippie Redd. The track is accompanied by a mood-enhancing video featuring Alison Wonderland and Trippie Redd at the center. It was self-directed by Alison Wonderland, with cinematography from Jeffrey Zoss.

“It was a real pleasure to work with Trippie,” Alison Wonderland says of the release. “It is important to vibe with an artist before we collaborate. When he heard this song, it was very organic, and he jumped in the booth and we walked out feeling that we had something special. I felt like this song had a certain spirit and wanted people to feel like they were going on a journey with us….just like when watching the music video.”

The visual aesthetic of the video perfectly encapsulates the chill, stoner mood set by the song’s lyrical content, with both producer and rapper swaying against a colorful floral background as glitchy jump cuts keep viewers on their toes. Quite unexpectedly, the video starkly transitions to an animated storyline (c/o Jayme Lemperle and Evan Red Borja) at Wonderland’s unusual and unique drop, pulling listeners into a completely different universe that is assuredly a snapshot of her mind.

Due out April 6 on Astralwerks, AWAKE is the follow-up to Alison Wonderland’s 2015 debut album, Run, which entered Billboard’s Top Dance/Electronic Albums chart at No. 1.

Alison Wonderland releases second single ‘No’ ahead of upcoming album

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The multi-talented Alison Wonderland released “No,” the second single off her upcoming LP and following “Church.” The multitalented Australian artist has been putting in a lot of promo work ahead of the album’s — dubbed Awake — release on April 6, including vinyl signings and free giveaways, to ramp up fans’ excitement.

This track showcases a new sound for Wonderland, straying from her usual dark, trap-inflected vibes. This one is certain to lift listeners’ spirits with upbeat synths and bright vocals. She has a whole list of shows lined up in support of Awake, set to kick off in August.